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Journal of the Musical Arts in Africa最新文献

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Interrogating the nuances of West African melodies: cadential conventions in Ogu songs 探究西非旋律的细微差别：奥古歌曲中的节奏惯例
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-12-22 DOI: 10.2989/18121004.2023.2278914
Joseph Kunnuji, Matildie Wium
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引用次数: 0
Music as research: the integrated doctoral degree in music from a South African perspective 音乐即研究：从南非的视角看综合音乐博士学位
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-12-22 DOI: 10.2989/18121004.2023.2236453
Winfried Lüdemann
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引用次数: 0
Author biographies 作者简介
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-12-22 DOI: 10.2989/18121004.2023.2298567
{"title":"Author biographies","authors":"","doi":"10.2989/18121004.2023.2298567","DOIUrl":"https://doi.org/10.2989/18121004.2023.2298567","url":null,"abstract":"Published in Journal of the Musical Arts in Africa (Vol. 20, No. 1, 2023)","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139035776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The 47th International Council for Traditions of Music and Dance World Conference 第 47 届国际音乐和舞蹈传统理事会世界大会
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-12-22 DOI: 10.2989/18121004.2023.2288504
Damascus Kafumbe
{"title":"The 47th International Council for Traditions of Music and Dance World Conference","authors":"Damascus Kafumbe","doi":"10.2989/18121004.2023.2288504","DOIUrl":"https://doi.org/10.2989/18121004.2023.2288504","url":null,"abstract":"Published in Journal of the Musical Arts in Africa (Vol. 20, No. 1, 2023)","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139028226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What my body told me: towards a bodily interpretation of Clare Loveday’s Johannesburg Etude No. 1 我的身体告诉我:朝着克莱尔·洛夫迪的《约翰内斯堡第一号练习曲》的身体解读
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-04-05 DOI: 10.2989/18121004.2023.2187980
M. Stolp
{"title":"What my body told me: towards a bodily interpretation of Clare Loveday’s Johannesburg Etude No. 1","authors":"M. Stolp","doi":"10.2989/18121004.2023.2187980","DOIUrl":"https://doi.org/10.2989/18121004.2023.2187980","url":null,"abstract":"","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"81 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79696287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Author biographies 作者传记
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2023-01-03 DOI: 10.2989/18121004.2022.2163097
{"title":"Author biographies","authors":"","doi":"10.2989/18121004.2022.2163097","DOIUrl":"https://doi.org/10.2989/18121004.2022.2163097","url":null,"abstract":"Published in Journal of the Musical Arts in Africa (Vol. 19, No. 1-2, 2022)","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"263 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138534429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Texts and contexts: the case of jàmá songs among the youth in Ghana 文本与语境:加纳青年中jàmá歌曲的案例
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2022-07-03 DOI: 10.2989/18121004.2022.2074483
Divine Kwasi Gbagbo
{"title":"Texts and contexts: the case of jàmá songs among the youth in Ghana","authors":"Divine Kwasi Gbagbo","doi":"10.2989/18121004.2022.2074483","DOIUrl":"https://doi.org/10.2989/18121004.2022.2074483","url":null,"abstract":"Abstract The upbeat, rock-like jàmá song genre has been ubiquitous in the popular culture of Ghana, especially over the last four decades. While the origin of the name ‘jàmá’ (also dzama, gyama or djama) remains a mystery, the music evokes characteristics of neo-traditional Ga music. The genre has become an official medium of musical expression for Ghanaian youths at present. Popular music artists like DJ Mic Smith and Gasmilla, the Ghanaian army and police, religious organisations such as Christian churches, and students in schools and colleges perform jàmá songs during social events, festivals, sports games, political rallies, marriage ceremonies, funerals and protest marches. The same jàmá song may be heard on different occasions, generating a myriad of meanings. This paper analyses selected jàmá songs, situates the song texts within their respective contexts, and illustrates the creative devices performers use to convey the meanings of songs in various settings.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"41 1","pages":"39 - 55"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77611761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Indigenisation of orchestral music in Ghana: the Pan-African Orchestra in perspective 加纳管弦乐的本土化:泛非交响乐团的视角
