ResonanciasPub Date : 2019-06-01DOI: 10.7764/RES.2019.44.2
Héctor Eulogio Santos Conde
{"title":"Definiciones y usos del término “concierto” en la documentación catedralicia española entre c. 1750 y c. 1830","authors":"Héctor Eulogio Santos Conde","doi":"10.7764/RES.2019.44.2","DOIUrl":"https://doi.org/10.7764/RES.2019.44.2","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"234 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82853216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2019-01-01DOI: 10.7764/res.2019.45.14
René Silva Ponce
{"title":"Varios autores. 2019. Chilean Art Song: The Last 100 Years. Santiago: Sociedad Internacional por la Música Chilena (SIMUC) / Ministerio de las Culturas, las Artes y el Patrimonio. CD.","authors":"René Silva Ponce","doi":"10.7764/res.2019.45.14","DOIUrl":"https://doi.org/10.7764/res.2019.45.14","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87531107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2019-01-01DOI: 10.7764/res.2019.45.11
C. Espinosa
{"title":"Romero, Raúl. 2017. Todas las músicas. Diversidad sonora y cultural del Perú. Lima: Instituto de Etnomusicología PUCP","authors":"C. Espinosa","doi":"10.7764/res.2019.45.11","DOIUrl":"https://doi.org/10.7764/res.2019.45.11","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74611530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2019-01-01DOI: 10.7764/res.2019.45.4
Belén Vega Pichaco
{"title":"Discursos y prácticas en torno a la construcción de una “escuela cubana de composición”: José Ardévol, el Grupo de Renovación Musical y la Orquesta de Cámara de La Habana (1934-1946)","authors":"Belén Vega Pichaco","doi":"10.7764/res.2019.45.4","DOIUrl":"https://doi.org/10.7764/res.2019.45.4","url":null,"abstract":"El objetivo de este artículo es el estudio del proceso de construcción y difusión de la categoría “escuela cubana de composición” a través del análisis de los discursos y las prácticas desarrollados por José Ardévol y el Grupo de Renovación Musical. Este propósito requirió la negociación de aspectos como los de “tradición” e “identidad”, que poseían para Ardévol (un compositor catalán emigrado a la isla en 1930 y acérrimo seguidor del Neoclasicismo de Stravinsky y Falla) significados divergentes a los propugnados por la generación anterior de compositores (Amadeo Roldán y Alejandro García Caturla) y por Alejo Carpentier, principal sancionador de la historia musical insular y firme defensor del afrocubanismo. En el primer apartado, el concerniente a los discursos, cobran relieve los escritos del líder renovador y en especial el “manifiesto” colectivo Presencia cubana en la música universal (1945) que, paradójicamente, propiciaría la desintegración del grupo. Respecto a las prácticas, se analiza la labor de la Orquesta de Cámara de La Habana fundada en 1934 por Ardévol como plataforma de la composición propia y grupal, gracias a la consulta de documentación inédita conservada en el CIDMUC (La Habana); la programación musical de dicha orquesta entre 1934 y 1946 se presenta como Apéndice”.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"22 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82832838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2019-01-01DOI: 10.7764/res.2019.45.12
H. Vázquez
{"title":"Morales Flores, Iván César. 2018. Identidades en proceso. Cinco compositores cubanos de la diáspora (1990-2013). La Habana: Fondo Editorial Casa de las Américas (506 páginas). ISBN 978-959-260-514-5","authors":"H. Vázquez","doi":"10.7764/res.2019.45.12","DOIUrl":"https://doi.org/10.7764/res.2019.45.12","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"29 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76806246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2018-11-01DOI: 10.7764/RES.2018.43.4
M. A. García
{"title":"¿Qué es un registro sonoro? Sobre las ilusiones y certezas de la etnomusicología","authors":"M. A. García","doi":"10.7764/RES.2018.43.4","DOIUrl":"https://doi.org/10.7764/RES.2018.43.4","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88413475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2018-11-01DOI: 10.7764/res.2018.43.11
Laura Fahrenkrog
{"title":"Robert Stevenson, Samuel Claro Valdés y la realización del primer catálogo de música de la Catedral de Santiago de Chile","authors":"Laura Fahrenkrog","doi":"10.7764/res.2018.43.11","DOIUrl":"https://doi.org/10.7764/res.2018.43.11","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"16 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83176736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ResonanciasPub Date : 2018-11-01DOI: 10.7764/res.2018.43.14
Laura Jordán González
{"title":"Vergara, Ximena, Iván Pinto y Álvaro García, eds. 2016. Suban el volumen. 13 ensayos sobre cine y rock. Santiago: La Calabaza del Diablo. 308 p.","authors":"Laura Jordán González","doi":"10.7764/res.2018.43.14","DOIUrl":"https://doi.org/10.7764/res.2018.43.14","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"110 6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83531998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}