Studia Litterarum最新文献_第7页

Formation of the Research Thesaurus in Study of the Phenomenon of Dacha in Russian Literature of the 19th–21st Centuries 19 - 21世纪俄罗斯文学“别墅”现象研究词库的构建

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-3-10-29

O. Bogdanova

{"title":"Formation of the Research Thesaurus in Study of the Phenomenon of Dacha in Russian Literature of the 19th–21st Centuries","authors":"O. Bogdanova","doi":"10.22455/2500-4247-2022-7-3-10-29","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-3-10-29","url":null,"abstract":"The article deals with the problems of studying the dacha as a special kind of artistic space in Russian literature of the 19th–21st centuries. The author of the article analyses dacha against the background of a much better studied “literary estate,” discusses and clarifies the concepts of “dacha culture,” “dacha text,” “dacha topos,” introduces into scientific circulation, shows relationship and dynamics of the terms “literary dacha,” “poetosphere of dacha,” “dacha myth.” The article lists main constitutive differences between the toposes of estate and dacha formed in the 19th and early 20th centuries. In Soviet time, due to the disappearance of the owner’s estate, a number of its functions (unity of nature and culture, storage of family and ancestral memory, etc.) passed to the dacha. Already since the 1920s, the “poetosphere of dacha” has been formed, largely due to the atmosphere of writers’ country villages (Tarusa, Peredelkino, Komarovo, etc.), which have become specific toposes of artistic creativity. In the 1960– 1980s — the period of mass dacha construction in the USSR — the “dacha culture” is enriched either by the romance of individual enterprise, or by the excitement of esoteric search. The literature of the turn of the 20th–21st centuries formed “dacha myth,” which has absorbed the antinomic connotations of the decentered worldview of modernity. For the purpose of scientific development of the phenomenon of literary dacha, the article sets the task of forming a research thesaurus as relevant to the subject of the study of the categories’ system.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89536535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Fearful Paradise of “The Life of Basil the Younger” 《小巴兹尔的生活》中的恐怖天堂

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-1-202-215

S. A. Borisova

引用次数: 0

The Genre of the Story-Parables in Prose by V.I. Dal 论达利散文中的故事寓言体裁

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-2-144-161

V. Darensky

{"title":"The Genre of the Story-Parables in Prose by V.I. Dal","authors":"V. Darensky","doi":"10.22455/2500-4247-2022-7-2-144-161","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-2-144-161","url":null,"abstract":"The article substantiates the definition of the genre of Dal’s stories and novellas as a story-parable that carries a lesson about the laws of human life. In Dal’s prose emphasis is not so much on the exact external “physiognomy” of human types, but on the deep moral and existential content that is revealed to the reader with their help. The genre specificity of Dal’s prose reflects his Christian worldview, which is similar to the popular one and enriched with reflection and a special artistic gift of the writer. The author of the article demonstrates the reason for the inadequate perception of Dal’s prose in N. Chernyshevsky’s critical assessments. In addition, he refutes the frequent statement that Dal’s “Pictures from Russian Life,” which were to allegedly cover the entire national life, were scattered into fragmented sketches and were not permeated with a single thought. In fact, these “pictures,” although extremely diverse in their subject matter due to the diversity of life itself, are internally clearly united in their general meaning. Dal selected bright stories, generally reflecting the general moral life of the Russian people from the most positive side. Each of these stories carries a deep Christian meaning: in each of them there is a person overcoming or paying his sin, as well as repentance and a general transfiguration and renewal of the soul. Sometimes he shows also the heroic features of the national character. In Dal’s stories-parables an indication of the inner complexity, the dialectic of life, always full of internal contradictions and incomprehensibility, often appears. Dal was the author who accepted the need for updating the genre of the parable. This need was due to the fact that the reader wanted to preserve the genres of traditional culture (fairy tales and parables), but in a new literary form.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82003063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

S.A. Yesenin and N.V. Pokrovsky: on the History of Studying the Poet’s Reading Circle and his Ideas about Art 叶塞宁与波克罗夫斯基:诗人阅读圈及其艺术思想研究的历史

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-1-282-297

S. Seregina

{"title":"S.A. Yesenin and N.V. Pokrovsky: on the History of Studying the Poet’s Reading Circle and his Ideas about Art","authors":"S. Seregina","doi":"10.22455/2500-4247-2022-7-1-282-297","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-1-282-297","url":null,"abstract":"The article introduces a hitherto unaccounted source of Yesenin’s ideas about art — the work of N.V. Pokrovsky “Church archeology in connection with the history of Christian art” (Petrograd, 1916), which was in the poet’s personal library, in academic circulation. The essay examines the biographical circumstances that explain how Yesenin learned about this research and how he obtain it. The author of the article proves that traces of Yesenin’s acquaintance with Pokrovsky’s work are found in his treatise on art — “Keys of Mariya” (1918). She concludes that the poet’s ideas about the culture of Byzantium and the “baptized East” were formed, among other things, due to Pokrovsky’s research. The author proves that Yesenin’s image of a peasant hut as a symbolic temple goes back to Pokrovsky’s idea of a Russian traditional dwelling as the national architectural source of a tent temple. Pokrovsky’s description of the ornament of the Dmitrov Cathedral in Vladimir is considered as a direct source of the metaphorical comparison “ornament is music”, which opens the “Keys of Mariya.” It turns out that the important Yesenin’s idea to synthesize opposite types of art — visual and expressive — goes back, among other things, to the work of Pokrovsky.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"134 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89338300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

