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Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. Christine Bacareza平衡。2016年，《热带远征：菲律宾裔美国人的音乐场景》。北卡罗来纳州达勒姆和伦敦：杜克大学出版社。ISBN 978-0-82236-001-8（pbk）。230页。
IF 0.2
Perfect Beat Pub Date : 2017-08-18 DOI: 10.1558/PRBT.33584
Jared Mackley-Crump
{"title":"Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp.","authors":"Jared Mackley-Crump","doi":"10.1558/PRBT.33584","DOIUrl":"https://doi.org/10.1558/PRBT.33584","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"175-177"},"PeriodicalIF":0.2,"publicationDate":"2017-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/PRBT.33584","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46066188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. 约翰·o·萨丁哈和里卡多·坎波斯编。跨全球之声:音乐、青年与移民。纽约:布卢姆茨伯里派。ISBN 978-1-5013-1196-3 (hbk)。237页。
IF 0.2
Perfect Beat Pub Date : 2017-08-18 DOI: 10.1558/prbt.33522
Pauwke Berkers
{"title":"João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp.","authors":"Pauwke Berkers","doi":"10.1558/prbt.33522","DOIUrl":"https://doi.org/10.1558/prbt.33522","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"173-174"},"PeriodicalIF":0.2,"publicationDate":"2017-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/prbt.33522","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49180517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liveness and improficiency in the Clean's influence upon Dunedin Sound bands 清洁乐队对达尼丁声音乐队影响的活跃和不熟练
IF 0.2
Perfect Beat Pub Date : 2017-08-17 DOI: 10.1558/prbt.33401
D. Jorgensen
{"title":"Liveness and improficiency in the Clean's influence upon Dunedin Sound bands","authors":"D. Jorgensen","doi":"10.1558/prbt.33401","DOIUrl":"https://doi.org/10.1558/prbt.33401","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"154-165"},"PeriodicalIF":0.2,"publicationDate":"2017-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45513868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Playing bluegrass in Australia across country and folk scenes 在澳大利亚的乡村和民间现场演奏蓝草音乐
IF 0.2
Perfect Beat Pub Date : 2017-08-17 DOI: 10.1558/prbt.33079
Miriam Jones
{"title":"Playing bluegrass in Australia across country and folk scenes","authors":"Miriam Jones","doi":"10.1558/prbt.33079","DOIUrl":"https://doi.org/10.1558/prbt.33079","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"131-153"},"PeriodicalIF":0.2,"publicationDate":"2017-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/prbt.33079","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44223296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table 文化价值与城市治理：墨尔本音乐界在决策桌上的位置
IF 0.2
Perfect Beat Pub Date : 2017-08-17 DOI: 10.1558/PRBT.32968
Declan Martin
{"title":"Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table","authors":"Declan Martin","doi":"10.1558/PRBT.32968","DOIUrl":"https://doi.org/10.1558/PRBT.32968","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"110-130"},"PeriodicalIF":0.2,"publicationDate":"2017-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/PRBT.32968","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45932490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
In Melbourne tonight:: Pop/rock histories and futures 今晚在墨尔本:流行/摇滚的历史和未来
IF 0.2
Perfect Beat Pub Date : 2017-06-23 DOI: 10.1558/PRBT.32801
Shane Homan, S. O’Hanlon, C. Strong, J. Tebbutt
{"title":"In Melbourne tonight:: Pop/rock histories and futures","authors":"Shane Homan, S. O’Hanlon, C. Strong, J. Tebbutt","doi":"10.1558/PRBT.32801","DOIUrl":"https://doi.org/10.1558/PRBT.32801","url":null,"abstract":"In recent decades the 'music city' has emerged as an important series (and exchanges) of representations, capital, labour, sounds and commodities. City heritage and histories-particular narratives of music development, genres, venues and personnel-continue to inform contemporary city branding, tourism and industrial strategies. This article explores how both the practices and discourses of the 'music city' circulate in terms of specific histories, and how, in turn, they might inform contemporary practices and future intent. Melbourne, the self-proclaimed music and cultural capital of Australia, is examined as a case study in how the past and present circulate. The article also explores the challenges in documenting the emergence and development of popular music in Melbourne from the 1950s to the present as a three-year Australian Research Council Discovery project, Interrogating the Music City: Cultural Economy and Popular Music in Melbourne, funded from 2016 to 2018.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"18 1","pages":"95-109"},"PeriodicalIF":0.2,"publicationDate":"2017-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/PRBT.32801","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67646883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘Another Day to Swing on Clothes Lines’ “在晾衣绳上荡秋千的又一天”
