{"title":"Keats’s Anatomy of Melancholy: Lamia, Isabella, The Eve of St. Agnes and Other Poems (1820)","authors":"Jon Mee","doi":"10.1080/09524142.2021.1911176","DOIUrl":"https://doi.org/10.1080/09524142.2021.1911176","url":null,"abstract":"","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"35 1","pages":"110 - 112"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2021.1911176","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45796228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Murdered Man’: Re-Examining Keats in The Examiner","authors":"Brian Rejack, S. Wolfson","doi":"10.1080/09524142.2021.1911179","DOIUrl":"https://doi.org/10.1080/09524142.2021.1911179","url":null,"abstract":"ABSTRACT In John Keats’s Isabella; or the Pot of Basil (1820), Isabella’s mercantile brothers plot to murder her suitor, their clerk Lorenzo, for spoiling their plans to marry her to ‘some high noble and his olive–trees’. Having invited him for a day of hunting in the local forests, ‘the two brothers and their murder’d man’ (XXVII) head out – an epithet admired by Charles Lamb, and much afterwards, for Keats’s skill in narrative anticipation. Lamb’s praise was published in a review of the 1820 volume, reprinted in The Examiner, 30 July, 494-5. This appreciation is on page 494. On page 495, just below the review, is a report of ‘Executions’ at Newgate prison. One of the condemned is a ‘black man’, William Wilkinson, who insisted that he was framed and convicted on flimsy testimony, protesting that ‘he was a murdered man, and that he should die innocently’. This was an accidental discovery on our part, but once discovered a magnetic curiosity. Our essay examines what Lamb calls Keats’s ‘wonderfully conceived’ epithet, in the capital contexts of Keats’s day, most especially in reports in The Examiner and other newspapers. Making no claim for allusion on Keats’s part, or for Lamb’s admiration of this epithet, we shine an unexpected light on the urgent currency of this epithet, a potent rhetorical alliance among victims of ‘judicial murder’, and its new cast on economic power and tyranny in Isabella.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"35 1","pages":"11 - 29"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2021.1911179","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46391909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cemetery Crow","authors":"Jill Sharp","doi":"10.1080/09524142.2021.1911169","DOIUrl":"https://doi.org/10.1080/09524142.2021.1911169","url":null,"abstract":"Jill Sharp grew up in the New Forest and attended the universities of Keele and Queen Mary, London. She worked as a tutor of excluded teenagers and was an associate lecturer with the Open University for many years. Her poetry has appeared widely in magazines and anthologies both in print and online. A pamphlet, Ye gods, was published in 2015 by Indigo Dreams, and her work was featured in Vindication, a six-poet collection from Arachne Press, 2018. She reviews for The High Window online journal.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"35 1","pages":"85 - 86"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2021.1911169","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45386995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The Choice Society of All Ages’: The Shelleys’ Books at Keats-Shelley House","authors":"Valentina Varinelli","doi":"10.1080/09524142.2020.1822015","DOIUrl":"https://doi.org/10.1080/09524142.2020.1822015","url":null,"abstract":"ABSTRACT The article examines Mary and Percy Bysshe Shelley’s copies of the works of four canonical poets that are held at Keats-Shelley House, Rome, and the existence of which is largely unknown. They include Shelley’s fabled Grenville Homer as well as a collection of the works of Horace, Lucan’s Pharsalia, and Ludovico Ariosto’s Orlando furioso. For each book I identify the edition, provide a physical description, and transcribe and discuss any inscriptions, markings, and annotations. On the basis of internal as well as external evidence, I argue that the Shelleys had these books with them in Italy at the time of their exile, and I illustrate their engagement with the texts and their collaboration as readers and language learners. In my conclusion, I suggest that the study of extant books from the Shelleys’ personal library can enrich our knowledge of their life and work, and contribute to our understanding of the nature of their intellectual partnership.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"34 1","pages":"138 - 159"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2020.1822015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41478574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘—My Brother Tom is Much Improved—’: The Suffering Body at the Ends of Keats’s Letters and Poems","authors":"A. Barry","doi":"10.1080/09524142.2020.1822010","DOIUrl":"https://doi.org/10.1080/09524142.2020.1822010","url":null,"abstract":"ABSTRACT This article re-examines the impact on Keats’s poetics of his brother Tom’s illness and death by paying attention to the disregarded references to Tom’s feverish body in the framing sections at the beginning and ends of Keats’s letters. While many critics have sought to abstract from these letters Keats’s literary and philosophical ideas, I resituate his memorable metaphysical passages within an epistolary structure that continually returns to an acute awareness of physical mortality. I show that this structural pattern also imprints on the endings of the poems Keats wrote while nursing and mourning Tom, especially The Eve of St. Agnes (1819), ‘Ode to a Nightingale’ (1819), and the revised fragment of the Hyperion project (1818–19). I argue that Tom’s body emerges at the end of Keats’s literary productions because physical suffering is what causes metaphysical and romantic fantasy – and even communication itself – to falter. However, Tom’s suffering is also, paradoxically, what motivates Keats’s to write in the first place – it is the origin of his poetic imagination and the conclusion of his poetic project.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"34 1","pages":"118 - 137"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2020.1822010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48200692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peter Rockwell: A Tribute","authors":"Roberto Einaudi","doi":"10.1080/09524142.2020.1822008","DOIUrl":"https://doi.org/10.1080/09524142.2020.1822008","url":null,"abstract":"Peter Rockwell’s death is a great loss to everyone. As often happens, one realizes all too late the many projects one could and should have done together. He was a very interesting and eccentric pe...","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"34 1","pages":"79 - 81"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2020.1822008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46148045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"John Keats and the Temporal Artery","authors":"Hrileena Ghosh, S. Hughes","doi":"10.1080/09524142.2020.1822011","DOIUrl":"https://doi.org/10.1080/09524142.2020.1822011","url":null,"abstract":"ABSTRACT John Keats trained as a surgeon at Guy’s Hospital from 1815 to 1817. However, despite being qualified, he never practised medicine. His close friend Charles Brown recounted Keats’s account of his ‘last operation’, which involved ‘opening a man’s temporal artery’. The account raises certain questions: why was Keats opening a man’s temporal artery; why did this operation – which presumably Keats did not know would be his ‘last’ when it took place – stick so clearly in his mind; and did this medical decision have any impact on the personal decision he took to leave medicine? Using records from the London Metropolitan Archives, medical notes from manuscripts maintained by Keats and other surgical students at Guy’s Hospital, and published works by eminent surgeons of the day including Astley Cooper and John Bell, we show that Keats was treating a patient with head injuries for his ‘last operation’. The essay further explores the significance this operation had for Keats, taking account of his father’s unexpected death from a head wound, and suggests that this particular procedure, with its emotional resonances, brought into focus for him an aspect of his temperament that left him uniquely unsuited to practise medicine, and strengthened his conviction to leave the medical profession.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"34 1","pages":"107 - 117"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2020.1822011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48265208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}