Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology最新文献_第3页

Exploring Media Art Curating in Indonesia: A Case Study of a Locally-grown Curator Collective 探索印尼的媒体艺术策展:一个本地策展人群体的案例研究

Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology Pub Date : 1900-01-01 DOI: 10.5220/0008527100880100

Jeong-ok Jeon

{"title":"Exploring Media Art Curating in Indonesia: A Case Study of a Locally-grown Curator Collective","authors":"Jeong-ok Jeon","doi":"10.5220/0008527100880100","DOIUrl":"https://doi.org/10.5220/0008527100880100","url":null,"abstract":": Year 2019 seems to be one of the most fascinating years in recent history of Indonesian media art. A number of media art exhibitions and festivals have been anticipated throughout the year by numerous organizers as diverse as artist collectives, independent curators, and government sectors. The return of the Cellsbutton, a media art festival led by Yogyakarta-based new media artist collective, MAG 19, which is the first showcase of Media Arts Globale organized by Europe-settled Indonesian independent curator, and Media Art Week (Pekan Seni Media) and Instrumenta, annual media art festivals hosted by Ministry of Education and Culture in Indonesia are part of this exciting map. In such diverse circumstances, an Indonesian curator collective called ARCOLABS has played an instrumental role in enhancing the development of media art curatorial practices in the country. In this paper, I begin with explaining ARCOLABS’s consistent efforts to building numerous thematic and aesthetic approaches in order to introduce media art exhibitions in Indonesia. Then, I further explore the importance of collaboration in media art curating with various individuals and sectors across disciplines. I also discuss the new role granted to audience at the participatory and interactive structure of the exhibition in which their multiple sensory experiences are the key elements in media art appreciation. Essentially, this paper aims to reveal the various facets of current phenomena of media art practices in Indonesia by answering to the questions of what knowledge is required in curating media art exhibition in terms of theory and practice; what new role is granted to media art curator; and what new experience is expected to audience.","PeriodicalId":416923,"journal":{"name":"Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122949865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

BTS Tower Camouflage Products Design based on Zonation of Urban Area 基于城区分区的BTS铁塔迷彩产品设计

Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology Pub Date : 1900-01-01 DOI: 10.5220/0008526800680076

R. Prasetya, Nor Jayadi, E. Susanto

{"title":"BTS Tower Camouflage Products Design based on Zonation of Urban Area","authors":"R. Prasetya, Nor Jayadi, E. Susanto","doi":"10.5220/0008526800680076","DOIUrl":"https://doi.org/10.5220/0008526800680076","url":null,"abstract":"The era of industrial revolution 4.0 which was marked by digitalization in almost all lines of human life demands the availability of supporting physical facilities and infrastructure. BTS tower (Base Transceiver Station) is one of the important components to accommodate digital activities in the industrial era 4.0. The problem that arises is that there are still negative perceptions from several parties in the community. They assume that the existence of BTS towers in their area has a negative impact on them such as bothering environmental aesthetics, causing health problems, and bringing insecurity. Even though they are unaware, the main users of this facility are actually the community itself. This condition raises challenges for creating telecommunications tower design innovations that are better able to adapt to the environment. Camouflage Tower BTS is a term for BTS towers that are designed to be able to adjust to their environment through their ability to camouflage. The five design criteria formulated by Jayadi and Prasetya, namely friendly, proportional, safe, redesignable, and thematic, and in accordance with the zone of the urban area where the tower was built and used as the BTS tower camouflage design following the criteria. The research was conducted in the city of Yogyakarta using the 6-stage design development method from Ulrich and Eppinger. The result is five selected designs that meet the specified technical requirements and the design","PeriodicalId":416923,"journal":{"name":"Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology","volume":"549 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123380963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Value of Musical Creativity in Industry 4.0 Era: Based on Musical Composition Generated by Artificial Intelligence & Computer Learning 工业4.0时代音乐创意的价值——基于人工智能与计算机学习生成的音乐创作

Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology Pub Date : 1900-01-01 DOI: 10.5220/0009443801850191

Ferry Matias, Catur Surya Permana, Ahmad Hidayat, P. M. B. Permadi

{"title":"The Value of Musical Creativity in Industry 4.0 Era: Based on Musical Composition Generated by Artificial Intelligence & Computer Learning","authors":"Ferry Matias, Catur Surya Permana, Ahmad Hidayat, P. M. B. Permadi","doi":"10.5220/0009443801850191","DOIUrl":"https://doi.org/10.5220/0009443801850191","url":null,"abstract":": Music and creativity are an inseparable thing, creativity even as one of indicator for valuing of artistic compositions. The creativity of western music for some considered had been exploited since the 16s until the era of the 20s. As if trying to emerge new expressions, east exoticism and computer midi futurism were pursued. The era of 3.0 was an era in which computers are made it easy and efficient to accommodate idea (human-driven), but in the era of 4.0 computers no longer as tools, but become a source of creativity for human collaborators (smart factories) based on Artificial Intelligence and Computer Learning. For the author, the value of musical creativity is interesting to be studied more deeply. Does music generated by computers have the value as high as those generated by humans? From this thought, this paper tries to discuss the paradigm of musical value in the 4.0 era. Value discussed philosophical and empirical-sociological reviews. The results of this thought emerging the discuss and discourse about creativity in academics in the field of ethics as an attitude of intelligence through reasoning and academic arguments that produce work that can be accounted for.","PeriodicalId":416923,"journal":{"name":"Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122308240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Classification of Traditional and Modern Music using NCC and k-NN 基于NCC和k-NN的传统与现代音乐分类

Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology Pub Date : 1900-01-01 DOI: 10.5220/0008527301120117

Elizabeth Nurmiyati Tamatjita, Aditya W. Mahastama

{"title":"Classification of Traditional and Modern Music using NCC and k-NN","authors":"Elizabeth Nurmiyati Tamatjita, Aditya W. Mahastama","doi":"10.5220/0008527301120117","DOIUrl":"https://doi.org/10.5220/0008527301120117","url":null,"abstract":": Music is a means of interaction between humans which is transmitted as a presentation of feelings through acoustic sensation. Music consists of instruments played ensemble, occasionally with vocal, to form a harmony. The presence of certain instruments can be used to identify the genre of a music, and in turn its origin. This research conducted classification of traditional, local contemporary, and foreign music – from Indonesian point of view – according to instruments and beats. Genres chosen to represent the music in this research, fall into six categories: Balinese, Javanese, Sundanese (traditional), Keroncong (local contemporary), Classical and Latin (foreign). 180 pieces of music are used for training, and the same number of pieces are used for testing; using samples of pieces with instruments only and also instruments with vocal. To extract its features, each music pieces are cut into 30ms slices, then a representative vector of 3 time-domain features is taken from every piece. Classification of test data is then conducted using Nearest Centroid Classifier (NCC) and k-Nearest Neighbour (k-NN) with k=3 and k=5. Best results are obtained using k-NN with k=3, generating the maximum 96.6% accuracy for Balinese, with an all-genre average of 73.89%. The lowest accuracy rate belongs to Classical category, in which from the three tests, it is consistently rated under 50% with average of 36.67%.","PeriodicalId":416923,"journal":{"name":"Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129372977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Implementation of Workshop and Master Class Music for Students Institut Seni Indonesia Yogyakarta 印尼日惹大学学生音乐工作坊及大师班的实施

Proceedings of the 1st International Conference on Intermedia Arts and Creative Technology Pub Date : 1900-01-01 DOI: 10.5220/0008561001360140

V. Y. Kaestri

引用次数: 0