Coda

C. Nicholson
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Abstract

This coda explains that Edmund Spenser's The Faerie Queene has never been read to the end, for the simple reason that no one can quite say where, or if, it ends at all. This peculiar fact—the joint product of biographical accident, editorial intervention, and what might or might not be poetic ingenuity—has consequences for the poem as a whole. To begin with, it makes it unusually difficult to speak of the poem as a whole. As Barbara Herrnstein Smith has written, poetic closure “is an effect that depends primarily upon the reader's experience of the structure of the entire poem.” Because it is dense, difficult, didactic, and strange; because it is an allegory; because its language is pseudoarchaic and its spelling weird; because it meanders and digresses, shedding characters and entire plotlines as it goes; above all, because it is so extraordinarily long, Spenser's poem tests one's readerly loyalties and often defeats one's instinct to see a story through.
Coda
这个结尾解释了埃德蒙·斯宾塞的《仙后》从来没有被读完,原因很简单,没有人能说清它到底在哪里结束,或者是否结束。这一奇特的事实——传记偶然性、编辑干预以及可能或不可能是诗歌天才的共同产物——对整首诗产生了影响。首先,这使得将整首诗作为一个整体来谈论变得异常困难。正如芭芭拉·赫尔恩斯坦·史密斯(Barbara Herrnstein Smith)所写,诗的结尾“主要取决于读者对整首诗结构的体验”。因为它深奥、难懂、说教,而且奇怪;因为它是寓言;因为它的语言是伪古老的,拼写也很奇怪;因为它弯弯曲曲,离题太远,随着剧情的发展,人物和整个情节线都被抛弃了;最重要的是,因为它太长了,斯宾塞的诗考验了读者的忠诚,常常挫败了一个人想把故事看完的本能。
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