Pacific Coast Philology最新文献_第9页

But What Would She Say?: Reframing “Domestic Terror” in the 1966 UT Austin Shooting 但是她会怎么说呢?:在1966年UT奥斯汀枪击案中重新定义“国内恐怖”

Pacific Coast Philology Pub Date : 2017-10-17 DOI: 10.5325/PACICOASPHIL.52.2.0294

Jo Scott-Coe

引用次数: 1

Ghosts in the Closet?: The Dandy, Specter, and Spectacle in Jean Lorrain’s Monsieur de Bougrelon and Monsieur de Phocas 壁橱里的鬼魂？：让·洛林《布格雷龙先生》和《福卡斯先生》中的花花公子、泼妇和奇观

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0088

C. J. Gomolka

引用次数: 0

Her and the Hardwiring of Romanticism 她与浪漫主义的艰辛

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0054

K. Lundeen

{"title":"Her and the Hardwiring of Romanticism","authors":"K. Lundeen","doi":"10.5325/PACICOASPHIL.52.1.0054","DOIUrl":"https://doi.org/10.5325/PACICOASPHIL.52.1.0054","url":null,"abstract":"The breathless pursuit of an unattainable ideal, a trademark of English Romantic poetry, resurfaces in the 2013 film Her, written and directed by Spike Jonze. The possibility of securing such an ideal is presented in the film when the main character meets the girl of his dreams—a computer operating system. The genius behind the high-tech companion is not simply its compatibility with its user. In a relationship between a human and an operating system, the medium is the object of desire, which, paradoxically, creates the tantalizing possibility of unmediated intimacy. Nearly two centuries earlier Percy Shelley pursued the ideal of unmediated intimacy in his visionary, erotic poem Epipsychidion through the two feminine lights in his life, thinly veiled as Mary Shelley, and Teresa Viviani, a young woman confined to a convent. The poem does not describe a conventional love triangle, however. In his reverie Shelley imagines a union between himself and Teresa (renamed “Emily” in the poem), facilitated by Mary. Though this article will comment on other Romantic texts in this essay, Epipsychidion will be it’s primary focus in considering whether the technology in Her enables a consummation of Romantic yearning.","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"52 1","pages":"54 - 68"},"PeriodicalIF":0.0,"publicationDate":"2017-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46183615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Future of Melancholia: Freud, Fassbinder, and Anxiety after War 忧郁症的未来:弗洛伊德、法斯宾德和战后焦虑

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0006

Heidi M. Schlipphacke

引用次数: 0

Re: “Laura Mullen’s Trilogy of Trash” 回复:“劳拉·马伦的垃圾三部曲”

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/pacicoasphil.52.1.0127

A. Robbins

引用次数: 0

The Word as Poet and Poem in the Christian Gospels 作为诗人的文字与基督教福音书中的诗歌

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0031

Teddi Lynn Chichester

{"title":"The Word as Poet and Poem in the Christian Gospels","authors":"Teddi Lynn Chichester","doi":"10.5325/PACICOASPHIL.52.1.0031","DOIUrl":"https://doi.org/10.5325/PACICOASPHIL.52.1.0031","url":null,"abstract":"Celebrated by Sir Philip Sidney as the author of “divine” narrative art and “heavenly discourse” and deemed by William Blake the incarnation of “the Poetic Genius,” Jesus—not as familiar religious icon, but as a startling creative artist—fashions an expansive range of self-figurations that suggests a metaphysics and poetics of immanence and Becoming that both counters and coincides with the absolute Being of the Father as “I Am.” A liminal presence, in anthropologist Victor Turner’s sense, Jesus as Word provides responsive readers/listeners imaginative transit between ontological realms as they step into his vivid parables and pithy tropes. Both poet and text, Jesus invites us to read him as a kind of subject in process, a perpetually evolving poem that binds heaven and earth within powerful metaphors of identity and change. While the synoptic Gospels’ parables and similitudes highlight Jesus’ role as extraordinary poet, in his Johannine “I am” pronouncements and the theophany of the Son as visible voice that appears to John of Patmos, Jesus takes the form of a sacred poem, beckoning his audience(s), particularly (potential) disciples, toward their own creative, salvific rebirth.","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"52 1","pages":"31 - 53"},"PeriodicalIF":0.0,"publicationDate":"2017-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46835346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

