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Moldmates Matter: Computational Tools to Enhance, Measure, Compare, and Match Historical Papers 模数重要:提高、测量、比较和匹配历史论文的计算工具
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724136
M. Ellis, C. R. Johnson, W. Sethares
{"title":"Moldmates Matter: Computational Tools to Enhance, Measure, Compare, and Match Historical Papers","authors":"M. Ellis, C. R. Johnson, W. Sethares","doi":"10.1086/724136","DOIUrl":"https://doi.org/10.1086/724136","url":null,"abstract":"Every sheet of premachine European paper bears the marks of three unique features of the handcrafted mold that was used to form it: the watermark, intervals between chain wires, and densities of laid wires (measured in frequency per inch/centimeter). Like a fingerprint, the internal patterns produced by the mold create a singular code. Two papers formed from the same mold and, thus, sharing the same code, are called “moldmates.” Scholars have long studied watermarks and, to a lesser extent, chain-line intervals in order to identify identical papers. Confirming moldmate status, however, has been difficult due to poor imaging. Laid-line density patterns have never been systematically recorded and studied. This article presents a protocol for applying computational programs to enhance, measure, compare, and match historical papers; the method is illustrated through case studies involving watermarked papers found in the Codex Leicester (Gates Collection) and the Codex Arundel (British Library, MS 263) by Leonardo da Vinci (1452–1519).","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"1 - 24"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60729104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Judy Chicago’s Lipstick Sculptures at the Rolf Nelson Gallery: Ambiguities between Minimal Art, Pop, and Environments 朱迪·芝加哥在罗尔夫·纳尔逊画廊的口红雕塑:极简艺术、波普和环境之间的模糊
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724142
Susanneh Bieber
{"title":"Judy Chicago’s Lipstick Sculptures at the Rolf Nelson Gallery: Ambiguities between Minimal Art, Pop, and Environments","authors":"Susanneh Bieber","doi":"10.1086/724142","DOIUrl":"https://doi.org/10.1086/724142","url":null,"abstract":"In 1966 Judy Chicago made a series of three sculptures, each consisting of a group of circular columns ranging in height from two to nine inches. Formal variations among the three Untitled works reveal a playful oscillation between representational subject matter and abstract forms. These exquisite works have been absent from Chicago historiography, and we do not know their whereabouts. But the Rolf Nelson Gallery records at the Getty Research Institute contain several photographs of these sculptures. They are valuable resources that provide new insights into Chicago’s practice during the mid-1960s and the challenges she faced as a woman artist working in a male-dominated art world. More broadly, the sculptures speak to the stylistic ambiguities among the registers of minimal art, pop art, and environments, and to artists’ interest in sexually allusive subject matter that questions static, binary, and hierarchical conceptions of gender.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"155 - 172"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42465103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Antimonumental Impulse in Korean Contemporary Art 韩国当代艺术中的反纪念性冲动
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724141
Jung-Ah Woo
{"title":"The Antimonumental Impulse in Korean Contemporary Art","authors":"Jung-Ah Woo","doi":"10.1086/724141","DOIUrl":"https://doi.org/10.1086/724141","url":null,"abstract":"This study examines the genealogy of the antimonument in South Korean contemporary art as it manifests in the works of three artists: Bahc Mo, Suh Do Ho, and Oh Inhwan. Born in the period around 1960, the three grew to maturity during South Korea’s rapid economic development in the 1970s and witnessed the violent struggle for democratization in the 1980s. Public monuments were grandiose structures deployed in the nation’s period of military dictatorship as propagandistic expressions of collective identity. In this essay, I argue that in their own unique ways each of these artists embraced antimonumentality as an idiom that could subvert the grammar of official monuments and reveal the dialectics at play in the sociohistorical and psychological processes of forming national identity. Humble, fragile, and often antagonistic, the artists’ antimonuments, which began to appear in the 1990s, challenge established views of Korean society and its gendered ideology and complicate the nation’s notions of communal values and the virtue of solidarity.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"125 - 154"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43248164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Building a Soviet “Architectural Sputnik”: Behind the Scenes in the Ada Louise Huxtable and L. Garth Huxtable Papers 建造苏联的“建筑卫星”:艾达·路易斯·赫克斯特布尔和l·加斯·赫克斯特布尔论文的幕后
