{"title":"Carl Caulfield: Hecuba Reimagined","authors":"Michael Ewans","doi":"10.1386/JAFP.12.1-2.49_1","DOIUrl":"https://doi.org/10.1386/JAFP.12.1-2.49_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86087507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cruelty, tenderness and anger: Ensuring the Women of Trachis speak to our times","authors":"S. Bush","doi":"10.1386/JAFP.12.1-2.5_1","DOIUrl":"https://doi.org/10.1386/JAFP.12.1-2.5_1","url":null,"abstract":"At a time when the vocality of women’s anger seems particularly pertinent, this article examines two contemporary adaptations of Sophocles’ Women of Trachis, both of which draw our attention to the abused and traditionally mute character of Iole. Timberlake Wertenbaker’s 1999 radio adaptation, Dianeira, illustrates dramatically the perils of keeping Iole silent; whilst Martin Crimp’s 2004 stage adaptation, Cruel and Tender, imagines the result of giving her a voice. This article considers how both plays resonate with the gendered and international conflicts of the contemporary world.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81652088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The adaptation of vampire motifs from folklore into literature and film","authors":"Robert S. Carlisle","doi":"10.1386/JAFP.11.3.337_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.337_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80715581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond Othello: Performing stages of resistance to racial surveillance in Djanet Sears’ Harlem Duet","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.271_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.271_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79526857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The sense of an ending in The Hunchback of Notre Dame: A conversation with Sarah Langford and Nicholas Cunha","authors":"Tom Ue","doi":"10.1386/jafp.11.3.327_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.327_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78567265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Catching Othello’s echoes in Harlem Duet: A conversation on Shakespearean adaptation, blackness and African Diaspora Theatre with Djanet Sears","authors":"V. Rapetti","doi":"10.1386/jafp.11.3.295_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.295_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72949010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"XU Jinglei’s Chinese domestication of Stefan Zweig’s Brief einer Unbekannten","authors":"Xiaohua Jiang","doi":"10.1386/JAFP.11.3.259_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.259_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89908002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theatrical translation or theatrical adaptation? Staging Noises Off in Italy","authors":"Eleonora Fois","doi":"10.1386/JAFP.11.3.241_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.241_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73002887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review","authors":"M. Guarducci","doi":"10.1386/jafp.11.3.357_5","DOIUrl":"https://doi.org/10.1386/jafp.11.3.357_5","url":null,"abstract":"Reviewed Work(s): Tax Evasion and the Rule of Law in Latin America: The Political Culture of Cheating and Compliance in Argentina and Chile by Marcelo Bergman Review by: Maria Victoria Murillo Source: Political Science Quarterly, Vol. 126, No. 1 (Spring 2011), pp. 144-145 Published by: The Academy of Political Science Stable URL: https://www.jstor.org/stable/23056927 Accessed: 30-06-2020 16:57 UTC","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74233141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rubies in the crown: A conversation on racial representation in Canadian theatre with Karen Robinson","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.315_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.315_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"103 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76074949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}