Journal of Adaptation in Film & Performance最新文献

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Cruelty, tenderness and anger: Ensuring the Women of Trachis speak to our times 《残酷、温柔和愤怒:确保特拉希斯的女人对我们的时代说话》
Journal of Adaptation in Film & Performance Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.5_1
S. Bush
{"title":"Cruelty, tenderness and anger: Ensuring the Women of Trachis speak to our times","authors":"S. Bush","doi":"10.1386/JAFP.12.1-2.5_1","DOIUrl":"https://doi.org/10.1386/JAFP.12.1-2.5_1","url":null,"abstract":"At a time when the vocality of women’s anger seems particularly pertinent, this article examines two contemporary adaptations of Sophocles’ Women of Trachis, both of which draw our attention to the abused and traditionally mute character of Iole. Timberlake Wertenbaker’s 1999 radio adaptation, Dianeira, illustrates dramatically the perils of keeping Iole silent; whilst Martin Crimp’s 2004 stage adaptation, Cruel and Tender, imagines the result of giving her a voice. This article considers how both plays resonate with the gendered and international conflicts of the contemporary world.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81652088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The adaptation of vampire motifs from folklore into literature and film 将民间传说中的吸血鬼主题改编成文学和电影
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/JAFP.11.3.337_1
Robert S. Carlisle
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引用次数: 0
Beyond Othello: Performing stages of resistance to racial surveillance in Djanet Sears’ Harlem Duet 超越奥赛罗:在珍妮特·西尔斯的哈莱姆二重唱中表演抵制种族监视的阶段
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/JAFP.11.3.271_1
V. Rapetti
{"title":"Beyond Othello: Performing stages of resistance to racial surveillance in Djanet Sears’ Harlem Duet","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.271_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.271_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79526857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The sense of an ending in The Hunchback of Notre Dame: A conversation with Sarah Langford and Nicholas Cunha 《巴黎圣母院的钟楼怪人:与莎拉·兰福德和尼古拉斯·库尼亚的对话》中结尾的意义
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/jafp.11.3.327_1
Tom Ue
{"title":"The sense of an ending in The Hunchback of Notre Dame: A conversation with Sarah Langford and Nicholas Cunha","authors":"Tom Ue","doi":"10.1386/jafp.11.3.327_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.327_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78567265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Catching Othello’s echoes in Harlem Duet: A conversation on Shakespearean adaptation, blackness and African Diaspora Theatre with Djanet Sears 在哈莱姆二重唱中捕捉奥赛罗的回声:与珍妮特·西尔斯谈论莎士比亚的改编、黑人和非洲侨民戏剧
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/jafp.11.3.295_1
V. Rapetti
{"title":"Catching Othello’s echoes in Harlem Duet: A conversation on Shakespearean adaptation, blackness and African Diaspora Theatre with Djanet Sears","authors":"V. Rapetti","doi":"10.1386/jafp.11.3.295_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.295_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72949010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
XU Jinglei’s Chinese domestication of Stefan Zweig’s Brief einer Unbekannten 徐静蕾对茨威格《简单的人生》的汉化
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/JAFP.11.3.259_1
Xiaohua Jiang
{"title":"XU Jinglei’s Chinese domestication of Stefan Zweig’s Brief einer Unbekannten","authors":"Xiaohua Jiang","doi":"10.1386/JAFP.11.3.259_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.259_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89908002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review 审查
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/jafp.11.3.357_5
M. Guarducci
{"title":"Review","authors":"M. Guarducci","doi":"10.1386/jafp.11.3.357_5","DOIUrl":"https://doi.org/10.1386/jafp.11.3.357_5","url":null,"abstract":"Reviewed Work(s): Tax Evasion and the Rule of Law in Latin America: The Political Culture of Cheating and Compliance in Argentina and Chile by Marcelo Bergman Review by: Maria Victoria Murillo Source: Political Science Quarterly, Vol. 126, No. 1 (Spring 2011), pp. 144-145 Published by: The Academy of Political Science Stable URL: https://www.jstor.org/stable/23056927 Accessed: 30-06-2020 16:57 UTC","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74233141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatrical translation or theatrical adaptation? Staging Noises Off in Italy 戏剧翻译还是戏剧改编?在意大利演出《杂音》
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/JAFP.11.3.241_1
Eleonora Fois
{"title":"Theatrical translation or theatrical adaptation? Staging Noises Off in Italy","authors":"Eleonora Fois","doi":"10.1386/JAFP.11.3.241_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.241_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73002887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rubies in the crown: A conversation on racial representation in Canadian theatre with Karen Robinson 王冠上的红宝石:与卡伦·罗宾逊讨论加拿大戏剧中的种族代表性
Journal of Adaptation in Film & Performance Pub Date : 2018-12-01 DOI: 10.1386/JAFP.11.3.315_1
V. Rapetti
{"title":"Rubies in the crown: A conversation on racial representation in Canadian theatre with Karen Robinson","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.315_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.315_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"103 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76074949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yazman Yazid’s Blood and Crown of the Dancer: What a missing film adaptation can tell you 亚兹曼·亚兹德的《舞者之血与王冠》:一部缺失的改编电影能告诉你什么
Journal of Adaptation in Film & Performance Pub Date : 2018-10-01 DOI: 10.1386/JAFP.11.2.183_1
D. Setiawan
{"title":"Yazman Yazid’s Blood and Crown of the Dancer: What a missing film adaptation can tell you","authors":"D. Setiawan","doi":"10.1386/JAFP.11.2.183_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.183_1","url":null,"abstract":"This article investigates Indonesia s Darah dan Mahkota Ronggeng (Blood and Crown of the Dancer) (Yazid, 1983), a discredited and missing film adaptation of Ronggeng Dukuh Paruk (The Dancer of Paruk Village) (1982), a commercially successful and critically acclaimed novel. Using textual and sociological approaches, this article demonstrates the following: how the disappearance of the adaptation can shed light on the cultural constructs of Indonesian popular film and adaptation and how the surviving screenplay, combined with other secondary sources, can reveal the politics of adaptation, society and government in New Order Indonesia. The film�s loss reveals the poor infrastructure of Indonesian film archiving, the dichotomy of popular and non-popular film adaptation, and the neglect of critically and commercially unsuccessful film adaptations. The screenplay embodies the depoliticization and politicization of critical issues in societal and governmental lives such as indigenous religion, traditional women, supra-local crime and social discontent.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83348385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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