{"title":"Kuş Evleri ve Seramik Sanatçılarından Örnekler","authors":"Gülşen Kahraman, Azize Melek Önder","doi":"10.51118/konsan.2020.5","DOIUrl":"https://doi.org/10.51118/konsan.2020.5","url":null,"abstract":"The history of birdhouses, an old tradition in Anatolia, is based on examples seen in Ottoman architecture. Birdhouses, which are generally built on brick and stone materials such as palaces, mosques, houses, inns, madrasas, libraries and tomb, are unique structures that require labor as much as an architectural structure. Due to the difficulties in the construction phase, it is seen that the production of birdhouses in the architectural works made today is about to disappear and the existing ones cannot be protected. Most of the birdhouses built using different materials today consist of simple forms and are built on architectural structures, while some birdhouses are displayed in open areas regardless of the building. This study focuses on birdhouses that have survived from the past to the present. In this context, firstly the literature about bird houses was searched. The works of local and foreign ceramic artists working in birdhouses using ceramic materials were examined visually. Accordingly, ceramic artists working in a birdhouse are explained in alphabetical order. Accordingly, three ceramic artists from Turkey (Cihat Burak, Deniz Onur Erman, Mezahir Ertug Avsar) and five from abroad (Douglas Fey, Jim Schatz, Joop Van Ulden, Michael Mcdowell, Stanley Cleve Bi Bitters) were presented with their visuals. In addition, the construction and application processes of ceramic birdhouses in the campus area of Karamanoglu Mehmetbey University were explained in stages.","PeriodicalId":416099,"journal":{"name":"Konya Sanat, Necmettin Erbakan University","volume":"24 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116829534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fransız Milli Kütüphanesinde Bulunan 482 Envanter Numaralı Mushafın Tezyini Açıdan Değerlendirilmesi","authors":"Çiğdem Önkol Ertunç, İclal Beştav","doi":"10.51118/konsan.2020.4","DOIUrl":"https://doi.org/10.51118/konsan.2020.4","url":null,"abstract":"Geleneksel Turk Susleme Sanatlarimiz tarihimiz boyunca gelisme gostererek gunumuze kadar gelmis ve gecmisimizi bu gunumuze baglamistir. El yazmasi eserlerin bilgi birikimini aktarmasi acisindan oneminin yani sira, tezyini acidan da tarihimize isik tutmaktadir. Bu eserler kultur ve medeniyetimizin anlasilmasi acisindan en onemli tarihi hazinelerimizdendir. Tezhipli eserler hem donemleri hem de iceriklerinde bulunan bilgiler sayesinde gecmisimize isik tutmaktadir. Bu esereler yazilip suslendikleri donemin sanat anlayisini, uslubunu ve farkliliklarini gosterir. Tarihimize dair tezyini gelismeleri takip edebilmemiz, ogrenebilmemiz ve degerlendirip inceleyebilmemiz acisindan tezhipli eserler cok onemlidir. El yazmasi eserlerin korunmasi, daha iyi anlasilmasi ve gelecek nesillere aktarilmasi amaciyla ‘Fransiz Milli Kutuphanesi’nde Bulunan ‘482’ Envanter Numarasi ile Kayitli Kur-ân-i Kerim’ in tezyini ozelliklerinin degerlendirilmesi calismanin konusu olarak belirlenmistir. Bozulmadan korunmasi saglanmis tezhipli bolumler desen, motif, renk, tasarim butunlugu, yazi murekkebi ve teknik bakimdan incelenmistir. Mushaf’in yazildigi donem tezyinati hakkinda bilgi verilmistir. Calisma gorsel malzemeler ve cizimlerle desteklenmistir.","PeriodicalId":416099,"journal":{"name":"Konya Sanat, Necmettin Erbakan University","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114628130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sinema Perdesinde Araştırmacı Gazetecilik: \"Spotlight\" Filmi Üzerine Sosyolojik Bir İnceleme","authors":"İsmail Özçelik","doi":"10.51118/konsan.2020.3","DOIUrl":"https://doi.org/10.51118/konsan.2020.3","url":null,"abstract":"The first examples of journalism films that have gained a place in cinema as a special genre appeared in the early stages of cinema. The journalism profession, which has been the subject of many films over time, has been handled from various aspects depending on the transformation it has undergone and periodic conditions, and such important works have been produced. Investigative journalism, which is accepted as an important field of journalism, has gained importance since the 1970s and has started to be addressed in cinema in parallel with this. Considering the direct relationship of investigative journalism with the social, its representation in cinema is striking. Cinema films reflect the social and such films are important in