Asian Cinema最新文献_第10页

Kurosawa’s Rashomon, re-viewed 黑泽明的罗生门，再看

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.33_1

R. Cardullo

引用次数: 1

Making the most of an MOOC on Asian film: Hong Kong Cinema Through a Global Lens: A Massive Open Online Course at the University of Hong Kong 充分利用亚洲电影MOOC：全球视野下的香港电影：香港大学大型开放在线课程

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.137_1

G. Marchetti, Aaron Han Joon Magnan-Park, Stacilee Ford

引用次数: 0

The first screenings of Lumière films in China: Conjectures and new findings 卢米埃尔电影在中国的首次放映：猜想与新发现

Asian Cinema Pub Date : 2019-04-01 DOI: 10.1386/AC.30.1.129_1

S. Lu

引用次数: 0

Reviews 评论

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/ac.29.2.287_5

N. Godfrey, Jasmine Nadua Trice

引用次数: 0

Girlhood, bride-kidnapping and the postsocialist moment in Mángshān (Blind Mountain) (Li, 2007) and Boz Salkyn (Pure Coolness) (Abdyjaparov, 2007) 在Mángshān（《盲山》）（李，2007）和Boz Salkyn（《纯粹的酷》）（Abdyjaparov，2007）中的女孩、绑架新娘和后社会主义时刻

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.225_1

K. Taylor-Jones

{"title":"Girlhood, bride-kidnapping and the postsocialist moment in Mángshān (Blind Mountain) (Li, 2007) and Boz Salkyn (Pure Coolness) (Abdyjaparov, 2007)","authors":"K. Taylor-Jones","doi":"10.1386/AC.29.2.225_1","DOIUrl":"https://doi.org/10.1386/AC.29.2.225_1","url":null,"abstract":"China and Kyrgyzstan are at the point of national development where the interplay between a national past and a globalised future are still hotly debated. Both nations are at the crux of the global questions related to the universal dilemmas posed by the collapse of the revolutionary socialist challenge to the hegemony of capitalism (Sakwa 1999). This article will examine the interplay between gender and the vision of postsocialist modernity that is found in two films. Blind Mountain (Li, 2007) and Pure Coolness (Abdyjaparov, 2007) both present the respective stories of teenagers forced into marriage as part of a \"tradition\" that is supported by the broader local community (as opposed to been the act of an individual male kidnapper). I will explore how the girl simultaneously represents a vision of a localised space while operating as an indicative sign of cultural difference. In short, she is the site of the transmission of ideals of gender and modernity between moments in national development. We, therefore, see the girl caught in the crosshair of modernity, sexuality, tradition, nostalgia and capitalism in communities that, as will be explored, are struggling to find a sense of self in the Asian post-socialist moment.","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/AC.29.2.225_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42809753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jia Zhangke and Chinese painting 贾樟柯与中国画

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.189_1

P. Rist

引用次数: 0

Editorial 社论

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/ac.29.2.171_2

Gary Bettinson, T. Kam

引用次数: 0

An interview with Hong Kong sound designer Kinson Tsang 采访香港音效设计师曾金森

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.275_7

J. Leow

引用次数: 0

Where East-meets-West meets Asianization: Aesthetics, regionality and Frank Capra’s Lost Horizon 东方与西方相遇的地方——美学、地域性与弗兰克·卡普拉的《失落的地平线》

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.175_1

A. Craven

{"title":"Where East-meets-West meets Asianization: Aesthetics, regionality and Frank Capra’s Lost Horizon","authors":"A. Craven","doi":"10.1386/AC.29.2.175_1","DOIUrl":"https://doi.org/10.1386/AC.29.2.175_1","url":null,"abstract":"As a term of description, 'Asianization' characterizes the impact of aesthetic and narrative influences from Asian cinemas on co-produced or American films since the late twentieth century. The 'flexible citizenship' of filmmakers and aesthetic traditions stemming from East Asian cinemas are seen to have transformed the global action cinema, in particular. Analyses of the orientalism of self/other relations inscribed in Asianized western films permeate reception, in spite of the problematic nature of the paradigms of Orient and orientalism. This article problematizes Asianization by referring to the Asian masquerades in Hollywood cinema in the pre-Second World War era, and the orientalism and 'East meets West' mythos that underpins a number of these films. The main case study, Lost Horizon, a blockbuster produced by Columbia Pictures in 1937 and directed by the Italian American filmmaker, Frank Capra, is a prototype imagining of 'Asia'. It is a simulacra instilled through the trappings of costume, set, acted masquerade and elliptic narrative geographies, and facilitated by the racial proscriptions of the Motion Picture Association of America (Hays) Code of the era. The aesthetic discourse is marked, I argue, by duality whereby Asia is presented as both threat and paradise, a duality that resonates, if disparately, in the aesthetics of contemporary and twentieth-century Asianized films.","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/AC.29.2.175_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48676684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The poetics of (social) mise-en-scène and transcendence in Li Shaohong’s Stolen Life 李少红《被偷的人生》的(社会)情境与超越诗学

Asian Cinema Pub Date : 2018-10-01 DOI: 10.1386/AC.29.2.243_1

Hing Tsang

引用次数: 0