Asian Cinema最新文献_第10页

Passionate agendas: Melodrama in the work of Yoshimura Kozaburo 激情议程:吉村小三郎作品中的情节剧

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.3_1

E. Jackson

引用次数: 0

Asghar Farhadi’s nuanced feminism: Gender and marriage in Farhadi’s films from Dancing in the Dust to A Separation Asghar Farhadi细致入微的女权主义：从《尘舞》到《分离》，Farhadi电影中的性别与婚姻

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.109_1

Mostafa Abedinifard

引用次数: 3

Kurosawa’s Rashomon, re-viewed 黑泽明的罗生门，再看

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.33_1

R. Cardullo

引用次数: 1

Making the most of an MOOC on Asian film: Hong Kong Cinema Through a Global Lens: A Massive Open Online Course at the University of Hong Kong 充分利用亚洲电影MOOC：全球视野下的香港电影：香港大学大型开放在线课程

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.137_1

G. Marchetti, Aaron Han Joon Magnan-Park, Stacilee Ford

引用次数: 0

The first screenings of Lumière films in China: Conjectures and new findings 卢米埃尔电影在中国的首次放映：猜想与新发现

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.129_1

S. Lu

引用次数: 0

Reviews 评论

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/ac.29.2.287_5

N. Godfrey, Jasmine Nadua Trice

引用次数: 0

Girlhood, bride-kidnapping and the postsocialist moment in Mángshān (Blind Mountain) (Li, 2007) and Boz Salkyn (Pure Coolness) (Abdyjaparov, 2007) 在Mángshān（《盲山》）（李，2007）和Boz Salkyn（《纯粹的酷》）（Abdyjaparov，2007）中的女孩、绑架新娘和后社会主义时刻

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.225_1

K. Taylor-Jones

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引用次数: 0

Editorial 社论

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/ac.29.2.171_2

Gary Bettinson, T. Kam

引用次数: 0

Jia Zhangke and Chinese painting 贾樟柯与中国画

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.189_1

P. Rist

引用次数: 0

An interview with Hong Kong sound designer Kinson Tsang 采访香港音效设计师曾金森

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.275_7

J. Leow

引用次数: 0