{"title":"Yazman Yazid’s Blood and Crown of the Dancer: What a missing film adaptation can tell you","authors":"D. Setiawan","doi":"10.1386/JAFP.11.2.183_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.183_1","url":null,"abstract":"This article investigates Indonesia s Darah dan Mahkota Ronggeng (Blood and Crown of the Dancer) (Yazid, 1983), a discredited and missing film adaptation of Ronggeng Dukuh Paruk (The Dancer of Paruk Village) (1982), a commercially successful and critically acclaimed novel. Using textual and sociological approaches, this article demonstrates the following: how the disappearance of the adaptation can shed light on the cultural constructs of Indonesian popular film and adaptation and how the surviving screenplay, combined with other secondary sources, can reveal the politics of adaptation, society and government in New Order Indonesia. The film�s loss reveals the poor infrastructure of Indonesian film archiving, the dichotomy of popular and non-popular film adaptation, and the neglect of critically and commercially unsuccessful film adaptations. The screenplay embodies the depoliticization and politicization of critical issues in societal and governmental lives such as indigenous religion, traditional women, supra-local crime and social discontent.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83348385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘What has Christ got to do with it?’: Adaptation theory, Søren Kierkegaard and Waiting for Godot","authors":"M. Norris","doi":"10.1386/JAFP.11.2.165_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.165_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"137 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89251204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Bond identity: Dismantling a franchise in Quantum of Solace","authors":"D. Dubois","doi":"10.1386/JAFP.11.2.141_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.141_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"125 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85712811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Iris opens/The Iris closes: Le Silence #2 Scene Notes 1–13","authors":"Emma Bolland","doi":"10.1386/JAFP.11.2.203_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.203_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80034979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tyrant’s Heart: Hungarian pseudo-history in a pseudo-Shakespearean adaptation","authors":"Kinga Földváry","doi":"10.1386/JAFP.11.2.153_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.153_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91358050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Orwell’s Animal Farm for the twenty-first century","authors":"Tom Ue","doi":"10.1386/JAFP.11.2.217_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.217_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91368138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Venus in Fur(s) – from the masochist text by Sacher-Masoch (1870) to the feminist celebratory adaptations by David Ives and Roman Polanski","authors":"Paula Talero Álvarez","doi":"10.1386/jafp.11.2.127_1","DOIUrl":"https://doi.org/10.1386/jafp.11.2.127_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73891007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Queer strangers: Alfred Hitchcock's Fidelity to Patricia Highsmith","authors":"S. Gaunson","doi":"10.1386/JAFP.11.1.5_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.5_1","url":null,"abstract":"In the growing interest of Alfred Hitchcock adaptations, this article discusses not necessarily why the director chose to adapt Patricia Highsmith's debut novel, Strangers on a Train (1950, 1951), but how he adapted her. While this dualistically reveals much about the creative process of both the director and the novelist, it further begins to pay some due to the ways in which Hitchcock's film is indebted to Highsmith's structure, miasma and characters. Notwithstanding the acclaim to which Highsmith's novel is now held within the fields of crime writing and the writer's oeuvre, notable scholars writing on the film have been too quick to dismiss the novel as a rough plot for what Hitchcock developed to become the finished film. This article will go some way towards challenging this assertion.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"54 1","pages":"5-16"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83399937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Dream Play","authors":"R. Connor","doi":"10.1386/JAFP.11.1.85_7","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.85_7","url":null,"abstract":"The script of an adaptation of August Strindberg's A Dream Play, as performed at Manchester Festival Fringe in July 2015. This is accompanied by a discursive essay ('Retranslating Strindberg') in the same issue of the journal.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"8 1","pages":"85-109"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84148193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Slow burn: James M. Cain, slow cinema and György Fehér’s Szenvedély","authors":"John Hodgkins","doi":"10.1386/JAFP.11.1.17_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.17_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"87 1","pages":"17-26"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85486328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}