Narration, Voice, and Character in the Soundtrack to David Fincher’s Gone Girl

IF 0.5 0 FILM, RADIO, TELEVISION
Trevor Penoyer-Kulin
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引用次数: 0

Abstract

Abstract:This article looks at how the soundtrack for the movie Gone Girl operates on several different narratological levels: it represents characters, it expresses character psychology, and sometimes even seems controlled by one particular character. In this way, it informs how we read the dynamic between the film’s two married protagonists.
大卫·芬奇《消失的爱人》原声配乐中的旁白、声音和角色
摘要:本文探讨了电影《消失的爱人》原声音乐在不同叙事层面上的运作:它代表人物,它表达人物心理,有时甚至似乎被一个特定的人物所控制。通过这种方式,它告诉我们如何解读电影中两个已婚主人公之间的动态关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Music Sound and the Moving Image
Music Sound and the Moving Image FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
0.00%
发文量
6
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