terms of reflecting the social role of journalism and its relationship with society. From this point of view, the movie \"Spotlight (2015)\", which was shot recently and focused on investigative journalism, was found worth examining. The aim of the study is to examine the social role of investigative journalism in the movie \"Spotlight\" with a sociological approach. In this study, the movie \"Spotlight\" has been analyzed using the Sociological Analysis Method of Arthur Asa Berger. As a result of the study; In the light of the mission attributed to investigative journalism in a social sense, it was concluded that the investigative journalism experience had a social role in the film and that it strives to make reality visible due to its professional responsibility.","PeriodicalId":416099,"journal":{"name":"Konya Sanat, Necmettin Erbakan University","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131673918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Safevi-Şiraz Üslûbu Hamse-i Nizâmî Nüshasının Tezhipleri","authors":"Ayşe Sayin, Ahmet Çaycı","doi":"10.51118/konsan.2020.2","DOIUrl":"https://doi.org/10.51118/konsan.2020.2","url":null,"abstract":"Şah Ismail tarafindan 1501 yilinda, bugunku Iran topraklarinda kurulan Safevi Devleti, kendinden onceki Timurlularin ve Turkmenlerin koklu kultur ve sanat birikimi uzerine insa edilmistir. Devletin ilk yillarinda, sozu edilen medeniyetlerin izlerini tasiyan cok sayida tezhipli eserler hazirlanmistir. Kisa zamanda kulturel acidan kendine ozgu bir devlet yapisina sahip olan Safevi yonetiminde, Fars bolgesinin merkezi Şiraz basta olmak uzere Tebriz, Kazvin, Herat, Isfahan ve Horasan bolgesinde onemli yazmalar uretilmistir. Şiraz kenti, XVI. yuzyil boyunca baskent disinda nitelikli yazmalarin fazlaca uretildigi bir tasra merkezi olmustur. Şiraz kitap sanatlarinda zengin malzeme kullanilarak hazirlanmis tezhipli yazmalar en cok edebi ve tarih nushalari ile Kurân-i Kerimlerden olusmaktadir. Bu eserlerden bazilari o donem kosullarinda cesitli sebeplerle Osmanli Devleti’nin baskenti Istanbul basta olmak uzere pek cok kentine de getirilmistir. Ozellikle Istanbul’da Osmanli burokratlari tarafindan hediye olarak aranan eserler, Şiraz kitap atolyelerinden temin edilen Fars klasiklerinden Hamse-i Nizâmi’nin nushalari olmustur. Topkapi Sarayi Muzesi Kutuphanesinde Şiraz’da uretildigi bilinen Hamse-i Nizâmi yazma sayisi oldukca fazladir. Topkapi Sarayi Muzesi Kutuphanesi hazine bolumunde bulunan 758 envanter numarali Hamse-i Nizâmi nushasinin tezhip ozellikleri calismamizin ozunu olusturmaktadir.","PeriodicalId":416099,"journal":{"name":"Konya Sanat, Necmettin Erbakan University","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114485239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Konya Alâeddin Camii Mihrap Yüzeyindeki Selçuklu Sülüsü Yazıların Hat Sanatı Açısından Değerlendirilmesi","authors":"Nihat Kağnici","doi":"10.51118/konsan.2020.6","DOIUrl":"https://doi.org/10.51118/konsan.2020.6","url":null,"abstract":"Gecmisi gunumuze baglayan en onemli araclardan biri olan yazi, Islamiyet’in gelmesiyle birlikte buyuk onem kazanmistir. Kur’an ayetlerinin Hz. Peygamberin tesvik ve takdirleriyle guzel yazilmaya baslanmasi ile birlikte gelisme gosteren yazi sanati Musluman devletler eliyle ve son olarak ecdadimizin katkilariyla basli basina bir sanat haline gelmistir. Hat sanati olarak adlandirilan bu sanatimiz, kitap sanatlarinin yaninda dini ve mimari eserlerde de kullanilmistir. Bu mimari eserlerin basinda ise suphesiz camiler gelmektedir. Camilerin ic kismini cevreleyen kusak kisimlarinda, kubbe, mihrap cevresi, minber, kapi ve pencere alinliklari gibi uygun yerlerde ayet ve hadisler yazilarak suslemeleri yapilmis, asirlar boyu bu camileri dolduran cemaate goz zevkinin yaninda ilahi emirler de telkin edilmistir. Bu calismamizda Selcuklunun baskenti kadim sehrimiz Konya’da bulunan Alâeddin Camiinin cini mihrabi ile ilgili bir calisma yapilmistir. Gecmiste tahrip olan Cini mihrap yuzeyindeki Selcuklu sulusu tarzinda yazilmis yazi hat sanati acisindan degerlendirilmis ve mihrabin tahrip olan alci kisimlarindaki sonradan yazilan yazilar mevcutta bulunan orijinal cini kisimdaki yazilarla benzerlik olusturacak sekilde yeniden yazilarak mihrabin yenilenmesi calismalarina katki saglanmistir.","PeriodicalId":416099,"journal":{"name":"Konya Sanat, Necmettin Erbakan University","volume":"724 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131043216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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