Le geste最新文献

{"title":"Le geste de l’hoplite dans la phalange oblique","authors":"Marie-Hélène Delavaud-Roux","doi":"10.56078/motifs.318","DOIUrl":"https://doi.org/10.56078/motifs.318","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123875600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Quand l’écriture danse : gestes métaphysiques et métafictionnels dans Is Just a Movie d’Earl Lovelace (2011)","authors":"Noémie Le Vourch","doi":"10.56078/motifs.334","DOIUrl":"https://doi.org/10.56078/motifs.334","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124146659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le passé des gestes : approches de l’historiographie du geste","authors":"Youenn Le Prat","doi":"10.56078/motifs.316","DOIUrl":"https://doi.org/10.56078/motifs.316","url":null,"abstract":"de technique :","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129370103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Existe-t-il un geste de gauche ? Regards sur quelques expressions du geste dans la littérature bretonne de la fin du XIXe siècle et des années 1960-1970","authors":"Mannaig Thomas","doi":"10.56078/motifs.330","DOIUrl":"https://doi.org/10.56078/motifs.330","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"29 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132390135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le geste de s’écrire dans les Notebooks de Samuel Taylor Coleridge","authors":"Kimberley Page-Jones","doi":"10.56078/motifs.328","DOIUrl":"https://doi.org/10.56078/motifs.328","url":null,"abstract":"Les Notebooks ont accompagné Coleridge pendant près de quarante ans. Fidèles compa-gnons du poète, ces petits carnets se devaient de saisir les mouvements de sa pensée afin qu’il puisse en voir l’évolution et en comprendre la formation. À la fois carnets d’écrivain, carnets d’esquisse, recueil de citations, journal intime, carnets de voyage et d’exil, brouillons d’œuvre, laboratoire d’écriture, ces textes ne se laissent finalement saisir par aucun vocable tant l’écriture y est foisonnante et bigarrée. L’appellation notebook , traduite par le terme « carnet » dans la sélection de fragments traduits par Pierre Leyris, est peut-être d’ailleurs la plus juste car elle ne désigne ni un genre, ni une écriture, mais simplement le support d’écriture. Toutefois, libre de toute contrainte, l’écriture des Notebooks offre aux yeux de nombreux critiques les plus beaux éclats de pensée du poète, taillés dans la chair du monde et livrés sur le vif. Cette quasi-concomitance entre la pensée et son écriture permet en effet au lecteur d’être au plus près d’une pensée d’une extrême richesse, complexité et ambivalence.","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126492609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Artistic Gesture : Aesthetic Intention in the Literary Work of Art","authors":"David Stromberg","doi":"10.56078/motifs.320","DOIUrl":"https://doi.org/10.56078/motifs.320","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117047450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Imiter les gestes des dieux : de quelques géants et automates ici et ailleurs","authors":"Gilles Chamerois","doi":"10.56078/motifs.324","DOIUrl":"https://doi.org/10.56078/motifs.324","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125753562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le corps et le geste en question dans le processus de création de One Shoot","authors":"I. Hubert","doi":"10.56078/motifs.326","DOIUrl":"https://doi.org/10.56078/motifs.326","url":null,"abstract":"Le geste createur Le corps et le geste en question dans le processus de creation de One Shoot Par Isabelle Elizeon Metteuse en scene, dramaturge et doctorante a l'IRET – Paris 3 Sorbonne Nouvelle au sein du laboratoire SeFeA (Scenes francophones et ecritures de l'alterite) sous la direction de Mme Sylvie Chalaye « Le monde est non pas ce que je pense, mais ce que je vis, je suis ouvert au monde, je communique indubitablement avec lui, mais je ne le possede pas, il est inepuisable.» (Maurice Merleau-Ponty, Avant-propos, in Phenomenologie de la perception) Cet article se propose d'analyser la question du geste createur au travers du langage scenique developpe dans le spectacle One Shoot. L'approche de l'article se veut theâtrale, tout en developpant une analyse anthropologique, philosophique et esthetique