Академічний журнал "Слово і Час"最新文献

{"title":"Franko’s Prose as Psycho-Onthological and Sociо-Cultural Phenomenon. Introductory Notes","authors":"Mykola Lehkyi","doi":"10.33608/0236-1477.2019.02.12-25","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.02.12-25","url":null,"abstract":"The paper describes the essence of I. Franko’s prose as a psycho-onthological and socio-cultural phenomenon, that took a long time to be created and appeared due to many factors of the writer’s spiritual life: the tireless hard work, the desire to be a highly educated person and reach the broadest possible range of human interests in his activity, constant refi nement of literary taste, etc. In the realm of prose the writer worked for over 40 years (which is symbolical!), starting from the 1871/1872 school year, when he wrote school tasks for the teachers of literature, till 1913. During this time the writer wrote 10 novels and tales and about half a hundred works of short prose (stories of different kinds, essays, fairy tales, etc.). Thus, Franko perceived his writing as a manifestation of the internal need of labor, which could enable a wide range of people to get accustomed to intellectual work. In his creative work Franko saw a clear goal, which he directed to the future, imagining it to be a soil which would give a generous crop. Franko considered himself as a propaedeutic, who prepares the nation for future cultural achievements. The roots of many Franko’s characters and prose forms should also be sought in the early childhood of the writer, a son of a village blacksmith and poor noblewoman. The greatest influence on his literary taste, as he himself admitted, had gymnasium teachers Ivan Verchratskyi (biologist and litterateur), who supplied the young schoolboy with books from his own library, and Julian Turchynskyi (writer and critic), but direct impetus to writing was given by the example of gymnasium friends – Izydor Pasichynskyi and Dmytro Vintskovskyi. \u0000The researcher also made an attempt to periodize Franko’s prose and singled out 3 periods of its progress: ‘youthful romanticism’, scholarly and ‘ideal’ realism and the section of modernist searches.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127150790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Borders of (Non-)Compromise: Oles Honchar in Reception of Ivan Koshelivets","authors":"Liudmyla Tarnashynska","doi":"10.33608/0236-1477.2019.02.26-40","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.02.26-40","url":null,"abstract":"The paper traces the reception of O. Honchar’s personality and works in publications of the journal “Suchasnist” in 1960s–1990s. The author of the paper bases her research on the multi-genre publications by I. Koshelivets, which had utterly polemical tone, and reinforces her observations with the other scholars’ ideas regarding the specifics of interpreting the text. \u0000Adhering to the presumption of fact and the aesthetic criteria for assessing the work of literature, a Western critic put his maxims against a historical background and in a broad European literary context. \u0000Defending his anti-cult position in regard to the writer’s personality of O. Honchar, I. Koshelivets evaluated the works of the Ukrainian Soviet literature classic based on the ground of artistic truth exclusively. Despite the fact that O. Honchar mastered the language skillfully and had an indisputable gift of a writer, he always adhered to the ‘boundaries of the permitted’, which made him to limit the scope of themes and adhere to the artificial style with its varnished reality and false poetic flavor. Paying tribute to the fact that O. Honchar supported the Ukrainian sixtiers and always had a pro-Ukrainian position, I. Koshelivets still kept his principled position for decades. \u0000The critic considered the literary work of O. Honchar as a sample of socialist realism with its indisputable taboos. In particular, he analyzed in detail the most known Honchar’s novel “Cathedral”. According to I. Koshelivets, it got its fame mostly due to the party functionaries that made a relatively weak piece of literature a political event and gave it some extra-literary value, so that the issues of style and literary features became secondary. The author of the paper states that in the conditions of a totalitarian society and ideologically controlled literary process, the talent of O. Honchar couldn’t be realized properly, anyway. \u0000This controversial topic of I. Koshelivets’s interpretation of the works by Ukrainian Soviet literature classic has been perceived within the oppositional literary-critical discourse as a kind of challenge undermining the ‘foundations’ of the national culture. Although without its detailed consideration the history of Ukrainian literature will be incomplete.