Zivot Umjetnosti最新文献_第6页

Bauhaus Gestaltung as a New Philosophy of Life 包豪斯格式塔通：一种新的人生哲学

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2020-11-30 DOI: 10.31664/zu.2020.106.04

Sanela Nikolić

引用次数: 0

Madeleine, Madeleine i Madeleine 玛德琳，玛德琳，玛德琳

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2020-11-30 DOI: 10.31664/zu.2020.106.11

Ana Marija Habjan

引用次数: 0

Zatvaranje kruga 闭合圆

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2020-11-30 DOI: 10.31664/zu.2020.106.12

Branko Franceschi, J. Roje

引用次数: 1

Digital Art History for the Masses? The Role of the Public Digital Art History Lab 大众数字艺术史?公共数字艺术史实验室的角色

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-12-31 DOI: 10.31664/zu.2019.105.09

Ellen Prokop

{"title":"Digital Art History for the Masses? The Role of the Public Digital Art History Lab","authors":"Ellen Prokop","doi":"10.31664/zu.2019.105.09","DOIUrl":"https://doi.org/10.31664/zu.2019.105.09","url":null,"abstract":"Digital Art History (DAH), which embraces massive datasets, innovative methodologies based on computational techniques, and collaborative paradigms, promises to offer new perspectives on the history of art. For example, DAH has the potential to shift the discipline’s focus from the traditional topics of inquiry to less explored aspects of the field—in short, to reposition the discipline’s central preoccupations with the issues of patronage, which are the concerns of the elite, to broader structures at work in a society, including the experiences of the marginalized. This displacement from center to periphery is not restricted to DAH research questions, but often applies to other aspects of DAH as well: to its status within the Digital Humanities (DH); to the demographic it frequently attracts; and to the infrastructure(s) developed to support it. Yet despite this potential, in many respects DAH occupies the periphery. This essay problematizes these issues as crystallized by the establishment of a digital art history lab at a privately funded library that serves the public, and explores one instance of how DAH has forced the North American academy to reflect further on the issues of privilege, access, and the future of art history.","PeriodicalId":41082,"journal":{"name":"Zivot Umjetnosti","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/zu.2019.105.09","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69461664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Uvodnik 翻译

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-12-31 DOI: 10.31664/zu.2019.105.02

Ljiljana Kolešnik

引用次数: 0

Nevidljiva tvar 看不见的

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-12-31 DOI: 10.31664/zu.2019.105.01

引用次数: 0

Kroz pustinju i prašumu 穿过沙漠和尘土

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-07-01 DOI: 10.31664/ZU.2019.104.11

V. Vidmar

引用次数: 0

Umjetnost u službi generiranja viška vrijednosti – o umjetničkom djelu kao (specifičnom) obliku kapitala 为创造更多价值服务的艺术——艺术作品是一种（特定的）资本形式

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-07-01 DOI: 10.31664/zu.2019.104.09

Igor Loinjak

{"title":"Umjetnost u službi generiranja viška vrijednosti – o umjetničkom djelu kao (specifičnom) obliku kapitala","authors":"Igor Loinjak","doi":"10.31664/zu.2019.104.09","DOIUrl":"https://doi.org/10.31664/zu.2019.104.09","url":null,"abstract":"According to one of Marx’s classifications, human labour can be divided into productive and unproductive: productive labour produces and accumulates surplus value, while unproductive does not. In his analysis of the field theory, Pierre Bourdieu implied that, by its very existence, a work of art possesses value that generates the accumulation of capital on the market. In this sense, an artistic artefact is considered to be the result of productive labour. Bourdieu writes that, in the intellectual (artistic, scientific) field, priority is given to the symbolic capital, which can be converted into the economic one at any time. Although it is derived from Marx’s theses, Bourdieu’s concept of capital is not consistently based on the Marxist idea of the exploitation of surplus value. However, the French sociologist admits that all capital is essentially based on the economic one, because all other types of capital can be converted into the economic one, which brings Bourdieu’s theory back into the framework of Marxist economism. Fields are arenas in which participants clash over different types of capital, but they are also spaces of struggle for legitimacy and the right to monopolise. On the basis of insights into the relationships of gallerists, curators and critics with the work of artists belonging to the new artistic practice in Croatia in the late 1960s and 1970s, this article will examine the extent to which Marx’s theses on productive and unproductive labour correlate to Bourdieu’s concept of the artistic field and its capital, and how artistic products of the new artistic practice can justify their existence as products of productive labour.","PeriodicalId":41082,"journal":{"name":"Zivot Umjetnosti","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/zu.2019.104.09","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47530423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Un-learn, de-grow, un-war 不学习，不成长，不战争

