{"title":"非洲音乐学的互补观点","authors":"G. Dor","doi":"10.2989/18121004.2022.2153445","DOIUrl":null,"url":null,"abstract":"In this editorial I will first reflect on the current themes of research in African musicology and its related fields, the sub-themes of the ICTM-SGAM’s second symposium, ‘African music scholarship in the twenty-first century: challenges and directions’,1 the keynote address and a selection of the articles in this special issue. I will then explore a selection of the complementary perspectives of collaborative research, the intersection between research and composition as well as the use of appropriate theories in African musicology. All contributions at the symposium and in this issue will advance the increasing dynamic trajectory in African musicology.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"9 1","pages":"viii - xviii"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Complementary perspectives in African musicology\",\"authors\":\"G. Dor\",\"doi\":\"10.2989/18121004.2022.2153445\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this editorial I will first reflect on the current themes of research in African musicology and its related fields, the sub-themes of the ICTM-SGAM’s second symposium, ‘African music scholarship in the twenty-first century: challenges and directions’,1 the keynote address and a selection of the articles in this special issue. I will then explore a selection of the complementary perspectives of collaborative research, the intersection between research and composition as well as the use of appropriate theories in African musicology. All contributions at the symposium and in this issue will advance the increasing dynamic trajectory in African musicology.\",\"PeriodicalId\":41064,\"journal\":{\"name\":\"Journal of the Musical Arts in Africa\",\"volume\":\"9 1\",\"pages\":\"viii - xviii\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Musical Arts in Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2989/18121004.2022.2153445\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Musical Arts in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2989/18121004.2022.2153445","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
In this editorial I will first reflect on the current themes of research in African musicology and its related fields, the sub-themes of the ICTM-SGAM’s second symposium, ‘African music scholarship in the twenty-first century: challenges and directions’,1 the keynote address and a selection of the articles in this special issue. I will then explore a selection of the complementary perspectives of collaborative research, the intersection between research and composition as well as the use of appropriate theories in African musicology. All contributions at the symposium and in this issue will advance the increasing dynamic trajectory in African musicology.
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