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Dreamscape Century City: Architectural Rendering, Mass Media, and the Temporal Imaginary of the Postwar Capitalist Enterprise 梦幻世纪之城:战后资本主义企业的建筑渲染、大众传媒和时间想象
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718882
M. Ozdoba
{"title":"Dreamscape Century City: Architectural Rendering, Mass Media, and the Temporal Imaginary of the Postwar Capitalist Enterprise","authors":"M. Ozdoba","doi":"10.1086/718882","DOIUrl":"https://doi.org/10.1086/718882","url":null,"abstract":"Although noted for their eye-catching colors and vibrant graphics, project renderings of mid-century modern architecture remain little discussed in the field of architectural history. Through the case study of a watercolor rendering of the Century City urban development in Los Angeles by Mario Valenzuela for Welton Becket & Associates, this essay describes the production of work by commercial illustrators for large architecture firms at the turn of the 1960s. It takes up the use of project renderings in the media by public relations staff and news editors, and examines their reception by the general public in the context of the futuristic imagination of the time. Seen through this prism, project renderings appear as an instrument in the construction of a temporal imaginary of the postwar era in the United States. Widely featured in newspaper real-estate columns, these idealized visions of modern architectural and urban developments helped further the legitimacy of the capitalist enterprise to define and implement dreams of the future centered on technological progress.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"153 - 174"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44298588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intermediality and Metaphoricity in Claes Oldenburg’s Poetry 克莱斯·奥尔登堡诗歌中的中介性与隐喻性
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718883
Nadja Rottner
{"title":"Intermediality and Metaphoricity in Claes Oldenburg’s Poetry","authors":"Nadja Rottner","doi":"10.1086/718883","DOIUrl":"https://doi.org/10.1086/718883","url":null,"abstract":"This essay offers a close examination of artist Claes Oldenburg’s understudied visual and concrete poetry written between 1956 and 1962. It posits that Oldenburg’s art, irrespective of format or medium, is affected by his large-scale metaphorical bundle “art is a theater of vision,” and that this view of art originates in his poetry. Metaphors such as snapshot vision, the camera eye, and the cartoon eye are discussed as text-generating principles of intermediality in poems such as “Things to See” (1956), an untitled street poem (1959), “MANYELLS” (1959), “Wat I Makz Iz Konkrete Tawts” (1961), and “SONG” (1962). The essay demonstrates how intermediality and metaphoricity are connected and how poetry and sculpture from Oldenburg’s street and store periods are shaped by it.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"175 - 202"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49425596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Immersive Renaissance Florence: Research-Based 3-D Modeling in Digital Art and Architectural History 沉浸式文艺复兴佛罗伦萨:数字艺术和建筑史中基于研究的三维建模
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718884
F. Nevola, Donal Cooper, Chiara Capulli, L. Brunke
{"title":"Immersive Renaissance Florence: Research-Based 3-D Modeling in Digital Art and Architectural History","authors":"F. Nevola, Donal Cooper, Chiara Capulli, L. Brunke","doi":"10.1086/718884","DOIUrl":"https://doi.org/10.1086/718884","url":null,"abstract":"While visualizations of various types—such as maps, 3-D models, and animations—have become staples in digital humanities approaches to art and architectural history, how to integrate analog data (artworks and drawings, archival documents, and so on) into born-digital outputs remains a fundamental concern. This article discusses processes developed through ongoing work on the art historical visualization project Florence4D. It proposes an integrated approach where technologies for 3-D models, mapping, and location-aware augmented reality (AR) converge, while the research data is no more than a click away in structured ontology databases. The structure of the underlying data is key to creating a collaborative research space where the three broadly defined spatial technologies of 3-D and augmented reality, GPS, and geoinformation systems (GIS) interact, enabling researchers to move seamlessly between building-, local-, and urban-scale analysis and the interpretation of art, architecture, and urban design history.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"203 - 227"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41854328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The Future of Women Is the Future of the Nation”: Marie-Élisabeth Cavé’s Drawing Manuals and Art Education in Nineteenth-Century France “妇女的未来就是国家的未来”:玛丽-Élisabeth cavavre的绘画手册和19世纪法国的艺术教育
