{"title":"Coda","authors":"C. Nicholson","doi":"10.23943/princeton/9780691198989.003.0008","DOIUrl":"https://doi.org/10.23943/princeton/9780691198989.003.0008","url":null,"abstract":"This coda explains that Edmund Spenser's The Faerie Queene has never been read to the end, for the simple reason that no one can quite say where, or if, it ends at all. This peculiar fact—the joint product of biographical accident, editorial intervention, and what might or might not be poetic ingenuity—has consequences for the poem as a whole. To begin with, it makes it unusually difficult to speak of the poem as a whole. As Barbara Herrnstein Smith has written, poetic closure “is an effect that depends primarily upon the reader's experience of the structure of the entire poem.” Because it is dense, difficult, didactic, and strange; because it is an allegory; because its language is pseudoarchaic and its spelling weird; because it meanders and digresses, shedding characters and entire plotlines as it goes; above all, because it is so extraordinarily long, Spenser's poem tests one's readerly loyalties and often defeats one's instinct to see a story through.","PeriodicalId":414961,"journal":{"name":"Reading and Not Reading The Faerie Queene","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130784804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Half-Envying","authors":"C. Nicholson","doi":"10.23943/princeton/9780691198989.003.0005","DOIUrl":"https://doi.org/10.23943/princeton/9780691198989.003.0005","url":null,"abstract":"This chapter assesses the degree to which Edmund Spenser's The Faerie Queene not only responds to reading “characterologically” but solicits it, as an offering to and claim upon the reader whose interest Spenser was most anxious to secure. The Faerie Queene is not a tightly plotted prose narrative, and its intended reader was no figment of Spenser's imagination. On the contrary, she was a living ruler on whose favor the poet's livelihood depended and to whom, on at least one occasion, he read parts of his uncompleted poem aloud. These well-known facts are related in nonobvious ways: Queen Elizabeth's engrossment in The Faerie Queene is the poem's motivating and sustaining fiction, as well as the scene of an imagined catastrophe it must labor to forestall. In claiming Elizabeth as inspiration and ideal reader, Spenser's poem participates in a collective fiction of the queen's willing self-subjection to her chastely devoted male subjects, a fiction whose seditious and erotic subtexts were at perpetual risk of contaminating the official narrative.","PeriodicalId":414961,"journal":{"name":"Reading and Not Reading The Faerie Queene","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122276380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blatant Beasts:","authors":"","doi":"10.2307/j.ctvs1g8mm.10","DOIUrl":"https://doi.org/10.2307/j.ctvs1g8mm.10","url":null,"abstract":"","PeriodicalId":414961,"journal":{"name":"Reading and Not Reading The Faerie Queene","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130076669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The Falsest Twoo”","authors":"C. Nicholson","doi":"10.23943/princeton/9780691198989.003.0002","DOIUrl":"https://doi.org/10.23943/princeton/9780691198989.003.0002","url":null,"abstract":"This chapter discusses the question of how to represent the orthography of Edmund Spenser's The Faerie Queene in modern texts. Editions of Spenser's poem nearly always preserve the late sixteenth-century spellings: it is The Faerie Queene, not The Fairy Queen. The reproduction of old spellings communicates a set of seemingly irreproachable editorial commitments: to textual fidelity, to philological precision, to the material and cultural contexts of poetic composition, and, above all, to authorial intent. Ironically, however, the effects of old spelling on Spenser's modern readers are hard to justify in such terms. The chapter argues that although the “old-spelling” Faerie Queene encodes much less of Spenser's meaning than most modern editions of the poem imply, it retains more of what the poem has meant to readers, and to the tradition of literary scholarship.","PeriodicalId":414961,"journal":{"name":"Reading and Not Reading The Faerie Queene","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132614214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}