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"25 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133911823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Methodological Isomorphism as Ivan Franko’s Style of Scholarly Thinking","authors":"Oleksiy Sinchenko","doi":"10.33608/0236-1477.2019.02.3-11","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.02.3-11","url":null,"abstract":"The present paper tries to reconstruct Ivan Franko’s methodological thinking on the basis of his works and aims at synchronizing criteria, procedures and principles of proving and producing scholarly knowledge. The main purpose here is building isomorphic models of thinking and methodological instruction based on some Franko’s constants of the world view and understanding reality. \u0000Franko as a scholar was interested in various fields: literary studies, ethnography, linguistics, philosophy, social economics, law, political science, history, statistics etc. He intended to create the ground for institutionalization of research work in Ukrainian society. His scholarly universalism allowed using the knowledge from different fields simultaneously in order to study the same subject from different perspectives. This subject was a society which he understood as the people, class, and individual in his activities. \u0000At every stage of his methodological reflection, Franko adhered to clear determinism both in defining the subject field of research and in constructing his assertions. But the attempt to single out the subject knowledge in its pure form was complicated by the fact that he didn’t think of it separately from the sphere of application, and therefore he was focused on the methods related to the practical use and giving the opportunity of transferring the gained knowledge into the sphere of education. \u0000In the definitions of scholarly work he used such characteristics as “thoroughness and precision”, “good care and logic of scholarly analysis”, facts, observations, descriptions, comparisons, criticism, analysis (more simple and versatile). These markers form a framework that makes it possible to reconstruct the style of his thinking as a methodologist. \u0000In general, Franko’s style of scholarly thinking tended to inductivism. This style was determined by detailed description and study of empirical material with accurate statistical method; analogy and comparison through applying different kinds of scholarly languages; conceptual systems, often borrowed from the related spheres of knowledge, in particular notions of general methodology (evolution); interest in general research problems; search for transitional joints of sectorial methods, their conceptualization and approbation.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124334728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Coloring in Short Prose by Yevhen Hutsalo","authors":"Oleksandr Brayko","doi":"10.33608/0236-1477.2019.02.41-56","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.02.41-56","url":null,"abstract":"The paper considers the means of representing space in Yevhen Hutsalo’s prose which are suitable for comparison with the painting technique. Coloring is one of determining graphic resources of a picture. The artistic effect of the figures and spatial compositions fixed on canvas is to a great extent predefined by the color solution of the subjects and air environment depicted. In order to make the world of imagination more representational the literature used to involve visual imagery in a verbal design, in which color and light markers not only specify a representation of fictitious or real situation but also give some lyrical, epical or dramatic coloring to the narration, increasing the expressivity of a picture. In the descriptions of landscapes in the short stories by Yevhen Hutsalo one may find the verbal analogues of such painting tools as color dominant, color harmony, lighted up and shaded areas. The dynamics of color solution in a verbal picture, the introduction of new hues and their combinations, and the constructing of light environments help to strengthen the emotional effect of the narration and make some special mood accents. The change of chromatic range and interpretation of painting components of the verbal image liken the narration to the melodious and sound transitions in music and editing tools in filmmaking. The color effects contribute to plasticity of the represented objects or, on the contrary, make their representation less material, give some decorative or symbolic sense to the nature. The story “On the Shining Horizon” may be compared to the cycle of paintings by Oscar-Claude Monet “Rouen Cathedral”. The unsteady landscape of Y. Hutsalo is marked by interpretative activity of the narrator. The landscape descriptions with a less vivid and not too rich, i. e. comparatively weak in terms of stimulating emotions, color range are also endowed with a noticeable expressive potential. In accordance with the requirements of expression in painting the verbal chiaroscuro also may give dynamics to relatively static environment. The paper offers a comparative analysis of the verbal ‘pictures’ and their corresponding paintings-predecessors.