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Conexiones posthumanas: animalidad, tecnología y otras vocalidades 后人类联系:动物、技术和其他声音
IF 0.1 3区 艺术学
Resonancias Pub Date : 2021-01-01 DOI: 10.7764/res.2021.49.11
Javier Osorio Fernández
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引用次数: 0
Ureta, Alfonso. 2020. A lo Humano y lo Divino. CD. Pirque: Producción independiente. 阿方索·乌里塔，2019年。对人类和神圣。皮尔克:独立制作。
IF 0.1 3区 艺术学
Resonancias Pub Date : 2021-01-01 DOI: 10.7764/res.2021.48.14
María Antonieta Contreras Mundaca
{"title":"Ureta, Alfonso. 2020. A lo Humano y lo Divino. CD. Pirque: Producción independiente.","authors":"María Antonieta Contreras Mundaca","doi":"10.7764/res.2021.48.14","DOIUrl":"https://doi.org/10.7764/res.2021.48.14","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89964649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ginesi, Gianni. 2018. Seguir el discurso. La entrevista en profundidad en la investigación musical. SIBE-Sociedad de Etnomusicología, Instrumentos para la investigación musical, núm. 2, 100 pp. ISBN 978-84-09-00803-2. 吉尼西，詹尼，2018年。跟随演讲。音乐研究中的深度访谈。sibe -民族音乐学学会，音乐研究乐器，编号。ISBN 978-84-09-00803-2。
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.13
Gabriel Macías Osorno
{"title":"Ginesi, Gianni. 2018. Seguir el discurso. La entrevista en profundidad en la investigación musical. SIBE-Sociedad de Etnomusicología, Instrumentos para la investigación musical, núm. 2, 100 pp. ISBN 978-84-09-00803-2.","authors":"Gabriel Macías Osorno","doi":"10.7764/res.2020.47.13","DOIUrl":"https://doi.org/10.7764/res.2020.47.13","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"68 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76328680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Personalidades sonoras en la creación de ópera. Sistematización de elementos musicales en la creación de personajes y su narrativa musical en El Cristo de Elqui 歌剧创作中的声音个性。《埃尔基的基督》中人物创作和音乐叙事中音乐元素的系统化
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.12
M. Farías
{"title":"Personalidades sonoras en la creación de ópera. Sistematización de elementos musicales en la creación de personajes y su narrativa musical en El Cristo de Elqui","authors":"M. Farías","doi":"10.7764/res.2020.47.12","DOIUrl":"https://doi.org/10.7764/res.2020.47.12","url":null,"abstract":"Una de las principales características es la ausencia casi total de nombres propios en los personajes creados por Rivera Letelier.2 En los relatos los conocemos principalmente por sus apodos, que derivan de la mencionada trayectoria de estos personajes. Esto es interesante para un proyecto como la escritura de una ópera, ya que, en principio, los personajes en las novelas de Rivera Letelier no tienen dobles lecturas y terminan siendo una agrupación de características que los distinguen. Estas características son valiosas para conformar un discurso sonoro, al facilitar la transformación de personajes literarios en materiales musicales.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90643593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Garrido, Waldo, Dan Bendrups y Philip Hayward. 2018. Música de Chiloé: Folklore, Syncretism, and Cultural Development in a Chilean Aquapelago . Londres: Rowman and Littlefield. 加里多，沃尔多，丹·本德鲁斯，菲利普·海沃德，2018。Música de chilo<e:1>:智利Aquapelago的民间传说、融合和文化发展。伦敦:罗曼和利特菲尔德。
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.14
Ignacio Soto-Silva
{"title":"Garrido, Waldo, Dan Bendrups y Philip Hayward. 2018. Música de Chiloé: Folklore, Syncretism, and Cultural Development in a Chilean Aquapelago . Londres: Rowman and Littlefield.","authors":"Ignacio Soto-Silva","doi":"10.7764/res.2020.47.14","DOIUrl":"https://doi.org/10.7764/res.2020.47.14","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81673627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Val, Fernán del. 2017. Rockeros insurgentes, modernos complacientes: un análisis sociológico del rock en la Transición (1975-1985). Madrid: Fundación SGAE (623 páginas). ISBN: 978-84-8048-890-7 瓦尔，费尔南德尔。2017. 叛乱摇滚，自满的现代摇滚:转型中的摇滚社会学分析(1975-1985)。马德里:SGAE基金会(623页)。ISBN: 978-84-8048-890-7
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.16
Eduardo Viñuela
{"title":"Val, Fernán del. 2017. Rockeros insurgentes, modernos complacientes: un análisis sociológico del rock en la Transición (1975-1985). Madrid: Fundación SGAE (623 páginas). ISBN: 978-84-8048-890-7","authors":"Eduardo Viñuela","doi":"10.7764/res.2020.47.16","DOIUrl":"https://doi.org/10.7764/res.2020.47.16","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"63 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77241807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vela, Marta. 2019. Correspondencias entre música y palabra. Un estudio sinestésico sobre Harmonie du soir, Baudelaire/Debussy, y Le Gibet, Bertrand/Ravel. Vigo: Académica Editorial del Hispanismo. 148 pp.