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718879
Delanie Linden
{"title":"“The Future of Women Is the Future of the Nation”: Marie-Élisabeth Cavé’s Drawing Manuals and Art Education in Nineteenth-Century France","authors":"Delanie Linden","doi":"10.1086/718879","DOIUrl":"https://doi.org/10.1086/718879","url":null,"abstract":"French artist Marie-Élisabeth Cavé (ca. 1809–83) was a successful watercolorist whose works were frequently exhibited at the Parisian Salons and whose art manual Le dessin sans maitre: Méthode pour apprendre à dessiner de mémoire (1850; Drawing without a Master: The Cavé Method for Learning to Draw from Memory, 1868) achieved wide acclaim with multiple editions in the nineteenth century. Yet Cavé has not received much scholarly attention today. This article recovers the history of Cavé and repositions her as an agent of her own success. The simplicity and autonomy of her novel technique, which used repetition to cultivate visual memory, permitted students of all backgrounds to learn to draw. According to artist Eugène Delacroix, Cavé’s method was the only one that could meet the demands of a growing industrial nation. Remarkably, within these treatises, Cavé marshaled the medium of the art manual to inscribe her own ideas about women’s education and work, and to encourage women in nineteenth-century France to become professional artists.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"87 - 112"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47656369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Many Lives of the Getty Bayard Album Getty Bayard专辑的许多生命
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718878
Carolyn Peter
{"title":"The Many Lives of the Getty Bayard Album","authors":"Carolyn Peter","doi":"10.1086/718878","DOIUrl":"https://doi.org/10.1086/718878","url":null,"abstract":"This essay looks at the J. Paul Getty Museum’s Bayard Album, a book filled with 167 photographs predominantly taken by pioneering French photographer Hippolyte Bayard (1801–87). It brings to the fore questions about Bayard’s processes, subjects, and network of British colleagues. The uncertainty surrounding the album’s compiler offers an opportunity to explore Bayard’s own role. While the album is undated, physical clues present evidence that it was one of the earliest photographic albums ever made. Thus, the compiler had to turn to non-photographic precedents for the presentation and sequencing of imagery. The various notations and twentieth-century alterations found in the Getty album reveal its mutability, raising questions about whose hands this album passed through and how the various owners changed its meaning over the course of 180 years. This study demonstrates how the album genre complicates our understanding of cultural artifacts and the artists associated with them.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"67 - 86"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44663445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Notebook of Designs by Filippo Baldi at the Getty Research Institute 盖蒂研究所的Filippo Baldi的《设计笔记》
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718876
Costantino Ceccanti
{"title":"The Notebook of Designs by Filippo Baldi at the Getty Research Institute","authors":"Costantino Ceccanti","doi":"10.1086/718876","DOIUrl":"https://doi.org/10.1086/718876","url":null,"abstract":"Many unanswered questions persist about the life and career of Filippo Baldi, an architect active in Pistoia in the early eighteenth century. A notebook of Baldi’s sketches at the Getty Research Institute clarifies aspects of his identity, elucidates the complexity of his style, and unshrouds some of the mystery that characterizes the architectural history of this period in Pistoia. Baldi’s notebook (ca. 1697–1733) contains 178 drawings in pen and ink pasted onto leaves in a vellum binding that held an original manuscript; several of the drawings are signed and dated. While the Palazzo Amati, Palazzo Marchetti, and the facade of the Santa Maria degli Angeli are three outstanding examples of his built architecture, the notebook at the GRI offers insight into other projects that may have remained on paper. In addition to drawings of interior decorations and church furnishings, there are a few studies of Roman architecture, especially structures with a Jesuit connection—suggesting that Baldi may have belonged to the Jesuit order—and projects for not only the Pistoia area but also Arezzo and Romagna.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"25 - 42"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44925635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation 巴黎基维特修复工作室与积极保护实践
