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Journal of Curatorial Studies最新文献

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A Call to Otherness: Inscribing Digital Vernaculars into the Art Institution 对他者的呼唤：将数字白话融入艺术机构
IF 0.3
Journal of Curatorial Studies Pub Date : 2021-04-01 DOI: 10.1386/jcs_00033_7
Gabriel Menotti
{"title":"A Call to Otherness: Inscribing Digital Vernaculars into the Art Institution","authors":"Gabriel Menotti","doi":"10.1386/jcs_00033_7","DOIUrl":"https://doi.org/10.1386/jcs_00033_7","url":null,"abstract":"In the mid-2010s, a number of renowned museums and galleries across the world held retrospective exhibitions positioning digital arts within western art history. While inscribing some techno-aesthetic forms and behaviours into the contemporary arts institution, these exhibitions nevertheless cemented the exclusion of others. By examining the role and shortcomings of curatorial practices in this process, this article seeks to frame curating as an art of inclusion able to carve institutional and epistemic space for otherness. In doing so, I argue for the relevance of devices for noticing, defined as a range of tactics that enable the apprehension of digital vernaculars ‐ everyday, ‘lower’ expressions of digital media culture ‐ within institutional sites and discourses. Through these tactics, curators may provoke under-represented cultural actors, forms and behaviours into recognition, reverse the violence of institutional occlusion, and fertilize art histories.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"94-115"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49123132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Politics of Curatorial Themes: Immortality from Conception to Display in the 5th Ural Industrial Biennial of Contemporary Art 策展主题的政治:第五届乌拉尔工业双年展从构思到展示的不朽
IF 0.3
Journal of Curatorial Studies Pub Date : 2021-04-01 DOI: 10.1386/jcs_00032_1
Anastasia Philimonos, Panos Kompatsiaris
{"title":"The Politics of Curatorial Themes: Immortality from Conception to Display in the 5th Ural Industrial Biennial of Contemporary Art","authors":"Anastasia Philimonos, Panos Kompatsiaris","doi":"10.1386/jcs_00032_1","DOIUrl":"https://doi.org/10.1386/jcs_00032_1","url":null,"abstract":"Using the fifth edition of the Ural Industrial Biennial of Contemporary Art: Immortality (Yekaterinburg, 2019) as a case study, this article examines the inconsistencies across a curatorial theme, its development in discourse, and its materialization in the exhibition. The article\u0000 posits that these inconsistencies stem from fraught relationships between the global and the local developed by the curatorial framing of the exhibition’s principal theme ‐ immortality and its relations with Russian cosmism. Through exploring the politics of biennial themes, the\u0000 article puts pressure on the idea of the curator as the indisputable author and highlights the complex politics involved in curatorial practice, such as the contradictions that can occur between the conceptualizing of a theme and its materialization in an exhibition.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"72-92"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47333006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alfred H. Barr, MoMA, and the Entrance and Exit of Outsider Art (1936‐1943) Alfred H.Barr，MoMA，《局外人艺术的入口与出口》（1936年-1943年）
IF 0.3
Journal of Curatorial Studies Pub Date : 2021-04-01 DOI: 10.1386/jcs_00029_1
Dieter De Vlieghere
{"title":"Alfred H. Barr, MoMA, and the Entrance and Exit of Outsider Art (1936‐1943)","authors":"Dieter De Vlieghere","doi":"10.1386/jcs_00029_1","DOIUrl":"https://doi.org/10.1386/jcs_00029_1","url":null,"abstract":"Fantastic Art, Dada, Surrealism (1936), curated by Alfred H. Barr at the Museum of Modern Art (MoMA), New York, was the first major exhibition of outsider art at the epicentre of the art world. The entrance of outsider art in the art museum coincided with the changing role of\u0000 the curator: from a custodian of fine arts to an exhibition author with creative agency. The disconnection of outsider art from canonized art history and the peculiar appearance of the works and their makers inspired new curatorial narrations and settings. Barr’s inclusive vision of\u0000 modern art and curation was, however, strongly criticized, and a few years later that vision was replaced by a hierarchical one demanding the exclusion of outsider art from the art museum. The developments at MoMA between 1936 and 1943 exemplify how outsider art served as a catalyst for the\u0000 curatorial turn in which the division between the roles of curator and artist began to shift.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"2-25"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48063399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Will Kwan, Terra Economicus Will Kwan，Terra Economicus
IF 0.3
Journal of Curatorial Studies Pub Date : 2021-04-01 DOI: 10.1386/jcs_00037_7
Maya Burns
{"title":"Will Kwan, Terra Economicus","authors":"Maya Burns","doi":"10.1386/jcs_00037_7","DOIUrl":"https://doi.org/10.1386/jcs_00037_7","url":null,"abstract":"Review of: Will Kwan, Terra EconomicusCurated by Leila Timmins, Robert McLaughlin Gallery, Oshawa, 2 October 2020‐21 August 2021","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"131-134"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47705101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tidalectic Curating Tidalectic策划
IF 0.3
Journal of Curatorial Studies Pub Date : 2020-10-01 DOI: 10.1386/jcs_00023_1
Stefanie Hessler
