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The Placeness in Hong Sang-soo’s films: Creating a placeness through the placelessness and a dépaysement: Focusing on 〈The Day He Arrive〉(2011) and 〈Nobody’s Daughter, Haewon〉(2012)

Film Studies Pub Date : 2022-03-31 DOI:10.17947/fs.2022.3.91.327
mun gwan gyu
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洪尚秀电影中的地方性:通过无地性和交换创造地方性——以《他到达的那一天》(2011)和《无人之女海媛》(2012)为中心
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来源期刊
Film Studies
Film Studies FILM, RADIO, TELEVISION-
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