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2022-07-03 DOI: 10.2989/18121004.2022.2140879
Emmanuel Osei-Owusu
{"title":"Indigenisation of orchestral music in Ghana: the Pan-African Orchestra in perspective","authors":"Emmanuel Osei-Owusu","doi":"10.2989/18121004.2022.2140879","DOIUrl":"https://doi.org/10.2989/18121004.2022.2140879","url":null,"abstract":"Abstract This article investigates the indigenisation of Western orchestral music in Ghana by focusing on the Pan-African Orchestra (PAO), founded by Nana Danso Abiam in 1988. The factors that influenced the establishment of the PAO and its approaches to indigenisation are examined. Primary research data consist of interview sessions with Abiam, members of the PAO, its patrons, as well as selected cultural officers of the orchestra. Secondary sources consulted include published and unpublished documents, recordings of performances and relevant sheet music. It is concluded that the PAO’s purposeful attempts to combine different indigenous African elements and/or approaches have strengthened notions of the indigenisation of orchestral music in Ghana, which may be linked to the cultural reengineering efforts of Kwame Nkrumah, political revolutionary and former president of Ghana.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"33 1","pages":"75 - 90"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87842914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Complementary perspectives in African musicology 非洲音乐学的互补观点
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2022-07-03 DOI: 10.2989/18121004.2022.2153445
G. Dor
{"title":"Complementary perspectives in African musicology","authors":"G. Dor","doi":"10.2989/18121004.2022.2153445","DOIUrl":"https://doi.org/10.2989/18121004.2022.2153445","url":null,"abstract":"In this editorial I will first reflect on the current themes of research in African musicology and its related fields, the sub-themes of the ICTM-SGAM’s second symposium, ‘African music scholarship in the twenty-first century: challenges and directions’,1 the keynote address and a selection of the articles in this special issue. I will then explore a selection of the complementary perspectives of collaborative research, the intersection between research and composition as well as the use of appropriate theories in African musicology. All contributions at the symposium and in this issue will advance the increasing dynamic trajectory in African musicology.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"9 1","pages":"viii - xviii"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82198999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The road is blocked’: notions of sound and silence in the Ga Hɔmɔwɔ festival, a Teshie perspective “道路被封锁了”:从特希人的角度来看，Ga H m w w节日中声音和寂静的概念
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2022-07-03 DOI: 10.2989/18121004.2022.2153449
Laryea Akwetteh
{"title":"‘The road is blocked’: notions of sound and silence in the Ga Hɔmɔwɔ festival, a Teshie perspective","authors":"Laryea Akwetteh","doi":"10.2989/18121004.2022.2153449","DOIUrl":"https://doi.org/10.2989/18121004.2022.2153449","url":null,"abstract":"Abstract Since the early 2000s the literature on the Ga code of silence, or what is often referred to as a ban on drumming and noise-making, has focused predominantly on the violent clashes that emerge between the Ga Traditional Council, and Pentecostal and Charismatic churches in Accra during the commemoration of the annual Ga Hɔmɔwɔ harvest festival. With most scholars perceiving the code as a ritual that instigates conflict, it has become a dominant point of reference for discussing conflict-related matters in Accra and Ghana in general. My interest here, however, is not to examine the code in relation to the conflicts it incites. As a ‘native researcher’ and ethnomusicologist, my findings suggest that the Ga code is about more than provoking conflict or settling scores with churches or non-Ga residents in Accra. The code presents selective Ga communities with an opportune moment to undergo a degree of introspection through the mediation on indigenous notions of sound and silence so as to renew themselves. In this article, I explore from a Teshie perspective the notions of the code and how it impacts the music performances of the Hɔmɔwɔ festival. I argue that the Ga code, to borrow from Turner (1979), is a ‘frame’ within which Ga society is enabled to inspect itself.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"3 1","pages":"1 - 14"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79947252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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