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.17
Irene de Juan Bernabéu
{"title":"Vela, Marta. 2019. Correspondencias entre música y palabra. Un estudio sinestésico sobre Harmonie du soir, Baudelaire/Debussy, y Le Gibet, Bertrand/Ravel. Vigo: Académica Editorial del Hispanismo. 148 pp.","authors":"Irene de Juan Bernabéu","doi":"10.7764/res.2020.47.17","DOIUrl":"https://doi.org/10.7764/res.2020.47.17","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90425423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Protest Song and Countercultural Discourses of Resistance in 1960s Colombia 抗议歌曲与1960年代哥伦比亚反主流文化抵抗话语
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.3
Joshua Katz-Rosene
{"title":"Protest Song and Countercultural Discourses of Resistance in 1960s Colombia","authors":"Joshua Katz-Rosene","doi":"10.7764/res.2020.47.3","DOIUrl":"https://doi.org/10.7764/res.2020.47.3","url":null,"abstract":"In Colombia, the tumultuous second half of the twentieth century kicked off with a fierce conflict between the Liberal and Conservative parties known as La Violencia (The Violence, ca. 1948-1958). Following a brief period of military rule (1953-1957), a bipartisan system of shared governance, the National Front (1958-1974), brought about some respite to the sectarian bloodshed. However, the exclusionary two-party system precipitated new lines of conflict between the state and communist guerrillas. Along with the political turmoil, the nation was also undergoing an era of profound cultural change. This essay examines three countercultural-oppositional movements that captivated a wide swath of youth in Colombia’s biggest cities during the 1960s: the canción protesta (protest song) movement, the rock and roll subculture denominated as nueva ola (new wave), and nadaísmo, a rabblerousing avantgarde literary movement. I analyze the correspondences and discontinuities in the ways adherents of these movements conceived of the ideal means to carry out social, cultural, and political resistance. While there were fundamental tensions between the “discourses of resistance” linked to these three countercultural streams, I argue that their convergence in the late 1960s facilitated the emergence of a commercial form of canción protesta.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83119445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Etnomusicología histórica”: reconstruyendo la historia de la liturgia Falasha [1980] “历史民族音乐学”:重建法拉沙礼拜仪式的历史[1980]
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.11
Kay Kaufman Shelemay
{"title":"“Etnomusicología histórica”: reconstruyendo la historia de la liturgia Falasha [1980]","authors":"Kay Kaufman Shelemay","doi":"10.7764/res.2020.47.11","DOIUrl":"https://doi.org/10.7764/res.2020.47.11","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"15 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86860260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Palomino, Pablo. 2020. The Invention of Latin American Music. A Transnational History. Nueva York: Oxford University Press. 帕洛米诺，巴勃罗，2020。拉丁美洲音乐的发明。跨国历史。纽约:牛津大学出版社。
IF 0.1 3区 艺术学
Resonancias Pub Date : 2020-12-01 DOI: 10.7764/res.2020.47.15
J. Poveda
{"title":"Palomino, Pablo. 2020. The Invention of Latin American Music. A Transnational History. Nueva York: Oxford University Press.","authors":"J. Poveda","doi":"10.7764/res.2020.47.15","DOIUrl":"https://doi.org/10.7764/res.2020.47.15","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"29 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75782668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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