Studi Slavistici最新文献_第9页

G. Giuliano, C. Criveller, M. Spivak, A. Frison (a cura di), Simvolizm i poetika prostranstva v tvorčestve Andreja Belogo, Nestor-Istorija, Sankt-Peterburg 2020, pp. 324.

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-10830

Martina Morabito

引用次数: 0

‘Verbal Pictures’ in Seventeenth-Century Orthodox Sermons: Predmova svjašenničeskaja pri šljube malžen’skom in Trebniks, L’viv 1644 and 1645

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-9912

M. Korzo

{"title":"‘Verbal Pictures’ in Seventeenth-Century Orthodox Sermons: Predmova svjašenničeskaja pri šljube malžen’skom in Trebniks, L’viv 1644 and 1645","authors":"M. Korzo","doi":"10.36253/studi_slavis-9912","DOIUrl":"https://doi.org/10.36253/studi_slavis-9912","url":null,"abstract":"This paper puts forward some hypotheses on the sources of a ‘verbal picture’, that is to say allegorical love poetry, in a prosta mova marriage sample sermon addressed to laity and found in two Orthodox Ritual (Trebnik) editions: the first is by the publisher Michail Slezka (L’viv 1644) and the second by the bishop Arsenij Želiborskij (L’viv 1645). I shall argue that that the very combination of vernacular homiletic material and traditional ecclesiastical rites therein found goes back to sixteenth-century Polish Catholic Rituals; in the Orthodox Church of the Polish-Lithuanian Commonwealth, this model was introduced for the first time in the Ritual of the Orthodox Brotherhood of Vilnius (1621). The verbal picture analysed in this paper draws on Pictura amoris sive amicitiae, a short moralistic text written by the English Dominican Robert Holсot (ca. 1290-1349) which appears in his exegetical voluminous work In Librum Sapientiae Regis Salomonis Praelectiones ccxiii (ca. 1333-1342). Popular among late thirteenth-early fourteenth century English Dominicans, verbal pictures did not rely on earlier samples and were a literary product, a sort of exemplum or mnemonic tool for preachers to memorize abstract concepts. Since the sixteenth century, works of different genre reproduced Holcot’s verbal picture, without any attribution to its author, as emblem to create the so-called emblemata nuda (‘naked emblems’), which describe images but lack illustrations. The article suggests that the author(-s) of the Orthodox marriage sample sermon used a textbook on rhetoric Orator extemporaneus, seu artis oratoriae breviarium bipartitum by Michael Radau (1617-1687) as his main source, of which several manuscripts had started circulating by 1644. The article also presents some concluding remarks about the authorship of the marriage sample sermon.","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82391744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

P. Lazarević Di Giacomo, M.R. Leto (a cura di), L’Adriatico tra sogno e realtà, Edizioni dell’Orso, Alessandria 2019 (= Studi interadriatici, 1), pp. 470. P . Lazarević的Giacomo, M . R . Leto(编辑),梦想和现实之间的亚得里亚海,熊,亚历山大港2019年版(= interadriatici研究,1),第47页。

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-10800

N. Badurina

引用次数: 0

Gasparo (Della) Vecchia, Architecture, and Russia 加斯帕罗，建筑，俄罗斯

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-11325

Maria Teresa Di Salvo

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“Most of Them are Honourable”. Luigi Villari and the Armenians during the 1905-1906 Armenian-Tatar War “他们中的大多数都是光荣的”。路易吉·维拉里和亚美尼亚人在1905-1906年的亚美尼亚-鞑靼战争

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-10406

A. Ferrari

{"title":"“Most of Them are Honourable”. Luigi Villari and the Armenians during the 1905-1906 Armenian-Tatar War","authors":"A. Ferrari","doi":"10.36253/studi_slavis-10406","DOIUrl":"https://doi.org/10.36253/studi_slavis-10406","url":null,"abstract":"Luigi Villari’s book Fire and Sword in the Caucasus, published in London in 1906, is widely quoted by scholars working on the history of Transcaucasia, in particular in respect to the Armenian-Tatar war. Yet neither this text nor its author have been so far studied in detail. The Italian Luigi Villari (1876-1959) is a figure of considerable interest; he was a diplomat, traveler, and journalist. His father, Pasquale Villari (1827-1917), was an accomplished historian and politician who played an important role in nineteenth-century Italy; Villari’s mother was the British writer Linda White (1836-1915). It is remarkable that the author wrote a book an English at a time when this was not a popular language in Italy. He wrote extensively both in English and Italian about different topics, mainly related to history and international politics. It has been shown that, after the First World War, Villari joined Fascism and contributed actively to the regime’s propaganda in Great Britain. The present paper examines Luigi Villari’s book on the Caucasus, especially the author’s attitude towards the Armenians. I shall demonstrate that in his work, he handles negative stereotypes of the Armenians (“one of the most unpopular races of the East”), which were common in the Russian empire at the beginning of the twentieth century, in a rather interesting way.","PeriodicalId":41566,"journal":{"name":"Studi Slavistici","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76363468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

M. Fin, H. Steenwijk (a cura di), Gerasim Zelić e il suo tempo, Firenze University Press, Firenze 2019, pp. 125. M . H . Steenwijk(开始),Gerasim Zelić和时间,佛罗伦萨佛罗伦萨大学出版社,2019年,第125页。

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-10716

M. Mitrović

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G. Ranzi (a cura di), Dmitrij Šostakovič. Il grande compositore sovietico, Fondazione Mudima, Milano 2019, pp. 611. G . Ranzi(俄罗斯),Šostakovič。伟大的苏联作曲家，Mudima基金会，米兰2019，第611页。

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-10573

A. Giust

引用次数: 0

M. Maurizio, V.S. Tomelleri (a cura di), Rivoluzione visiva attraverso visioni rivoluzionarie: alfabeti, cinema e letteratura in urss, Dipartimento di Lingue e Culture Straniere Moderne, Torino 2018 (= “QuadRi. Quaderno di Ricognizioni”, VIII), pp. 146. M.毛里求斯，V.S. Tomelleri(编辑)，通过革命观点进行视觉革命:苏联的字母表、电影和文学，现代外语和文化部，都灵2018(=“绘画”)。侦察笔记本，第146页。

Studi Slavistici Pub Date : 2021-07-20 DOI: 10.36253/studi_slavis-11288

Maria Di Salvo