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Incarcerating the Impossible: The Asylum in Italian Fantastic Literature 囚禁不可能:意大利奇幻文学中的避难所
IF 0.1
Italian Culture Pub Date : 2020-07-02 DOI: 10.1080/01614622.2020.1840098
Matthew Reza
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引用次数: 0
MLN Volume 134 Supplement. Tradition and the Individual Text: Essays in Memory of Pier Massimo Forni MLN第134卷补编。传统与个体文本——纪念福尔尼的随笔
IF 0.1
Italian Culture Pub Date : 2020-07-02 DOI: 10.1080/01614622.2020.1842648
Max Matukhin
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引用次数: 0
“Per desiderio di vedere…”. Viaggi e narrazioni di viaggio tra Cinque e Seicento “渴望见到……”旅行和旅行叙述在5到600之间
IF 0.1
Italian Culture Pub Date : 2020-07-02 DOI: 10.1080/01614622.2020.1848101
P. Falchetta
{"title":"“Per desiderio di vedere…”. Viaggi e narrazioni di viaggio tra Cinque e Seicento","authors":"P. Falchetta","doi":"10.1080/01614622.2020.1848101","DOIUrl":"https://doi.org/10.1080/01614622.2020.1848101","url":null,"abstract":"","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"202 - 204"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1848101","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47973755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dante’s Prayerful Pilgrimage: Typologies of Prayer in the Comedy 但丁的祈祷之旅:喜剧中祈祷的类型学
IF 0.1
Italian Culture Pub Date : 2020-07-02 DOI: 10.1080/01614622.2020.1842647
D. Kelly
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引用次数: 4
Convivial Encounters: Word and Image in the Work of Rebecca West 欢乐的邂逅：丽贝卡·韦斯特作品中的文字与意象
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1751996
S. P. Hill
{"title":"Convivial Encounters: Word and Image in the Work of Rebecca West","authors":"S. P. Hill","doi":"10.1080/01614622.2020.1751996","DOIUrl":"https://doi.org/10.1080/01614622.2020.1751996","url":null,"abstract":"A passionate personal and intellectual encounter with literary and audiovisual texts and their authors lies at the heart of Rebecca West’s scholarly work. This article takes the author’s own encounter with Rebecca and the literary and filmic worlds to which she introduced her students as a starting point for considering Rebecca’s contributions to illuminating the encounters of word and image in our discipline. It focuses in particular on the intellectual and ethical value of the notion of conviviality, which it argues informs all of Rebecca’s scholarship. In particular, it addresses her important work on the creative encounter between the writer Gianni Celati and the photographer Luigi Ghirri, arguing that her writing on this “creative couple” is emblematic of her critical approach in general and in particular of her explorations of the points of contact between words and images.","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"6 - 16"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1751996","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44438309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the Edges: Influences, Encounters, Relations, and Conviviality 在边缘:影响，遭遇，关系和欢乐
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1757233
Ellen Nerenberg
{"title":"On the Edges: Influences, Encounters, Relations, and Conviviality","authors":"Ellen Nerenberg","doi":"10.1080/01614622.2020.1757233","DOIUrl":"https://doi.org/10.1080/01614622.2020.1757233","url":null,"abstract":"The essays gathered in this special issue pay tribute to Rebecca West and her four decades-long career in Italian Studies. Two award-winning studies plot prime coordinates in our esteemed colleague...","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"1 - 5"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1757233","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59230048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subverting Italianità: The Comic Voice of Laila Wadia 颠覆意大利语:莱拉·瓦迪亚的喜剧之声
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1752006
Marie Orton
{"title":"Subverting Italianità: The Comic Voice of Laila Wadia","authors":"Marie Orton","doi":"10.1080/01614622.2020.1752006","DOIUrl":"https://doi.org/10.1080/01614622.2020.1752006","url":null,"abstract":"Since antiquity, tradition has held that women and humor don’t go together. Behind this notion lies the intersection of social power and humor, and women’s roles in both. The writings of Italian-Indian writer Laila Wadia confront these notions, specifically targeting the mechanism of stereotyping and the role of humor in cultural inclusion and exclusion. In a comic key, Wadia questions the cherished cultural concept of italianità: Who really has it, and of what does it actually consist? Can it be acquired by an outsider? And most importantly, what does it mean to have it? Structured as a highly ironic ersatz diary, Come diventare italiani in 24 ore positions the protagonist, Laila, as writing from outside Italian society in order to examine how the presence of otherness (as embodied in the migrant) challenges the traditional concept of italianità. By ironizing in equal measure the misguided stereotypes that Italians have of foreigners as well as the misguided stereotypes that foreigners have of Italians, Wadia exposes how the discourses of identity construction and social exclusion and inclusion are appropriated into economies of power, which humor can serve or challenge.","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"55 - 62"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1752006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42302288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Ora accetti d’essere poeta.” Sulla poetica di Antonia Pozzi e la scuola di Milano “现在你接受成为一名诗人。”安东尼娅·波齐的诗和米兰的学校
