在Zoom上体验文艺复兴剧场:网络剧场动作编舞的创作及其对文艺复兴剧场的意外洞察

IF 0.1 4区艺术学 0 MUSIC

AVANT SCENE OPERA Pub Date : 2022-12-01 DOI:10.1386/scene_00048_1

Lizzie Conrad Hughes, Valentina Vinci

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引用次数: 0

摘要

从2020年3月开始的新冠肺炎疫情封锁期间出现的孤立演员创作的网络戏剧表演新艺术形式，是一种新的表演媒介和创作艺术形式，是一种新的戏剧学科——网络动作编舞。这种新的艺术形式及其伴随的专业学科理应在戏剧工业和戏剧历史上占有一席之地。这篇文章的重点是一个英国戏剧公司的经验，震动场景莎士比亚和他们的在线动作编舞:亚历山德拉Kataigida。概述了在线表演的出现，随之而来的机遇和挑战，以及很快确定的在线动作编排的需求。不同类别的动作编排是详细的:个人和共同的行动，改变视角，道具传递，战斗序列和舞蹈。通过这一经历，我们也对文艺复兴时期的戏剧实践有所了解。

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Experiencing Renaissance theatre on Zoom: The creation of action choreography for online theatre and its unexpected insights into Renaissance theatre

The new artform of online theatre performance created by isolated actors, which emerged during the COVID-19 lockdowns beginning in March 2020, is a new performance medium and creative artform, with a new theatrical discipline for online action choreography. This new art form and its attendant specialist discipline deserve their place in theatre industry and theatre history. The article focuses on the experience of one UK theatre company, Shake-Scene Shakespeare and their online action choreographer: Alexandra Kataigida. The emergence of online performance is outlined, with its attendant opportunities and challenges, and the soon-identified need for online action choreography. Different categories of action choreography are detailed: individual and shared actions, changing perspective, prop passes, combat sequences and dances. Reference is also made to insights gained into Renaissance theatre practices through this experience.

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来源期刊

AVANT SCENE OPERA MUSIC-

自引率

0.00%

发文量

期刊介绍： L’Avant-Scène Opéra est une revue bimestrielle qui consacre chaque édition à l"étude complète d"un opéra, avec : • Livret intégral bilingue • Commentaire musical et littéraire • Discographie et Vidéographie comparées • Etudes des sources et des personnages • Chronologie des grandes productions