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114849664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Image of the Other in O. Honchar’s Fictional and Journalistic Discourse","authors":"I. Prylipko","doi":"10.33608/0236-1477.2019.01.38-51","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.01.38-51","url":null,"abstract":"The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of the Other’s ethnic mentality in fiction and journalistic publications by O. Honchar helps in understanding the range of  the writer’s literary paradigms, reveals his ideological and creative accents and contributes to considering the author as a writer of European tradition. Different imagological aspects in the texts by O. Honchar were interpreted using the markers of ethnic identification: mental values, history, culture, science, economy, nature. In the context of the war theme O. Honchar depicted ethnic peculiarities of Hungarians (“Spring behind Morava”, “Foothold”) and Slovaks (“Modry Stone”). The other-culture realities in Czechoslovakia, China, Japan, and America were described in the genres of essay and sketch. In essays “On the Land of Camões” and “The Shore of His Childhood” the reception of the Other is given in the characters of glorious writers representing their nations. Based on the analysis of text it may be stated that fictional and journalistic discourse of O. Honchar has such special features as distinctive author’s voice, stereotype-free reception and interpretation of the ethnic images and other-culture realities, destructed opposition in representation of the paradigms “Me – Other”, “Own – Alien”, emphasis on the main human values.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"57 33","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114006266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Philosophical Paradigm of Literary Translation: Phenomenon of Misunderstanding of ‘Other’ Word and Text","authors":"Ihor Limborskyi","doi":"10.33608/0236-1477.2019.01.3-11","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.01.3-11","url":null,"abstract":"The paper analyzes philosophic aspects of the translator’s misunderstanding of the original text which always reflects cultural and mental experience of the ‘other’ system of literary thinking. The translator is a mediator, who not only tries to insert a literary word and a text into ‘our’ culture, but also depicts ‘other’ reality in terms of symbols and images of the ‘other’ system of national understanding of senses. It is obvious that there are a lot of mental and semantic differences and transformations between the original text and the translation. This is a problem with a specific metaphysical status, when the misunderstanding of the original text may be caused by a number of aspects, some of which lie outside the text itself and its translation. The search for the new forms of thinking beyond the traditional stereotypes of rationality and self-evidence of “cogito” creates a new approach to the tasks and the essence of literary translation. Today one may confidently say that a new ethics, psychology and aesthetics of literary translation were born. The postmodern crisis of communication, as well as multicultural diversity and transcultural dialogue stimulated new forms and mechanisms for representing ‘other’ cultural experience (the experience of the ‘other’ / ‘alien’).  \u0000According to the new paradigm of literary translation the translator must be focused on the philosophical aspects of the translation process. This is not only about the connection between the ‘subject’ and the ‘word’, or ‘thought’ and ‘experience’ that should have been reproduced in translation, but also about a specific metaphysical basis for the new process of thinking about a word and its role in overcoming the situation of misunderstanding of the ‘other’ literary text that presents other literary national tradition. \u0000The author of the paper comes to the conclusion that the phenomenon of misunderstanding of the ‘other’ word and text stems from the possibility of reading and rereading the text falsely. At the same time, the ‘misunderstanding’ of the original text gives an important chance to the translator for reading and rereading the original text alternatively.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129727390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metaphysics of Search in Short Stories by Fedir Potushniak","authors":"Tetiana Lіakh","doi":"10.33608/0236-1477.2019.01.52-59","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.01.52-59","url":null,"abstract":"Fedir Potushniak’s works were closely connected to historical and cultural tendencies of literary process of the late 19th – early 20th centuries and therefore reflected Modernism in its European and particular Ukrainian patterns, especially in its transcendental aspect concerning the metaphysical nature of human being. Thus the literary works by Fedir Potushniak require a study that takes into account philosophical ideas of his epoch. \u0000            Fedir Potushniak created his own philosophical conception considering human existence in connection with its spiritual aspect. The writer’s attempt of uncovering the transcendental sense of things is a peculiar feature of both his lyrics and prose. The paper interprets Potushniak’s short stories in the light of his philosophical understanding of metaphysics. Philosophical and aesthetic approach to the analysis of text involves using hermeneutical and aesthetic research methods. \u0000  Images, symbols, time and space variations and other literary details in the works by Fedir Potushniak have been examined with regard to the metaphysical nature of human being and the motif of search reflecting the way of the characters to perceiving their own life and art. A special accent has been made on the issue of human being in the writer’s short stories. The aim of search for magic things such as buried treasure, fire, stone, flower, leads the characters to happiness, prompting them to realize their own spiritual roots beyond time and space. Looking for their dream the characters of Potushniak’s stories pass the inner way of spiritual formation.  