{"title":"互文性作为文学作品艺术能量的因素(Vasyl Holoborodko的诗《曲舞》)","authors":"Hryhoriy Klochek","doi":"10.33608/0236-1477.2019.01.12-24","DOIUrl":null,"url":null,"abstract":"The theoretical part of the paper outlines methodological principles applied within the analysis of intertextuality as a factor of artistic energy in Vasyl Holoborodko’s poem “A Curved Dance”. For this purpose, the necessary comments on intertextuality as a source of artistic energy have been made. The author of the paper shows the difference between systematic and structuralistic understanding of a literary work, and considers the actual problems of the systematic theory which defines ‘technique’ as a main unit of the expressive system (poetics). In this case the identification of the techniques is supported by the analysis of their expressive functions. The receptive poetics as a methodological doctrine is based on this perspective, the essence of which is modeling the influence of the expressive techniques of a literary work on the recipient in terms of the psychology of artistic perception. \nThe poem “A Curved Dance” have been analyzed as a complete, systematically organized text that begins to function in the process of the perception, generating a quite complete artistic world in the recipient’s mind. The artistic character of the poem is determined by many factors, but the most important of them is the main meaning, generated by the literary text, which may be defined as a dream about the perfect, full-fledged existence of the Ukrainian nation. The whole expressive system of the literary work contributes to creating it, while the dominant role is played by intertextual ‘implants’ in the author’s text, brought from some notable works, namely the image of the curved dance (intermedial moment), reminiscences from the folk song “Oy tam na hori zhentsi zhnut” (“Oh there on the hill harvestmen reap the harvest”) and “Slovo o polku Ihorevim” (“The Tale of Ihor’s Campaign”). They express the meaningful senses that substantially enrich the author’s text from the perspective of the psychology of artistic perception, giving it a hidden meaning, and therefore energy.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intertextuality as Factor of Artistic Energy of Literary Work (Vasyl Holoborodko’s Poem “A Curved Dance”)\",\"authors\":\"Hryhoriy Klochek\",\"doi\":\"10.33608/0236-1477.2019.01.12-24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The theoretical part of the paper outlines methodological principles applied within the analysis of intertextuality as a factor of artistic energy in Vasyl Holoborodko’s poem “A Curved Dance”. For this purpose, the necessary comments on intertextuality as a source of artistic energy have been made. The author of the paper shows the difference between systematic and structuralistic understanding of a literary work, and considers the actual problems of the systematic theory which defines ‘technique’ as a main unit of the expressive system (poetics). In this case the identification of the techniques is supported by the analysis of their expressive functions. The receptive poetics as a methodological doctrine is based on this perspective, the essence of which is modeling the influence of the expressive techniques of a literary work on the recipient in terms of the psychology of artistic perception. \\nThe poem “A Curved Dance” have been analyzed as a complete, systematically organized text that begins to function in the process of the perception, generating a quite complete artistic world in the recipient’s mind. The artistic character of the poem is determined by many factors, but the most important of them is the main meaning, generated by the literary text, which may be defined as a dream about the perfect, full-fledged existence of the Ukrainian nation. The whole expressive system of the literary work contributes to creating it, while the dominant role is played by intertextual ‘implants’ in the author’s text, brought from some notable works, namely the image of the curved dance (intermedial moment), reminiscences from the folk song “Oy tam na hori zhentsi zhnut” (“Oh there on the hill harvestmen reap the harvest”) and “Slovo o polku Ihorevim” (“The Tale of Ihor’s Campaign”). 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引用次数: 0
摘要
本文的理论部分概述了在分析Vasyl Holoborodko的诗“弯曲的舞蹈”中互文性作为艺术能量因素的方法原则。为此,对互文性作为一种艺术能量的来源进行了必要的评论。本文阐述了对文学作品的系统理解与结构理解的区别,并对将“技术”定义为表现系统(诗学)的主要单位的系统理论的实际问题进行了思考。在这种情况下,技术的识别是通过分析其表达功能来支持的。接受诗学作为一种方法论学说就是建立在这一视角之上的,其实质是从艺术感知心理的角度来模拟文学作品的表现手法对接受者的影响。诗歌《曲舞》作为一个完整的、有系统组织的文本进行分析,在感知的过程中开始发挥作用,在接受者的脑海中产生了一个相当完整的艺术世界。这首诗的艺术特征是由许多因素决定的,但其中最重要的是文学文本产生的主要含义,这可以被定义为乌克兰民族完美、成熟存在的梦想。文学作品的整个表达系统促成了它的形成,而作者文本中的互文“植入物”起着主导作用,这些“植入物”来自一些著名作品,即曲舞的形象(中间时刻)、民歌《哦,在山上收割庄稼的人》中的回忆和《Slovo o polku Ihorevim》(《伊霍尔战役的故事》)。它们所表达的有意义的感觉,从艺术感知心理学的角度极大地丰富了作者的文本,使其具有隐藏的意义,从而具有能量。
Intertextuality as Factor of Artistic Energy of Literary Work (Vasyl Holoborodko’s Poem “A Curved Dance”)
The theoretical part of the paper outlines methodological principles applied within the analysis of intertextuality as a factor of artistic energy in Vasyl Holoborodko’s poem “A Curved Dance”. For this purpose, the necessary comments on intertextuality as a source of artistic energy have been made. The author of the paper shows the difference between systematic and structuralistic understanding of a literary work, and considers the actual problems of the systematic theory which defines ‘technique’ as a main unit of the expressive system (poetics). In this case the identification of the techniques is supported by the analysis of their expressive functions. The receptive poetics as a methodological doctrine is based on this perspective, the essence of which is modeling the influence of the expressive techniques of a literary work on the recipient in terms of the psychology of artistic perception.
The poem “A Curved Dance” have been analyzed as a complete, systematically organized text that begins to function in the process of the perception, generating a quite complete artistic world in the recipient’s mind. The artistic character of the poem is determined by many factors, but the most important of them is the main meaning, generated by the literary text, which may be defined as a dream about the perfect, full-fledged existence of the Ukrainian nation. The whole expressive system of the literary work contributes to creating it, while the dominant role is played by intertextual ‘implants’ in the author’s text, brought from some notable works, namely the image of the curved dance (intermedial moment), reminiscences from the folk song “Oy tam na hori zhentsi zhnut” (“Oh there on the hill harvestmen reap the harvest”) and “Slovo o polku Ihorevim” (“The Tale of Ihor’s Campaign”). They express the meaningful senses that substantially enrich the author’s text from the perspective of the psychology of artistic perception, giving it a hidden meaning, and therefore energy.