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The Posthuman Geun-sae’s Face in Parasite (2019): Body Utopia and Human Machine Dystopia 《寄生虫》(2019)中的后人类朴槿惠的脸:身体的乌托邦和人类机器的反乌托邦
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.409
S. Nam
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引用次数: 0
A Study on the Representation Strategy in Contemporary Korean Women’s Documentary Films: with a focus on 〈Us, Day by Day〉, 〈Areum Married〉 当代韩国女性纪录片的再现策略研究——以《我们，日复一日》、《结婚的女人》为例
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.235
Jin-Sook Sung
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引用次数: 1
A Study on the Direction of the Child Handwritten Film 〈Even the Clouds are Drifting〉 儿童手写体电影《云也飘》方向研究
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.5
Seoyeon Heo
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引用次数: 0
Chris Marker’s history image and digital utopia 克里斯·马克的历史形象和数字乌托邦
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.163
Nara Lee
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引用次数: 0
The Placeness in Hong Sang-soo’s films: Creating a placeness through the placelessness and a dépaysement: Focusing on 〈The Day He Arrive〉(2011) and 〈Nobody’s Daughter, Haewon〉(2012) 洪尚秀电影中的地方性:通过无地性和交换创造地方性——以《他到达的那一天》(2011)和《无人之女海媛》(2012)为中心
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.327
mun gwan gyu
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引用次数: 0
From the First Encounter to the Interconnection of the Hyperconnected Era between Korean and Japanese Independent Film Industry 从第一次相遇到韩日独立电影产业超连接时代的互联
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.355
Kyeong-Hun Che
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引用次数: 0
Representing the ‘Asian Cinema Hub’: BIFF and HKIFF on their positionality, relationality and interactive networking within the East Asian Film Festival Map 代表“亚洲电影中心”:北京国际电影节与香港国际电影节在东亚电影节版图上的定位、关系及互动网络
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.195
Eun-Jee Park
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引用次数: 0
A Study on Youth Arts & Culture Education Programs at Overseas Film Festivals 海外电影节青少年艺术文化教育项目研究
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.263
Jieun Jung, Insun Chung
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引用次数: 0
A Study on Post-Nonlinear of the Hollywood Cinema in the Convergence Media Era: Focussed on The BIG SHORT by Adam McKay 融合媒体时代好莱坞电影的后非线性研究——以亚当·麦凯的《大空头》为例
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.65
Ju-Bong Lee
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引用次数: 0
East Asian Film Studies in Korea during the post-Cold War Period 冷战后韩国的东亚电影研究
Film Studies Pub Date : 2022-03-31 DOI: 10.17947/fs.2022.3.91.291
H. Lee
{"title":"East Asian Film Studies in Korea during the post-Cold War Period","authors":"H. Lee","doi":"10.17947/fs.2022.3.91.291","DOIUrl":"https://doi.org/10.17947/fs.2022.3.91.291","url":null,"abstract":"","PeriodicalId":41237,"journal":{"name":"Film Studies","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76578133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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