{"title":"Tidalectic Curating","authors":"Stefanie Hessler","doi":"10.1386/jcs_00023_1","DOIUrl":"https://doi.org/10.1386/jcs_00023_1","url":null,"abstract":"The recent proliferation of exhibitions about oceans calls for an analysis of their curatorial premises. This article identifies curatorial methodologies consisting of procedures and exhibitions that not only speak about, but also through their oceanic subject matter in\u0000 a performative way. The term ‘tidalectics’, coined by the historian and poet Kamau Brathwaite to articulate a worldview that eschews static land and evolves alongside water and flux, serves as an anchor to analyse curatorial work guided by oceanic thinking. The author argues that\u0000 through a tidalectic methodology ‐ which takes cues from natural processes such as the ebb and flow of the tide ‐ current ecological, societal and onto-epistemological shifts can be addressed productively.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45792335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Moment to Celebrate? Art of the Caribbean at the Venice Biennale 庆祝的时刻？威尼斯双年展上的加勒比艺术
IF 0.3
Journal of Curatorial Studies Pub Date : 2020-04-01 DOI: 10.1386/jcs_00010_1
W. Asquith, L. Wainwright
{"title":"A Moment to Celebrate? Art of the Caribbean at the Venice Biennale","authors":"W. Asquith, L. Wainwright","doi":"10.1386/jcs_00010_1","DOIUrl":"https://doi.org/10.1386/jcs_00010_1","url":null,"abstract":"In recent years, the sporadic presence of various Caribbean national pavilions at the Venice Biennale – Jamaica (2001), Haiti (2011), Bahamas (2013), Grenada (2015, 2017, 2019), Antigua and Barbuda (2017, 2019), Dominican Republic (2019) – has on each occasion been almost unanimously applauded as marking some sort of moment of ‘arrival’ or ‘becoming’ for artists of the Caribbean, and for the local institutional structures and professionals that surround them. This article critically explores what the gains are of such a presence beyond the fleeting ‘Venice effect’ – mega-hyped exposure to international audiences, curators, gallerists and other market actors. The alleged benefits-for-all of contemporary cultural exchange, in an expanding globalizing field such as Venice, are by no means shared equally, and such discourses gloss over layers of uneven privilege embedded within the institution.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49543167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
India at the Venice Biennale: Collateral Events From and Beyond the Nation 威尼斯双年展上的印度:国家内外的附带事件
IF 0.3
Journal of Curatorial Studies Pub Date : 2020-04-01 DOI: 10.1386/jcs_00011_1
N. Querol
{"title":"India at the Venice Biennale: Collateral Events From and Beyond the Nation","authors":"N. Querol","doi":"10.1386/jcs_00011_1","DOIUrl":"https://doi.org/10.1386/jcs_00011_1","url":null,"abstract":"\u0000iCon: India Contemporary (2005) was not only the first collateral event of India at the Venice Biennale, but it also began as a bid to become a national pavilion – an ambition that was ultimately unsuccessful. Drawing on original research and interview data surrounding the exhibition, this article examines the collaborations and conflicts between private art institutions, artists and the state in the context of India’s participation in the Venice Biennale since the 2000s. The article foregrounds a transversal approach – that is, an analytical framework that unsettles the conventional dichotomy between national pavilions and collateral events – and demonstrates how commercial galleries and private art institutions have acquired an important role in the production and exhibition of Indian contemporary art in global biennial circuits.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48214440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Riffing the Canon: The Pictures Generation and Racial Bias 破坏佳能：图片的产生与种族偏见
IF 0.3
Journal of Curatorial Studies Pub Date : 2019-10-01 DOI: 10.1386/jcs_00004_1
Riva Symko
{"title":"Riffing the Canon: The Pictures Generation and Racial Bias","authors":"Riva Symko","doi":"10.1386/jcs_00004_1","DOIUrl":"https://doi.org/10.1386/jcs_00004_1","url":null,"abstract":"Abstract This article considers exhibitions as archival documents, and conceives of the restaging of exhibitions as an act of appropriating the archive. It examines The Pictures Generation 1974‐1984 (2009), curated by Douglas Eklund as a restaged 'riff' on Pictures\u0000 (1977), curated by Douglas Crimp. Pictures was a focused meditation on the historical significance of a particular aesthetic strategy. The Pictures Generation historicized Pictures as the foundational moment of appropriation. Eklund's form of restaging, however, reinforced\u0000 the racially segregated realities that have marginalized the history of appropriative practices by artists of colour. Drawing on a post+colonial framework, I consider how exhibition restagings may be leveraged as a curatorial strategy of historical rupture.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46718499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Reviews 书评
IF 0.3
Journal of Curatorial Studies Pub Date : 2019-10-01 DOI: 10.1386/jcs_00007_5
Pieter Borghart
{"title":"Book Reviews","authors":"Pieter Borghart","doi":"10.1386/jcs_00007_5","DOIUrl":"https://doi.org/10.1386/jcs_00007_5","url":null,"abstract":"","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45767221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Restaging Exhibitions 恢复展览
IF 0.3
Journal of Curatorial Studies Pub Date : 2019-10-01 DOI: 10.1386/jcs_00001_2
J. Davidson, N. Foster
{"title":"Restaging Exhibitions","authors":"J. Davidson, N. Foster","doi":"10.1386/jcs_00001_2","DOIUrl":"https://doi.org/10.1386/jcs_00001_2","url":null,"abstract":"","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/jcs_00001_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46345963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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