du corps et du geste dans l'espace scenique. Cette approche specifique du corps et du geste est a la base de ce qui structure ma pensee artistique en tant que metteuse en scene et dramaturge, d'une part, et a la base, d'autre part, de ce qui structure ma pensee scientifique dans le cadre de la recherche en these que je mene actuellement sur les metamorphoses du corps au travers des resurgences baroques sur la scene contemporaine, au travers des oeuvres de Koffi Kwahule, Robyn Orlin et Pippo Delbono. Dans un cas comme dans l'autre, mon positionnement s'articule dans un mouvement transdisciplinaire ou se croisent individu et collectif, theâtre, anthropologie de la scene, anthropologie et philosophie du corps. Une telle analyse participe ainsi d'une reflexion plus vaste sur la question du corps sur la scene contemporaine que je developpe dans ma recherche en these. Elle ne peut cependant developper, dans le cadre de cet article, tous les aspects ineherents a la complexite et a l'etendue du sujet. L'article propose permettra donc de poser quelques jalons importants qui ouvriront a un developpement ulterieur plus approndi. C'est par l'intermediaire du corps que l'homme existe et entre en relation avec l'espace, les autres, le monde. C'est par ses mouvements, ses gestes, ses emotions qu'il cree une relation avec eux. C'est egalement par son corps, ses mouvements, ses emotions et ses gestes qu'il se construit et relate le monde qui est en lui, tout autant que le monde qui le traverse et l'environne. Comme l'enonce David Le 1","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130030300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Gesture and Gender : Theatricality, violence and self-assertion in Patrick McCabe’s Breakfast on Pluto","authors":"Flore Coulouma","doi":"10.56078/motifs.332","DOIUrl":"https://doi.org/10.56078/motifs.332","url":null,"abstract":"This paper examines Patrick McCabe’s 1998 novel Breakfast on Pluto through the question of gesture and its dual relation to language and the physical body in space. Gesture is not brute physical action, nor is it reducible to conventional sign language. From a literary pers-pective, the notion enables us to reflect on the processes of fictional representation through the act of writing 1 . Gesture, from the Latin gerere , “to carry,” refers to a “movement of the body or any part of it (...) expressive of thought or feeling. 2 ” In earlier senses, gesture had to do with posture, i.e. a manner of placing one’s body in space – this is particularly relevant to Patrick “Pussy” Braden’s theatricalised world in Breakfast on Pluto . Finally, as in the French beau geste , a gesture can be a course of action taken to demonstrate magnanimity or generosity. Com-mon to these definitions is the sense that a gesture is an intentional action and carries meaning. In other words, a gesture is both a choreographed movement in space and a speech act. My understanding of a speech act here relies on J. L. Austin’s classic definition, later refi-ned by John Searle 3 : in any given utterance, a speaker combines three simultaneous actions. First, an utterance is a locutionary act: the speaker proffers articulated sounds to produce oral speech. It is also an illocutionary act, in that it transforms the intersubjective relationship between speaker and co-speaker. By saying something, we do something (order, promise, as-sert, and so on) and thus affect reality. Finally, speech acts have consequences and motives beyond the literal and indirect meanings expressed in their utterances: they have perlocutio-nary effects. Speech Act Theory describes oral speech but is relevant to human language as a whole, and can therefore be applied to writing and gesture. In those cases, language no longer unfolds through articulatory gesture involving the organs of speech, but through hand gestures: tracing letters on paper,","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134286408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pour une approche métakinésique de la peinture gestuelle de Jackson Pollock","authors":"Marie-Christine Agosto","doi":"10.56078/motifs.322","DOIUrl":"https://doi.org/10.56078/motifs.322","url":null,"abstract":"","PeriodicalId":416949,"journal":{"name":"Le geste","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126211421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}