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-07-01 DOI: 10.31664/ZU.2019.104.12

Sonja Leboš

{"title":"Un-learn, de-grow, un-war","authors":"Sonja Leboš","doi":"10.31664/ZU.2019.104.12","DOIUrl":"https://doi.org/10.31664/ZU.2019.104.12","url":null,"abstract":"života u epohi antropocena, ili pak kako bismo imaginirali život u postantropocenu, motivirani su dvama temeljnim pojmovima: degrowth i unlearn. Dok je prvi nedavno (i pomalo nespretno) preveden kao „odrast”, drugi pojam uvriježen je u hrvatskom jeziku: „odučiti”. Ti pojmovi koji označavaju zaustavljanje, pa i mogućnost reverzibilnosti nekog procesa, baza su za modus operandi koji treba pokrenuti kako bi se zaustavila bezumna trka za profitom, ukorijenjena u mitologijama o povezanosti rasta proizvodnje i bruto nacionalnog dohotka s neizbježnim rastom potrošnje fosilnih goriva te navodnim boljitkom svakog pojedinca koji pristaje na takvu trku. Dok voze svoja motorna vozila koja bezočno gutaju benzin na svoja udaljena radna mjesta, pripadnici globalne srednje klase i tehnokracije svjesno zanemaruju činjenicu da globalne biopolitike „operiraju kao strateška igra u kojoj je princip rata asimiliran u samu potku društveno-ekonomskih i kulturnih mreža biopolitičkih odnosa”.1 Takvi biopolitički odnosi uvjetuju stanje „krajolika koje podrazumijeva stalno pokretanje zemlje i ostalih prirodnih resursa u vojne svrhe”, 2 to je sam „etos rata”, 3 odnosno „poredak običaja, civilizacije, misli, koji afirmiše rat, ne samo kao sredstvo jedne politike, nego i kao konsupstancijalni cilj ispoljavanja suverenosti, koji jedini ima izuzetno pravo”.4 → • Armina Pilav, Un-war prostor, Galerija Greta, Zagreb, 25. veljače – 2. ožujka 2019. DOI: 10.31664/zu.2019.104.12","PeriodicalId":41082,"journal":{"name":"Zivot Umjetnosti","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69461513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Između proizvoda i dela: estetski fetišizam i finansijalizacija umetnosti 产品与零件之间：审美拜物教与艺术融资

IF 0.1 4区艺术学

Zivot Umjetnosti Pub Date : 2019-07-01 DOI: 10.31664/ZU.2019.104.05

M. Đorđević

{"title":"Između proizvoda i dela: estetski fetišizam i finansijalizacija umetnosti","authors":"M. Đorđević","doi":"10.31664/ZU.2019.104.05","DOIUrl":"https://doi.org/10.31664/ZU.2019.104.05","url":null,"abstract":"This paper focuses on the ideological transformation of modernistic aesthetic fetishism into what Professor Rastko Močnik has termed “aesthetic imperialism” in contemporary art. Our hypothesis is that this transformation is an effect of the overdetermination of artistic production to fictitious capital. In order to examine this hypothesis, we shall explore the transformation of the simple, modernist work of art into the twofold, contemporary work of art (which must first be a claim to aesthetic evaluation and only then a work of art). We do not suggest that modernism did not know the term “artwork,” as applying to those art products that were not recognized as works of art, but rather that there was a change in the very process of aesthetic evaluation. We believe that, unlike the unitary modernist recognition of products as works by the institution of art, there is twofold recognition in the contemporary age. Here the claim to aesthetic evaluation is allowed to every product, but confirmed only to those that successfully reproduce the ruling “aesthetic imperialism.” Even though ideologists of contemporary art present this change as a result of progressivism that is inherent to the institution of art, we would like to argue that it is an effect of the abovementioned overdetermination of artistic production by fictitious capital, that is, its effects in aesthetic and legal fetishism. This hypothesis will be examined in two relatively autonomous instances: economic and ideological (artistic).","PeriodicalId":41082,"journal":{"name":"Zivot Umjetnosti","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ZU.2019.104.05","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48001110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0