Interpretation of short stories by Fedir Potushniak with regard to their philosophical background contributes to better understanding of the writer’s creative phenomenon. The paper aims to reveal new meanings in Potushniak’s fiction and outlines the aspects of interpreting it within interdisciplinary research.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130600808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Oh, if only I could create a majestic, positive, holy figure!” (On Peculiarities of Sacralization of Gogol’s and Dostoyevsky’s works from Their Late Periods of Writing)","authors":"N. Skvira","doi":"10.33608/0236-1477.2019.01.25-37","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.01.25-37","url":null,"abstract":"The paper deals with Gogol’s “Dead Souls” and Dostoyevsky’s “The Brothers Karamazov”. The author investigates main ideas, motives, plot coincidences, which are core for the works. The word of the Holy Scripture clearly permeates the language of the works by Gogol and Dostoyevsky, forming the stylistic direction of the narrative with its inherent didacticism and emphasizing the credibility of the original Source. The aim of the Bible intertext is to sacralize the whole of the text. The writers’ techniques of retrospection enhance the reader’s attention and actualize pivotal biblical formulas. \u0000The researcher states that some episodes of “The Village of Stepanchikovo and Its Inhabitants” by Dostoyevsky cover the ideas of “Selected Passages from Correspondence with Friends” by Gogol, and also extend the content components of the statements articulated by the heroes’ of the second volume of “Dead Souls”. The chapter of “The Brothers Karamazov” called “Conversations and Exhortations of Father Zosima” by its style, didactic pathos, plot, motive combinations and the names of the sub-chapters reminds “Selected Passages from Correspondence with Friends”. Gogol’s phrase “Love us black, anyone can love us white” repeatedly echoes in the replicas of the characters of “The Brothers Karamazov” and becomes universalized to the formula: “Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God’s creation… If you love everything, you will perceive the divine mystery in things…  And you will come at last to love the whole world with an all-embracing love”. \u0000The image of Troyka (Carriage-and-Three) makes the image of Russia in the studied works by Gogol and Dostoevsky more profound, accumulating the core idea of the writers – the revival of society. \u0000‘Gesture situations’ allow the writers to describe a psychological image of the characters in detail and to relate their spiritual movement with a millenary dimension of existence.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124309620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Intertextuality as Factor of Artistic Energy of Literary Work (Vasyl Holoborodko’s Poem “A Curved Dance”)","authors":"Hryhoriy Klochek","doi":"10.33608/0236-1477.2019.01.12-24","DOIUrl":"https://doi.org/10.33608/0236-1477.2019.01.12-24","url":null,"abstract":"The theoretical part of the paper outlines methodological principles applied within the analysis of intertextuality as a factor of artistic energy in Vasyl Holoborodko’s poem “A Curved Dance”. For this purpose, the necessary comments on intertextuality as a source of artistic energy have been made. The author of the paper shows the difference between systematic and structuralistic understanding of a literary work, and considers the actual problems of the systematic theory which defines ‘technique’ as a main unit of the expressive system (poetics). In this case the identification of the techniques is supported by the analysis of their expressive functions. The receptive poetics as a methodological doctrine is based on this perspective, the essence of which is modeling the influence of the expressive techniques of a literary work on the recipient in terms of the psychology of artistic perception. \u0000The poem “A Curved Dance” have been analyzed as a complete, systematically organized text that begins to function in the process of the perception, generating a quite complete artistic world in the recipient’s mind. The artistic character of the poem is determined by many factors, but the most important of them is the main meaning, generated by the literary text, which may be defined as a dream about the perfect, full-fledged existence of the Ukrainian nation. The whole expressive system of the literary work contributes to creating it, while the dominant role is played by intertextual ‘implants’ in the author’s text, brought from some notable works, namely the image of the curved dance (intermedial moment), reminiscences from the folk song “Oy tam na hori zhentsi zhnut” (“Oh there on the hill harvestmen reap the harvest”) and “Slovo o polku Ihorevim” (“The Tale of Ihor’s Campaign”). They express the meaningful senses that substantially enrich the author’s text from the perspective of the psychology of artistic perception, giving it a hidden meaning, and therefore energy.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116705087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}