Journal of Aesthetics and Phenomenology最新文献

{"title":"Aesthetic Experience and Empathy in Vasily Sesemann’s Phenomenological Aesthetics","authors":"Dalius Jonkus","doi":"10.1080/20539320.2023.2267911","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267911","url":null,"abstract":"Vasily Sesemann’s aesthetics is a transcendental philosophy that seeks to answer the question of how an experience of beauty is possible. Sesemann insists that aesthetics should focus on the study ...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138546889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl","authors":"Fotini Vassiliou","doi":"10.1080/20539320.2023.2267914","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267914","url":null,"abstract":"Published in Journal of Aesthetics and Phenomenology (Vol. 10, No. 2, 2023)","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"47 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138559920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Consummate Phenomena: Oskar Becker’s “Hyperontological” Aesthetics","authors":"Benjamin Brewer","doi":"10.1080/20539320.2023.2267909","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267909","url":null,"abstract":"This essay reconstructs Oskar Becker’s idiosyncratic conception of aesthetics and its importance for phenomenology. For Becker, the aesthetic is not simply one type of phenomenon among others; rath...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138548592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Phenomenology as an Abortive Science of Art: Two Contexts of Early Phenomenological Aesthetics (Allgemeine Kunstwissenschaft and GAChN)","authors":"Patrick Flack","doi":"10.1080/20539320.2023.2267910","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267910","url":null,"abstract":"This article critically examines the usual characterisation of aesthetics as a fragmented, marginal or secondary field within phenomenology. The author argues in particular that phenomenological ae...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138546890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editor’s Introduction: Rediscovering Early Phenomenological Aesthetics","authors":"Harri Mäcklin","doi":"10.1080/20539320.2023.2267912","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267912","url":null,"abstract":"Recent years have witnessed a surge of interest in the early phases of the phenomenological movement. However, early phenomenological aesthetics has so far received very little attention in the cur...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138559913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hedwig Conrad-Martius on Color, Light, and the Irreality of the Artwork","authors":"Irene Breuer","doi":"10.1080/20539320.2023.2267908","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267908","url":null,"abstract":"In her article “Die Irrealität des Kunstwerkes,” first published in 1938, Hedwig Conrad-Martius delves into the question of the artistic representation of the real reality of the world, which basic...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art, Affectivity, and Aesthetic Value: Geiger on the Role of Emotions in Aesthetic Appreciation","authors":"Íngrid Vendrell Ferran","doi":"10.1080/20539320.2023.2267915","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267915","url":null,"abstract":"This paper explores Moritz Geiger’s work on the role of emotions in aesthetic appreciation and shows its potential for contemporary research. Drawing on the main tenets of Geiger’s phenomenological...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"66 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138546836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Layers of Aesthetic Experience: A Comparison Between Fritz Kaufmann and Ernst Cassirer","authors":"Elio Antonucci","doi":"10.1080/20539320.2023.2267907","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267907","url":null,"abstract":"The article compares Fritz Kaufmann and Ernst Cassirer’s conceptions of aesthetics, focusing in particular on their characterisation of the experience of apprehension of art objects. Firstly, analy...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"123 6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Quite Artificial, Awkward, and Unnecessarily Neologistic”: Early Phenomenology and Psychology Arguing About the Fundamentals of Aesthetics","authors":"Thomas Petraschka","doi":"10.1080/20539320.2023.2267913","DOIUrl":"https://doi.org/10.1080/20539320.2023.2267913","url":null,"abstract":"As phenomenology rose to prominence at the beginning of the 20th century, several aestheticians tried to establish the Husserlian method of “phenomenological reduction” in the field of aesthetics. ...","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138546840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Who Am I and Who Are You?: Gadamer on Celan’s Dialogical Poetry","authors":"Arup Jyoti Sarma","doi":"10.1080/20539320.2023.2239603","DOIUrl":"https://doi.org/10.1080/20539320.2023.2239603","url":null,"abstract":"ABSTRACTIn this essay, I shall discuss Gadamer’s interpretation of Celan’s dialogical poetry in his essay “Wer bin Ich und wer bist Du?” (“Who am I and Who are You?”). One may argue that this is Gadamer’s articulation of the problem of the self-other relationship. To understand the question of self and other, it is first of all necessary to return to the poetic word from which the question arises. Speaking is, for Gadamer, the most profoundly self-forgetful action, because when one speaks, one is so deeply “within the word” that one is not turned toward the word but, rather, to what one wants to say with the word. For hermeneutics, interpreting means putting oneself on the task of the poetic text. The proximity between poetizing and interpreting emerges, also in its specificity concerning the proximity between poetizing and thinking. Such a proximity, in turn, divides itself into two extremes: the word that sublates itself, and the word that stands for itself. It is hence the uncertain fullness of language, where, unsurprisingly, both poetizing and interpreting come into themselves, which constitutes the link between the one and the other. Therefore, the interpreted word, intertwined with the poetic word does not replace what it indicates, but merely points beyond itself, to what is other than itself. Both pursue a meaning that points toward an open realm.KEYWORDS: poetrydialogueI and youart Disclosure StatementNo potential conflict of interest was reported by the authors.Notes1. Gadamer, “Epilogue to the Revised Edition,” Gadamer on Celan: “Who am I and Who are You?” and Other Essays, 161.2. Di Cesare, “The Dialogue of Poetry,” 125.I am indebted to the discussion by Di Cesare on the dialogue of Celan’s poetry, where the author argues that poetry is the open place of infinite dialogue which hermeneutics seeks. To the question “Who am I and Who are You?” poetry responds by keeping the question open (125–32). This discussion helps me in forming the relevant ideas necessary for this piece.3. Klink, “You. An Introduction to Paul Celan,” 1.4. Ibid.5. See Gadamer, “Hermeneutics Tracking the Trace,” The Gadamer Reader: A Bouquet of the Later writings.6. Gadamer, “Philosophy and Poetry,” The Relevance of the Beautiful and Other Essays, 131–39.7. See Gadamer, Gadamer on Celan: “Who am I and Who are You?” and Other Essays, 67–126.8. See Gadamer, “Are the Poets Falling Silent?” and “Under the Shadow of Nihilism” Hans-Georg Gadamer on Education, Poetry, and History: Applied Hermeneutics, 73–82, 111–24; see also “Meaning and Concealment in Paul Celan” and “A Phenomenological and Semantic Approach to Celan?” Gadamer on Celan: “Who am I and Who are You?” and Other Essays, 167–78, 179–88.9. Bruns, “Ancients and Moderns: Gadamer’s Aesthetic Theory and the Poetry of Paul Celan,” 43.10. Gadamer, “Philosophy and Poetry.”11. Gadamer, “Hermeneutics, Poetry and Modern Culture,” Hans-Georg Gadamer on Education, Poetry, and History: Applied Hermeneutics.12. Gadamer, Trut","PeriodicalId":41067,"journal":{"name":"Journal of Aesthetics and Phenomenology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135798455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}