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724143
Valeria Casali
{"title":"Building a Soviet “Architectural Sputnik”: Behind the Scenes in the Ada Louise Huxtable and L. Garth Huxtable Papers","authors":"Valeria Casali","doi":"10.1086/724143","DOIUrl":"https://doi.org/10.1086/724143","url":null,"abstract":"In 1967, architecture critic Ada Louise Huxtable embarked on an investigative journey to the USSR with a group of fourteen New York Times journalists. Upon her return, she published numerous writings on Soviet architecture and its protagonists, including newspaper articles, a report for Architectural Forum, and a book essay. The present article reconstructs the circumstances that led to the formulation of these stories and examines how the critic tailored them to a North American readership. By tracing the untold negotiations between public and personal expectations and individual perceptions that led to the final narrative through the documents held in her husband’s archive, that of industrial designer L. Garth Huxtable, this article explores the gray areas surrounding the critic’s assessment of the Soviet “architectural Sputnik.”","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"173 - 188"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48457982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front Matter 前页
3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724135
{"title":"Front Matter","authors":"","doi":"10.1086/724135","DOIUrl":"https://doi.org/10.1086/724135","url":null,"abstract":"","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136168085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Claude Lévi-Strauss’s Population Figures 克劳德·拉斯特劳斯的《人口数据》
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724140
Zirwat Chowdhury
{"title":"Claude Lévi-Strauss’s Population Figures","authors":"Zirwat Chowdhury","doi":"10.1086/724140","DOIUrl":"https://doi.org/10.1086/724140","url":null,"abstract":"This article examines anthropologist Claude Lévi-Strauss’s writings on the Indian subcontinent’s emergence and demographic configuration as a region in the 1950s. It traces how changes in perception engendered by air and train travel attuned Lévi-Strauss to the vectors of dispossession and displacement revealed in the post-Partition landscape as a profound rupture in the relation between figure and ground. Placing his febrile descriptions of the Mughal architecture and destitute, laboring bodies that he saw in India and Pakistan in relation to Partition-era photographs of similar subject matter, this article substantiates Lévi-Strauss’s astute, however fleeting, formalist discernment of how the forces of globalization unmoored human beings from the bonds of community and transformed them into undesirable population figures. In so doing, it demonstrates the urgency for an art historical attention to form to challenge the hegemonic, quantitative discourse on overpopulation.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"107 - 124"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43426776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Selling the Belgian School: The Belgian Gallery in New York City (1852–55) 出售比利时学校：纽约比利时美术馆（1852-5）
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2023-02-01 DOI: 10.1086/724137
Jan Baetens
{"title":"Selling the Belgian School: The Belgian Gallery in New York City (1852–55)","authors":"Jan Baetens","doi":"10.1086/724137","DOIUrl":"https://doi.org/10.1086/724137","url":null,"abstract":"This article analyzes the business operations of the Belgian Gallery, a commercial art gallery established in New York City in 1852 by painter Ferdinand De Braekeleer the Younger. Aided by the Belgian government, De Braekeleer set up a luxurious exhibition space, built a client base of some of the the first American collectors with a taste for contemporary European art, devised new strategies for publicity and distribution, and succeeded in marketing Belgian art as a veritable national brand. This case study offers a rare glimpse into the operations of an early commercial art gallery in the United States. It also shows that the conditions that would lead to the golden age of collecting in the U.S. after the Civil War were already developing and creating important business opportunities in the early 1850s.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"25 - 54"},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42947987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A So-Called Ostrich-Eggshell Vessel at the J. Paul Getty Museum 保罗·盖蒂博物馆的一艘所谓的鸵鸟蛋壳船
