AVANT SCENE OPERA最新文献

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00043_2

G. Sporton

{"title":"Performance in the pandemic","authors":"G. Sporton","doi":"10.1386/scene_00043_2","DOIUrl":"https://doi.org/10.1386/scene_00043_2","url":null,"abstract":"The in-person assumptions of social experience, of performances and performers of all sorts, was changed by the pandemic. From being high on the list of activities to shut down at the start to being amongst the last sanctioned to resume, the traditions of performance derived from centuries of practice took a beating. Accompanying this were alternatives to going dark. There were already substitutes for in-person theatrical experiences in films, games and images. New outlets included online presentations, revisiting recent (and older) recordings, TikTok challenges, internet performances, socially distanced work, the use of PPE in costume and character, shows on Zoom, positing new ways to engage with performance. Technological enhancement reduced distances between people, solutions were found to latency issues, training continued online, the quality of home cameras and sound improved, and a redistribution of who and how to perform, for how long and to what audience with what skills and in what location emerged to reassert the sense of performance and reset the context. The resulting collection in this volume is an account of the variety of ways the pandemic affected the concept of performance. Time will tell whether the strategies and devices resorted to and collected here will sweep away centuries of traditional performance, whether they will find themselves incorporated into that tradition or if they will branch off on their own. But there is no doubting the imagination applied, not just in these examples but in many more worthy of collection. The instinct to make and perform was not snuffed out by the pandemic and its lockdowns, that the acts of creativity seen here are as essential to cultural continuity as finding a vaccine.","PeriodicalId":41671,"journal":{"name":"AVANT SCENE OPERA","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79092162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Site specificity in The Present of the Past: A critical reflection 《过去的现在》中的地点专一性:一种批判性的反思

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00052_1

Ashish Kumar Sharma

引用次数: 0

Live Digital 数字生活

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00044_1

Dermot Daly

引用次数: 0

Experiencing Renaissance theatre on Zoom: The creation of action choreography for online theatre and its unexpected insights into Renaissance theatre 在Zoom上体验文艺复兴剧场:网络剧场动作编舞的创作及其对文艺复兴剧场的意外洞察

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00048_1

Lizzie Conrad Hughes, Valentina Vinci

引用次数: 0

Oxford town, Oxford town: Music scenes in a small English city 牛津镇，牛津镇:一个英国小城市的音乐场景

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00050_1

M. Cloonan

引用次数: 0

‘Keep people safe’: Designing a participatory performance within the strict parameters of social distancing in Australia “保持人们的安全”:在澳大利亚严格的社会距离范围内设计一场参与式表演

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00045_1

Cherine Fahd

{"title":"‘Keep people safe’: Designing a participatory performance within the strict parameters of social distancing in Australia","authors":"Cherine Fahd","doi":"10.1386/scene_00045_1","DOIUrl":"https://doi.org/10.1386/scene_00045_1","url":null,"abstract":"This article recounts designing and performing an intimate encounter with strangers during the pandemic. At the end of 2020, as Australians emerged from a long period of ‘lockdown’, the celebrated Sydney Opera House again opened its doors to the public. Commissioned to create a new work for the Sydney Opera House’s Antidote Festival, I designed a ‘touch’ performance that met the Australian Government’s COVID-19 protocols for social distancing at indoor events. Instead of being frustrated by the restrictions, I used the health and safety rules as if they were conceptual instructions. Surprisingly, I was reminded of the 1960s and 1970s conceptual artists whose experimental capacity was borne from instructive limitations. Seeing the restrictions as an opportunity, I discuss how the physical limitations ushered in by COVID-19 (along with the heritage status of the Sydney Opera House) provided the parameters for conceiving a scene and an experience that was everything the pandemic denied – public, participatory, intimate and physical. I also reflect on what I learned in the process and how needing to keep people safe brought profound ethical understanding.","PeriodicalId":41671,"journal":{"name":"AVANT SCENE OPERA","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81855127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dance, Lucinda Childs 跳舞吧，露辛达·蔡尔兹

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00047_5

G. Sporton

引用次数: 0

Don Pasquale, Opera by Gaetano Donizetti, Damiano Michieletto (dir.)

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00046_5

Gregory Sporton

引用次数: 0

Instead of a body: The animation of Japanese pēpāshiatā in COVID-time 代替身体:日本人pēpāshiatā在新冠疫情时期的动画

4区艺术学

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI: 10.1386/scene_00051_1

Caroline Astell-Burt

{"title":"Instead of a body: The animation of Japanese pēpāshiatā in COVID-time","authors":"Caroline Astell-Burt","doi":"10.1386/scene_00051_1","DOIUrl":"https://doi.org/10.1386/scene_00051_1","url":null,"abstract":"For a puppeteer specializing in the rare and beautiful Japanese otome bunraku, the story might have ended at COVID if it were not for a series of unexpected turns. First, there was a surprise primary school lockdown job making films of reading-books to beam into pupils’ homes; then, the sudden COVID precautionary ejection from the school building carrying an inadequate stock of books to continue the filming from home; then, the unexpected and possibly ‘barmy’ personal decision to write any extra books needed when the school stock ran out. Over weeks, my books, mainly drawings, were mounting up and intriguingly the filmed performances offered something extra, they became the stories and the images to mount on uchiwa rigid fans for me to play with. I rediscovered my ‘performance body’ in a ‘theatre of paper’ – small, private Japanese pēpāshiatā or ‘paper-theatre’. My body and brain woke up. The move from a Japanese-type puppetry pre-COVID (otome bunraku) to another kind during and post-COVID was happening. Lockdown was now promisingly creative. Directly out of the pain and suffering of COVID, and enforced restraint, a little known theatre practice was offering restitution.","PeriodicalId":41671,"journal":{"name":"AVANT SCENE OPERA","volume":"52 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84869648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The deep, sometimes wild, subjectivities of practice… 实践中深刻的、有时是疯狂的主观性……

4区艺术学

AVANT SCENE OPERA Pub Date : 2021-12-01 DOI: 10.1386/scene_00036_1

É. D’Arcy

引用次数: 0