IF 0.2
Perfect Beat Pub Date : 2017-05-03 DOI: 10.1558/PRBT.31733
P. O'Grady
{"title":"‘Another Day to Swing on Clothes Lines’","authors":"P. O'Grady","doi":"10.1558/PRBT.31733","DOIUrl":"https://doi.org/10.1558/PRBT.31733","url":null,"abstract":"A large proportion of overseas-born artists comprise the pop music industries in Australia. Keith Urban, Rick Springfield, members of Cold Chisel, The Angels and Masters Apprentices, for example, not only represent themselves as ‘Australian;’ they are frequently associated with the nation by critics and audiences. The Bee Gees also exemplify this trend. In this article, I wish to bring into focus The Bee Gees’ curious connection with Australia. In order to do this task, I ask a series of questions; first, what is The Bee Gees connection to Australia? Second, how has this connection been constructed and continually reinforced? Third, what forms of discursive resistance against their ‘Australianness’ exist in regard to these constructions? And finally, how might we critically understand the tensions that have emerged regarding their legitimacy as an ‘Australian band’? I argue that their connection to Australia is continually renegotiated due in large part to their incompatibility with dominant performances of masculinity by Australian white male musicians.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"64 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2017-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41288132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp Clifford-Napoleone A. 2015。重金属音乐中的酷儿性:金属倾向。纽约和奥克森:劳特利奇。ISBN 978-0-41572-831-7 (hbk)。166页
IF 0.2
Perfect Beat Pub Date : 2017-05-03 DOI: 10.1558/PRBT.31427
Catherine Hoad
{"title":"Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp","authors":"Catherine Hoad","doi":"10.1558/PRBT.31427","DOIUrl":"https://doi.org/10.1558/PRBT.31427","url":null,"abstract":"<jats:p />","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2017-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47452984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Triangulations 剖分
IF 0.2
Perfect Beat Pub Date : 2017-03-24 DOI: 10.1558/PRBT.30972
H. Johnson
{"title":"Triangulations","authors":"H. Johnson","doi":"10.1558/PRBT.30972","DOIUrl":"https://doi.org/10.1558/PRBT.30972","url":null,"abstract":"Japanese film director Nakae Y?ji’s 2009 feature film A Midsummer’s Okinawan Dream: Majir? of the Triangular Mountain (Manatsu no yo no Yume: Sankaku Yama no Majir?) is rooted in the culture, folklore and soundscapes of the Okinawan islands and uses imagery, sound, music and narrative to explore many traits that epitomize Okinawa’s distinct cultural identity in modern-day Japan. This article discusses the film from two main perspectives: (1) how different musical styles operate as distinct elements of the soundtrack (drawing on and embellishing their source contexts and traditions); and (2) how music functions in particular scenes and across the narrative in general. The article identifies the manner in which the film embraces local, national and global musical sources to provide a cultural soundscape that helps show some of the complexities of local identity construction in an era where regional identities are often contrasted against broader national and global influences.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2017-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46518743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 34
Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. 惠特利，S.和M. J.斯克洛，编。2014. 反主流文化和流行音乐。阿宾顿:Ashgate。ISBN 978-1-47242-1-067 (hbk)。316页。
IF 0.2
Perfect Beat Pub Date : 2017-03-23 DOI: 10.1558/PRBT.31828
C. Ballico
{"title":"Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp.","authors":"C. Ballico","doi":"10.1558/PRBT.31828","DOIUrl":"https://doi.org/10.1558/PRBT.31828","url":null,"abstract":"<jats:p />","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2017-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43927793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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