James Baldwin’s Another Country as an Abstract Machine 詹姆斯·鲍德温的《作为抽象机器的另一个国家

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0069

D. Odhiambo

引用次数: 1

Learning from Others: Reading Relations in Paule Marshall’s “From the Poets in the Kitchen” 博勒·马歇尔《来自厨房里的诗人》中的阅读关系

Pacific Coast Philology Pub Date : 2017-04-04 DOI: 10.5325/PACICOASPHIL.52.1.0112

K. Chandran

{"title":"Learning from Others: Reading Relations in Paule Marshall’s “From the Poets in the Kitchen”","authors":"K. Chandran","doi":"10.5325/PACICOASPHIL.52.1.0112","DOIUrl":"https://doi.org/10.5325/PACICOASPHIL.52.1.0112","url":null,"abstract":"Paule Marshall’s essay “From the Poets in the Kitchen” (1983) is exemplary in tracing the progress of the word through the world of a writer sensitive to relations. To such relations all responsible reading commits us as social beings. Marshall’s self-reflexive narrative speaks to readers, especially young adults, to make themselves on terms entirely their own, and feel obligation-free amid discriminatory regimes and culturally biased institutions of learning. This article traces a carefully evolved pattern of reading relations in Marshall’s recall of locations, beginning especially with the kitchen where her mothers gather to tell tales to regale one another. We have much to learn from this discovery of her writing self in the most unexpected places; her chance to feel happy at happenstance; and above all, the creative evolution of one who turns out to be, again, a writer/teacher who learns from and reports on an unexpected classroom imbroglio. Responding quite earnestly to both storytelling and the epistemic bonds it builds for a raconteuse, Marshall’s essay attests to an enabling vision of community that is born of and sustained by communication, a community that realizes itself first of all in a classroom through the emblematic fiction and the figures of life it reads.","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"52 1","pages":"112 - 126"},"PeriodicalIF":0.0,"publicationDate":"2017-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42019298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reading Against the Absent Referent: Bare Life, Gender, and The Cow 阅读反对缺席的指涉物:赤裸的生命、性别和奶牛

Pacific Coast Philology Pub Date : 2016-04-04 DOI: 10.1353/PCP.2016.0001

C. Grimmer

{"title":"Reading Against the Absent Referent: Bare Life, Gender, and The Cow","authors":"C. Grimmer","doi":"10.1353/PCP.2016.0001","DOIUrl":"https://doi.org/10.1353/PCP.2016.0001","url":null,"abstract":"Ariana Reines’s 2011 publication from Fence Books, The Cow, shocked readers with graphic depictions of brutal sexual and animal violence. The poems harness the violent language of the slaughterhouse to work through the violence enacted against women, while Reines incorporates her own, more lyrical voice. By juxtaposing institutional, instructional language with “new sentences” reminiscent of Gertrude Stein, The Cow brutally rips the poem free from glossy or romanticized perceptions of violence and selfhood. While Reines explicitly compares gendered violence to cows as “pieces of meat” in a commodity culture, this article asks how such a reading intersects with theories on “the” animal, ecofeminism, and bare life. The article examines poetry as a site for resisting hegemonic anthropocentrism. By focusing on language as the often-used rationale for the intersections of species and gender dualisms, this article asks after ways that language can illuminate moments for disrupting gendered and species violence. This includes approaching Reines’s book through the lens that problematizes bare life through feminist animal theorists, such as Greta Gaard and Carol J. Adams, and Anat Pick’s concept of “creaturely poetics.”","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"51 1","pages":"66 - 87"},"PeriodicalIF":0.0,"publicationDate":"2016-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66525886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Transatlantic Literature and Culture after 9/11: The Wrong Side of Paradise ed. by Kristine A. Miller (review) 《9/11后的跨大西洋文学与文化:天堂的错误一面》，克里斯汀·a·米勒主编(书评)

Pacific Coast Philology Pub Date : 2016-04-04 DOI: 10.1353/PCP.2016.0008

J. Donica

引用次数: 0