AVANT SCENE OPERA最新文献_第3页

Assembly: Performing the materiality of Muslim prayer spaces 集合:执行穆斯林祈祷空间的物质性

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/SCENE_00014_1

Julie A. Marsh

引用次数: 0

Notes from Notes on Blindness: The challenges of the in-house1 film production model in independent cinema 《盲目性笔记:独立电影内部电影制作模式的挑战

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/scene_00013_1

D. Petković

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引用次数: 0

Pure Dance, Natalia Osipova

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/scene_00018_5

G. Sporton

引用次数: 0

What constitutes the arts? 什么构成了艺术?

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/scene_00011_2

G. Sporton

引用次数: 0

Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music 闹鬼的科学:BBC广播工作室和闹鬼音乐失去的未来

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/scene_00012_1

C. Christodoulou

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引用次数: 0

Theatres of sounds: The role of context in the presentation of electroacoustic music 声音的剧场:背景在电声音乐呈现中的作用

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/SCENE_00016_1

Andrew Knight-Hill

{"title":"Theatres of sounds: The role of context in the presentation of electroacoustic music","authors":"Andrew Knight-Hill","doi":"10.1386/SCENE_00016_1","DOIUrl":"https://doi.org/10.1386/SCENE_00016_1","url":null,"abstract":"Why do we work to create multichannel concerts? Given that we do, might we further consider the holistic experience of coming to a concert and how that impacts upon the audience’s engagement with the music? Why do electroacoustic music concerts take place in the locations that\u0000 they do? Do we consider the relationship between content and form appropriately when planning and organizing concert events? This article considers the philosophical approaches to multichannel concerts, questioning the underlying motives behind them and how these inform both the technological\u0000 systems used and the context within which works are presented. Contrasting idealist and realist approaches, this article seeks to identify the aesthetic goals which have driven current multichannel sound projection systems and questions if looking beyond the technologies of reproduction to\u0000 consider the holistic experience of an electroacoustic concert might help to inform future practice.At the 2013 symposium for Acoustic Ecology in Kent, concerts were held inside the covered Number 3 slip at Chatham Historic Dockyard. This enormous wooden ‘hanger-like’ structure\u0000 was built in Georgian times to allow naval vessels to be built under shelter. This expansive space provided a dramatic setting for our concert. Barry Truax presented a new composition ‘Earth and Steel’ built from the metallic clangs of ship construction, recorded in the Vancouver\u0000 shipyards of the 1970s. The remainder of the programme contained a diversity of works, both abstract and more mimetic in nature. But in this particular space where giant ships were built and repaired, can it be said that Truax’s piece was even more resonant? Would the work have had the\u0000 same effect in a sanitised concert hall? Was it somehow more significant in that slipway? How might performance of this same work, during inSonic2015 at the ZKM, compare?","PeriodicalId":41671,"journal":{"name":"AVANT SCENE OPERA","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90598809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Ballet and the Soviet body 芭蕾舞和苏联的身体

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-12-01 DOI: 10.1386/scene_00015_1

G. Sporton

引用次数: 0

Potential unlocked: Art in prison 潜力释放:监狱中的艺术

4区艺术学

AVANT SCENE OPERA Pub Date : 2018-07-01 DOI: 10.1386/SCENE.6.1.7_1

Benedict Carpenter, V. Knight

引用次数: 0

A case for ecoscenography: Cultivating the continuous potential of things in performance design 生态景观学案例:在表演设计中培养事物的持续潜能