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-01-01 DOI: 10.1086/718880
G. Caupin
{"title":"The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation","authors":"G. Caupin","doi":"10.1086/718880","DOIUrl":"https://doi.org/10.1086/718880","url":null,"abstract":"The Émile Rostain papers at the Getty Research Institute contain a rare collection of agendas and account books dating between 1900 and 1910. These reflect the activities and business of restoration studio Maison Kiewert, managed during this period by conservators Antoine-Édouard Chauffrey and Léon Govaert. Originally founded in Paris by Paul Kiewert in 1855, the studio became an emblematic place of painting conservation practice in the twentieth century, perpetuating techniques and recipes inherited from eighteenth century conservators François-Toussaint Hacquin and Émile Mortemard. The archive also documents crossings with dealers and collectors, and, significantly, the practice of active conservation, in which studio restorers collaborated with artists, treating works in the process of their making or soon after completion. Acting as adviser, technical assistant, and aid to creation, the restorer, whose interventions influenced the materiality of paintings, played an integral role in transforming the artistic production of the era.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"15 1","pages":"113 - 132"},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48499012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front Cover 封面
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2021-08-01 DOI: 10.1086/716569
{"title":"Front Cover","authors":"","doi":"10.1086/716569","DOIUrl":"https://doi.org/10.1086/716569","url":null,"abstract":"","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/716569","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45942555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile 盖蒂博物馆的两本摄影画册及其与19世纪60年代智利股票摄影市场的关系
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2021-01-01 DOI: 10.1086/716581
Matthias Johannes Pfaller Schmid
{"title":"Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile","authors":"Matthias Johannes Pfaller Schmid","doi":"10.1086/716581","DOIUrl":"https://doi.org/10.1086/716581","url":null,"abstract":"The J. Paul Getty Museum and the Getty Research Institute possess two nineteenth-century photographic albums containing views of Chile. While the two albums appear only loosely related, they are, in fact, quite connected. Through a synopsis of several similar albums in archives in Chile and Switzerland, a number of photographs can be linked to the same circle of photographers in Valparaiso. Besides new attributions, this comparison yields insights into the photographic business in the port city, shedding light on the importance of international partnerships between studios, the consolidation of a pool of photographs from certain Chilean sites, the passing down of this image stock, and the longevity of some of the vistas as national icons.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"14 1","pages":"81 - 102"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43385804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Bust of Ottavio Farnese at the J. Paul Getty Museum: An Addition to the Corpus of Giovanni Battista della Porta 保罗·盖蒂博物馆的奥塔维奥·法尔内塞半身像:乔瓦尼·巴蒂斯塔·德拉·波尔塔雕像的补充
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2021-01-01 DOI: 10.1086/716572
Luca Annibali
{"title":"The Bust of Ottavio Farnese at the J. Paul Getty Museum: An Addition to the Corpus of Giovanni Battista della Porta","authors":"Luca Annibali","doi":"10.1086/716572","DOIUrl":"https://doi.org/10.1086/716572","url":null,"abstract":"The various sculpted busts of Ottavio Farnese (1524–86), duke of Parma and Piacenza, are still at the center of debates of attribution. Focusing on the bust in Carrara marble in the collection of the J. Paul Getty Museum in Los Angeles, the author proposes a new attribution to Lombard-born sculptor Giovanni Battista della Porta (1542–97), one of the protagonists of the Roman artistic scene in the second half of the sixteenth century. While archival sources attest to Della Porta’s ambition to work in the service of the duke and to Farnese’s awareness of the sculptor’s artistic achievements, the attribution is largely based on comparisons with Della Porta’s works. Finally, the author discusses hypotheses related to the dating of the bust, the occasion of its creation, its original location in Parma, and the bust’s movements prior to its entry into the Getty collection.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"14 1","pages":"21 - 38"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45602359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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