保罗·盖蒂博物馆的奥塔维奥·法尔内塞半身像:乔瓦尼·巴蒂斯塔·德拉·波尔塔雕像的补充

IF 0.1 3区 艺术学 0 ART
Luca Annibali
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引用次数: 0

摘要

帕尔马和皮亚琴察公爵奥塔维奥·法尔内塞(Ottavio Farnese, 1524-86)的各种雕塑半身像,至今仍是归属争论的焦点。以洛杉矶保罗·盖蒂博物馆收藏的卡拉拉大理石半身像为例,作者提出了一个新的归属,即伦巴第出生的雕塑家乔瓦尼·巴蒂斯塔·德拉·波尔塔(1542-97),他是16世纪下半叶罗马艺术舞台的主角之一。虽然档案资料证明了德拉·波尔塔为公爵服务的雄心,以及法尔内塞对雕塑家艺术成就的认识,但这种归属主要是基于与德拉·波尔塔作品的比较。最后,作者讨论了与胸像的年代、创作场合、在帕尔马的原始位置以及胸像进入盖蒂收藏之前的运动有关的假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Bust of Ottavio Farnese at the J. Paul Getty Museum: An Addition to the Corpus of Giovanni Battista della Porta
The various sculpted busts of Ottavio Farnese (1524–86), duke of Parma and Piacenza, are still at the center of debates of attribution. Focusing on the bust in Carrara marble in the collection of the J. Paul Getty Museum in Los Angeles, the author proposes a new attribution to Lombard-born sculptor Giovanni Battista della Porta (1542–97), one of the protagonists of the Roman artistic scene in the second half of the sixteenth century. While archival sources attest to Della Porta’s ambition to work in the service of the duke and to Farnese’s awareness of the sculptor’s artistic achievements, the attribution is largely based on comparisons with Della Porta’s works. Finally, the author discusses hypotheses related to the dating of the bust, the occasion of its creation, its original location in Parma, and the bust’s movements prior to its entry into the Getty collection.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
24
期刊介绍: The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.
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