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-08-01 DOI: 10.1086/721982
T. Hodos
{"title":"A So-Called Ostrich-Eggshell Vessel at the J. Paul Getty Museum","authors":"T. Hodos","doi":"10.1086/721982","DOIUrl":"https://doi.org/10.1086/721982","url":null,"abstract":"The collection of the J. Paul Getty Museum at the Getty Villa contains an Aegean Bronze Age ceramic jar with stippled decoration that is described as an imitation of the dimpled shell of an ostrich egg. This essay takes a closer look at the historical development of the long scholarly association of ceramic vessel shapes and motifs with the imitation of ostrich-eggshell vessels in the Aegean Bronze Age, deconstructing any meaningful relationship between them. In doing so, it also classifies the Getty jar in current typology and redates it to provide a more precise identification.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"16 1","pages":"1 - 18"},"PeriodicalIF":0.1,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45383153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tedesco Frères Selling Rosa Bonheur: An Inquiry into Dealers’ Stock Books Tedesco Frères出售Rosa Bonheur：经销商库存书籍调查
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-08-01 DOI: 10.1086/721990
Isabella Zuralski-Yeager
{"title":"Tedesco Frères Selling Rosa Bonheur: An Inquiry into Dealers’ Stock Books","authors":"Isabella Zuralski-Yeager","doi":"10.1086/721990","DOIUrl":"https://doi.org/10.1086/721990","url":null,"abstract":"The Dieterle family records of French art galleries, 1846–1986, at the Getty Research Institute, hold the stock books of the Parisian gallery Tedesco Frères. The stock books document transactions relating to approximately two hundred artworks by nineteenth-century painter Rosa Bonheur, who is considered one of the most prominent women artists of her time. Bonheur herself stressed the importance of Tedesco Frères for her career, along with the significance of the role played by publisher and dealer Ernest Gambart. While Gambart’s contributions to Bonheur’s popularity have received much scholarly attention, the contributions of Tedesco Frères are rarely mentioned. The records in the archive furnish the extent of the dealings by Tedesco Frères and enable new conclusions about the gallery’s impact on Bonheur’s commercial success and international fame. The gallery’s sales strategies are also evaluated in the context of the growing internationalization of art markets in the late nineteenth century.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"16 1","pages":"195 - 208"},"PeriodicalIF":0.1,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46144649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Virtuosity for Connoisseurs: The First Small Crucifix by Veit Stoss Resurfaces 对鉴赏家的赞美：韦特·斯托斯的第一个小十字架复活
IF 0.1 3区 艺术学
Getty Research Journal Pub Date : 2022-08-01 DOI: 10.1086/721983
Matthias Weniger
{"title":"Virtuosity for Connoisseurs: The First Small Crucifix by Veit Stoss Resurfaces","authors":"Matthias Weniger","doi":"10.1086/721983","DOIUrl":"https://doi.org/10.1086/721983","url":null,"abstract":"A sixteenth-century source documents that Veit Stoss, arguably the leading German sculptor in the years around 1500, created small-scale crucifixes for connoisseurs. A few small sculptures of other subjects by Stoss were known for some time, but not a single crucifix. The first such work resurfaced only in 2011. It has now been acquired by the J. Paul Getty Museum. This article aims to situate the work relative to six large crucifixes Stoss created during the years he worked in Kraków (1477–96), then the capital of Poland, and in Nuremberg, the big economic hub of southern Germany where he worked for over three decades. Among the works discussed is another crucifix barely known until today, but preserved in the small church of Iwanowice, near Kraków. Like other crucifixes by Stoss, the new acquisition is distinguished by the artist’s sublime knowledge of anatomy, most likely based on personal anatomical studies.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"16 1","pages":"19 - 40"},"PeriodicalIF":0.1,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45050050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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