约翰·济慈与颞动脉

IF 0.1 4区 文学 0 POETRY
Hrileena Ghosh, S. Hughes
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引用次数: 0

摘要

摘要约翰·济慈于1815年至1817年在盖伊医院接受外科医生培训。然而,尽管他是合格的,他从未行医。他的密友查尔斯·布朗讲述了济慈对他“最后一次手术”的描述,那次手术涉及“打开一个人的颞动脉”。这个叙述提出了一些问题:济慈为什么要打开一个人的颞动脉;为什么这个手术——济慈大概不知道手术发生时会是他的“最后一次”——如此清晰地留在他的脑海中;这个医疗决定对他离开医学院的个人决定有影响吗?利用伦敦大都会档案馆的记录、济慈和盖伊医院其他外科学生保存的手稿中的医学笔记,以及包括阿斯特利·库珀和约翰·贝尔在内的当时著名外科医生发表的作品,我们表明济慈正在为一名头部受伤的患者进行“最后一次手术”。考虑到济慈父亲因头部受伤意外死亡,本文进一步探讨了这一手术对济慈的意义,并认为这一特殊的手术及其情感共鸣,使济慈的气质成为焦点,这使他独特地不适合行医,并坚定了他离开医学界的信念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
John Keats and the Temporal Artery
ABSTRACT John Keats trained as a surgeon at Guy’s Hospital from 1815 to 1817. However, despite being qualified, he never practised medicine. His close friend Charles Brown recounted Keats’s account of his ‘last operation’, which involved ‘opening a man’s temporal artery’. The account raises certain questions: why was Keats opening a man’s temporal artery; why did this operation – which presumably Keats did not know would be his ‘last’ when it took place – stick so clearly in his mind; and did this medical decision have any impact on the personal decision he took to leave medicine? Using records from the London Metropolitan Archives, medical notes from manuscripts maintained by Keats and other surgical students at Guy’s Hospital, and published works by eminent surgeons of the day including Astley Cooper and John Bell, we show that Keats was treating a patient with head injuries for his ‘last operation’. The essay further explores the significance this operation had for Keats, taking account of his father’s unexpected death from a head wound, and suggests that this particular procedure, with its emotional resonances, brought into focus for him an aspect of his temperament that left him uniquely unsuited to practise medicine, and strengthened his conviction to leave the medical profession.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
15
期刊介绍: The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.
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