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1752005
Anna Maria Torriglia
{"title":"“Ora accetti d’essere poeta.” Sulla poetica di Antonia Pozzi e la scuola di Milano","authors":"Anna Maria Torriglia","doi":"10.1080/01614622.2020.1752005","DOIUrl":"https://doi.org/10.1080/01614622.2020.1752005","url":null,"abstract":"L’opera di Antonia Pozzi (1912-1938) – morta suicida a 26 anni– ha ricevuto, soprattutto nell’ultimo decennio, grande attenzione critica. La mia analisi evidenzia come Pozzi abbia difeso strenuamente la propria vocazione poetica, approfonditasi in un ambiente intellettualmente stimolante come quello dell’Università Statale di Milano, ma al contempo maschilista e incline a privilegiare la prosa e il romanzo rispetto alla lirica. Fedele alla propria vocazione e guidata da un’intensità del sentire che la porta verso un’oltranza da cui si difende con accanita e pervicace attenzione alla forma, Pozzi trova in Montale un critico d’eccezione. Il poeta segnalerà positivamente i suoi versi, avendone colto le potenzialità. Un’ultima disillusione amorosa, l’approvazione delle leggi razziali, l’incupirsi della situazione politica, nonché la percezione di un’oppressione sociale e culturale a cui è ormai impossibile sottrarsi, confluiranno nella sua drammatica scelta.","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"36 - 46"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1752005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42218759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imperfect Relations: Tomás Gutiérrez Alea’s Hasta cierto punto and Federico Fellini’s 8½ 不完美的关系:tomas gutierrez Alea的a certain point和Federico Fellini的8½
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1751997
M. Waller
{"title":"Imperfect Relations: Tomás Gutiérrez Alea’s Hasta cierto punto and Federico Fellini’s 8½","authors":"M. Waller","doi":"10.1080/01614622.2020.1751997","DOIUrl":"https://doi.org/10.1080/01614622.2020.1751997","url":null,"abstract":"Italian neorealism’s influence on Cuban revolutionary filmmaking is well-known, but ongoing dialogs between Italian and Cuban film are less so. I propose an alternative film historiography, inspired, in part, by Fernando Solanas and Octavio Getino’s manifesto, “Toward a Third Cinema,” which suggests that such intertextualities are consequential. An exchange between Italian auteur Federico Fellini and revolutionary Cuban filmmaker Tomás Gutiérrez Alea about twentieth-century masculinities is exemplary. In the space between two pregnant musical moments separated by twenty years, the Atlantic Ocean, and geopolitically opposed political contexts, a dialog emerges between the Saraghina sequence in Fellini’s 8½ (1963) and its counterpart in Gutiérrez Alea’s Hasta cierto punto [Up to a Certain Point] (1983). I argue that when cinema historiography opens itself up to such dialogs, a kind of “decolonization” of the hegemonic discourses on both sides can occur.","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"73 - 81"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1751997","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42358779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gianni Celati traduttore. Da Mark Twain a Jack London 詹尼·塞拉蒂翻译。从马克·吐温到杰克·伦敦
IF 0.1
Italian Culture Pub Date : 2020-01-02 DOI: 10.1080/01614622.2020.1751985
Franco Nasi
{"title":"Gianni Celati traduttore. Da Mark Twain a Jack London","authors":"Franco Nasi","doi":"10.1080/01614622.2020.1751985","DOIUrl":"https://doi.org/10.1080/01614622.2020.1751985","url":null,"abstract":"Narratori delle Pianure e Quattro novelle dell’apparenza, pubblicati a metà degli anni ottanta, segnalano un significativo cambiamento nella poetica e nello stile di Gianni Celati rispetto alla produzione più sperimentale degli anni settanta. Questo “cambio di stile” nella produzione creativa trova un analogo movimento anche nelle strategie di traduzione adottate da Celati nella sua pratica di traduttore. Nel saggio si prendono in considerazione in particolare le versioni di Celati delle Avventure di Tom Sawyer di Mark Twain (1979) e del Richiamo della Foresta di Jack London (1986). Mentre la traduzione del Tom Sawyer sembra il punto di arrivo di un percorso di ricerca, iniziato con gli studi su Joyce e le traduzioni di Céline, e caratterizzato da una marcata deformazione espressionistica del linguaggio letterario e da un antagonismo di fondo nei confronti delle ideologie, la traduzione del Richiamo della foresta segnala l’approdo a una poetica dello sguardo e a una narratività più distesa, rituale e sorvegliata.","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"38 1","pages":"17 - 25"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01614622.2020.1751985","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49473891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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