Melodrama Unbound最新文献

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4. Global Melodrama and Transmediality in Turn-of-the-Century Japan 4. 世纪之交日本的全球情节剧与跨媒介性
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/gled18066-007
Hannah Airriess
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引用次数: 2
12. “Tales of Sound and Fury . . .” or, The Elephant of Melodrama 12. 《喧哗与骚动的故事》或《情节剧中的大象》
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/GLED18066-015
L. Williams
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引用次数: 5
Prologue: The Reach of Melodrama 前言:情节剧的范围
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/GLED18066-001
C. Gledhill
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引用次数: 9
9. One Suffers but One Learns: Melodrama and the Rules of Lack of Limits 9. 一个人受苦,一个人学习:情节剧和缺乏限制的规则
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/gled18066-012
C. Monsivais
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引用次数: 2
6. Performing/Acting Melodrama 6. 执行/表演情景剧
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/gled18066-009
Helen Day-Mayer
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引用次数: 0
8. Modernizing Melodrama: The Petrified Forest on American Stage and Screen (1935–1936) 8. 现代情节剧:美国舞台和银幕上的石化森林(1935-1936)
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/GLED18066-011
M. Shingler
{"title":"8. Modernizing Melodrama: The Petrified Forest on American Stage and Screen (1935–1936)","authors":"M. Shingler","doi":"10.7312/GLED18066-011","DOIUrl":"https://doi.org/10.7312/GLED18066-011","url":null,"abstract":"In January 1935, Robert E. Sherwood’s play The Petrified Forest began a lucrative six-month run at the Broadhurst Theatre in New York. Within months of it closing, the leading members of the cast reprised their roles at the Warner Bros. film studio in Los Angeles. The film version, released on the 6th February 1936 at the Radio City Music Hall in New York, corresponded closely to the stage production, and it eventually enabled millions of moviegoers around the world to see what less than 250,000 theatre-goers had seen the previous year on Broadway. Since the New York drama critics used the term ‘melodrama’ to describe both the stage-play and the film, The Petrified Forest provides contemporary scholars with an opportunity to consider the state of melodrama in the 1930s. The critical response to both stage-play and film was overwhelmingly positive. Both were deemed to be highly entertaining and were predicted to become box-office hits. Both were also judged to be intelligent, topical, allegorical, poetic, philosophical and well written, acted and produced. The play, for instance, was nominated for a Pulitzer Prize. The reviews of the New York drama critics provide no sense that melodrama was being used as a derogatory term or that the form was considered to be outmoded or inferior. There is also no suggestion in the reviews that either the play or the film were best suited to working-class audiences with a taste for heightened emotionalism, fantastically contrived plots or sensational set pieces. Consequently, this example contradicts claims by 20th century scholars that melodrama had become a moribund and devalued form by the 1900s. On the contrary, it proves that melodrama was a vital, credible and popular dramatic form for middle-class audiences and critics, and that it continued to flourish at premier Broadway theatres and first-run cinemas in the 1930s.","PeriodicalId":413062,"journal":{"name":"Melodrama Unbound","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131158193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
3. Boucicault in Bombay: Global Theater Circuits and Domestic Melodrama in the Parsi Theater 3.Bombay的Boucicault:全球戏剧巡回和帕西剧院的国内情节剧
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/gled18066-006
K. Hansen
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引用次数: 0
14. Melodrama and the Aesthetics of Emotion 14. 情节剧与情感美学
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/GLED18066-017
E. D. Pribram
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引用次数: 9
5. Transnational Melodrama, Wenyi, and the Orphan Imagination 5. 跨国情节剧、文艺与孤儿想象
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/GLED18066-008
Zhen Zhang
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引用次数: 2
11. Melodrama’s “Authenticity” in Carl Th. Dreyer’s La Passion de Jeanne d’Arc 11. 情节剧的“真实性”在卡尔Th。德雷耶的圣女贞德的激情
Melodrama Unbound Pub Date : 2018-12-31 DOI: 10.7312/gled18066-014
Amanda Doxtater
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引用次数: 1
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