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Impresos litúrgico-musicales mexicanos del siglo XVI: fuentes para el estudio del canto litúrgico en la Iglesia novohispana 16世纪墨西哥礼拜音乐印刷:新西班牙教堂礼拜歌曲研究的来源
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.2
Bárbara Pérez Ruiz
{"title":"Impresos litúrgico-musicales mexicanos del siglo XVI: fuentes para el estudio del canto litúrgico en la Iglesia novohispana","authors":"Bárbara Pérez Ruiz","doi":"10.7764/res.2019.45.2","DOIUrl":"https://doi.org/10.7764/res.2019.45.2","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75724987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Más allá del postpunk. New romantics y góticos entre Madrid y Valencia en los años ochenta 超越后朋克。80年代马德里和巴伦西亚之间的新浪漫主义和哥特式
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.9
Eduardo Leste, Fernán del Val
{"title":"Más allá del postpunk. New romantics y góticos entre Madrid y Valencia en los años ochenta","authors":"Eduardo Leste, Fernán del Val","doi":"10.7764/res.2019.45.9","DOIUrl":"https://doi.org/10.7764/res.2019.45.9","url":null,"abstract":"This article restores, through in-depth interviews, the memory of the youth who participated in diverse musical scenes and youth cultures that emerged in Madrid and Valencia in the eighties. From the stories of those people, and the use of the concepts of music scene and youth culture, this article delves into the connections between the Movida madrileña –mainly of the gothic and new romantics cultures– the Valencian postpunk scene and the incipient Valencian Bacalao, showing the relations of competition and emulation among them, that will end up generating the so-called Bacalao madrileño in the nineties. In this way, this work, along with adding in complexity to the phenomenon of the Movida madrileña, makes visible those young people who participated with their own speeches and practices, often anonymously, of those cultural productions.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"55 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88033738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La dictadura y la música popular en Chile: los primeros años de plomo 智利的独裁统治和流行音乐:铅的早期
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.6
J. P. McSherry
{"title":"La dictadura y la música popular en Chile: los primeros años de plomo","authors":"J. P. McSherry","doi":"10.7764/res.2019.45.6","DOIUrl":"https://doi.org/10.7764/res.2019.45.6","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"14 4-6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74433820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rock en español: un terreno de disputa y convergencia entre España y Latinoamérica 西班牙摇滚:西班牙和拉丁美洲之间的争议和融合之地
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.8
Eduardo Viñuela
{"title":"Rock en español: un terreno de disputa y convergencia entre España y Latinoamérica","authors":"Eduardo Viñuela","doi":"10.7764/res.2019.45.8","DOIUrl":"https://doi.org/10.7764/res.2019.45.8","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89439305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“No venimos para hacer canción política”: el retorno de la Nueva Canción Chilena y el plebiscito de 1988 “我们不是来做政治歌曲的”:智利新歌曲的回归和1988年的公民投票
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.7
Javier Rodríguez
{"title":"“No venimos para hacer canción política”: el retorno de la Nueva Canción Chilena y el plebiscito de 1988","authors":"Javier Rodríguez","doi":"10.7764/res.2019.45.7","DOIUrl":"https://doi.org/10.7764/res.2019.45.7","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"92 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76447107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Editorial n°45
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.1
Alejandro Vera
{"title":"Editorial n°45","authors":"Alejandro Vera","doi":"10.7764/res.2019.45.1","DOIUrl":"https://doi.org/10.7764/res.2019.45.1","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73723628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
España en la música de Isidro Maiztegui. Herencia, ideología y migración Isidro Maiztegui音乐中的西班牙。遗产、意识形态和移民
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.5
María Fouz Moreno
{"title":"España en la música de Isidro Maiztegui. Herencia, ideología y migración","authors":"María Fouz Moreno","doi":"10.7764/res.2019.45.5","DOIUrl":"https://doi.org/10.7764/res.2019.45.5","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80576670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria oral mapuche a través de cantos tradicionales ülkantun: recordando la época de ocupación (siglos XIX y XX) 通过传统歌曲ulkantun的马普切口头记忆:铭记占领时期(19世纪和20世纪)
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-11-01 DOI: 10.7764/res.2019.45.3
Gabriel Pozo Menares, Margarita Canio Llanquinao, José Velásquez Arce
{"title":"Memoria oral mapuche a través de cantos tradicionales ülkantun: recordando la época de ocupación (siglos XIX y XX)","authors":"Gabriel Pozo Menares, Margarita Canio Llanquinao, José Velásquez Arce","doi":"10.7764/res.2019.45.3","DOIUrl":"https://doi.org/10.7764/res.2019.45.3","url":null,"abstract":"This paper shows the findings of a research aimed at analyzing the Mapuche memory in times of occupation and territorial reduction (late 19th century to early 20th centuries), taking as a reference some oral traditions, mainly the ül or ülkantun chants, which are used to convey the memories of those days. From a methodological point of view, a documentary review of primary sources (phonograms, manuscript files, and books) was carried out as well as an ethnographic field work with Andean communities. The compiled contents express the feelings and the suffering of people who were deported to Buenos Aires, La Plata, Martín García island; the territorial spoils, the deaths and the re-settlement on distant lands. Thus –from a Mapuche perspective and through the ül–, we can understand the way by which the Chilean and Argentinean States started their genocidal and pillaging processes during the historical periods known as “Occupation of the Araucanía” and “Desert Campaign”.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82999100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Concurrencias documentales en torno a Carlos Guastavino y Gabriela Mistral 关于卡洛斯·瓜斯塔维诺和加布里埃拉·米斯特拉的纪录片竞赛
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-06-01 DOI: 10.7764/RES.2019.44.9
Silvina Luz Mansilla
{"title":"Concurrencias documentales en torno a Carlos Guastavino y Gabriela Mistral","authors":"Silvina Luz Mansilla","doi":"10.7764/RES.2019.44.9","DOIUrl":"https://doi.org/10.7764/RES.2019.44.9","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90469133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pedrotti, Clarisa Eugenia. 2017. Pobres, negros y esclavos: Música religiosa en Córdoba del Tucumán. Córdoba: Editorial Brujas.
IF 0.1 3区 艺术学
Resonancias Pub Date : 2019-06-01 DOI: 10.7764/res.2019.44.12
Laura Fahrenkrog
{"title":"Pedrotti, Clarisa Eugenia. 2017. Pobres, negros y esclavos: Música religiosa en Córdoba del Tucumán. Córdoba: Editorial Brujas.","authors":"Laura Fahrenkrog","doi":"10.7764/res.2019.44.12","DOIUrl":"https://doi.org/10.7764/res.2019.44.12","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"40 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77526466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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