N.V. Gogol and K.N. Leontiev: Recurrence of Westernism in “Conservative” Criticism 果戈理与列昂捷夫:西方主义在“保守主义”批评中的再现

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-2-120-143

I. Vinogradov

引用次数: 0

Images of Birds in the History of Portuguese Poetry: Features of Metaphorics 葡萄牙诗歌史上的鸟类形象:隐喻的特征

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-4-84-107

Marina V. Kuteva, V. Makhortova

引用次数: 0

Memoir Prose of Vsevolod Ivanov 伊万诺夫回忆录散文

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-2-298-317

E. A. Papkova

{"title":"Memoir Prose of Vsevolod Ivanov","authors":"E. A. Papkova","doi":"10.22455/2500-4247-2022-7-2-298-317","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-2-298-317","url":null,"abstract":"The author of the article explores Vsevolod Ivanov’s memoir prose, both published texts and previously unknown materials from the family archive, regarding them in the context of a discussion about the genre nature of ego documents. The research materials also include the idea of the memoirs of 1942, conceived by Ivanov as a continuation of the autobiographical novel “The Adventures of the Fakir.” Ivanov’s reflections on the titles of the new edition of memoirs and chapters in 1956 show the peculiarities of its compositional structure: the center of each chapter (“bush” — term by K.A. Fedin) is a certain book, and historical events, facts of the literary process, portraits of contemporaries are grouped around the history of its creation. The article discusses in detail some of these “bushes” of the 1920s. On the basis of archival materials and a comparison of two published versions of “The History of My Books” the study shows why the portraits of the fraternity of “Serapion Brothers” and A.K. Voronsky drew negative critical responses. An analysis of the naively simple-minded narration manner allows us to conclude that the form of memoirs was deliberately chosen by Ivanov for the sake of publishing important facts of the literary history.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85650569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Russian Detective Studies in the First Half of the 20th Century 20世纪上半叶的俄国侦探研究

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-1-40-69

P. A. Moiseev

{"title":"Russian Detective Studies in the First Half of the 20th Century","authors":"P. A. Moiseev","doi":"10.22455/2500-4247-2022-7-1-40-69","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-1-40-69","url":null,"abstract":"The article examines the works of Russian literary critics of the first half of the 20th century, such as K. Chukovsky, V. Bryusov, V. Shklovsky, E. Lann, N. Berkovsky, E. Vinaver, S. Eisenstein. The author considers Shklovsky’s article “The Novella of Mysteries,” notes its advantages and disadvantages (in particular, indicates the absence of definition of mystery, which is the central concept in the article, as well as Shklovsky’s mixing of the genres of detective story, Gothic novel, sensational novel, etc.). The author indicates advantages of Berkovsky’s note “About the Soviet detective fiction,” in which the example of the novel by A. Tolstoy “Hyperboloid of the engineer Garin” indicates what what is not typical for detective story. The author demonstrates how Eisenstein created a comprehensive and elaborate theory of the detective genre; in particular the understanding of the famous director of the genre specifics (almost complete impossibility of connection between detective genre and “serious” content) and his reference to the detective story as an example of the need for the artist to “always know the station to which you hold the way.” The article is the first detailed analysis of the works of Russian researchers of detective fiction.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85396707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Newspaper “Literature and Art of Bamlag” as a Literary Precedent of the GULAG 作为古拉格文学先驱的《班拉格文艺报》

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-1-494-507

T. Smykovskaya

{"title":"The Newspaper “Literature and Art of Bamlag” as a Literary Precedent of the GULAG","authors":"T. Smykovskaya","doi":"10.22455/2500-4247-2022-7-1-494-507","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-1-494-507","url":null,"abstract":"The article is devoted to artistic and publicistic material that was published on the pages of the newspaper “Literature and Art of the BAMLAG.” It belonged to one of the largest divisions of the Gulag — BAMLAG prison camp, located from 1932 to 1938 on the territory of the modern Amur region. BAMLAG was responsible for the construction of Baikal-Amur railway or “the second rails”. The article introduces the newspaper “Literature and Art of the BAMLAG” as a unique phenomenon. Firstly, it is the only literary newspaper of the Gulag and, therefore, illustrates how the artistic language functioned within the system of the Soviet closed prison camps. Secondly, the newspaper’s imaginative and motif structure clarifies numerous themes that were touched on the pages of Gulag periodicals targeted at the mass audience. Publication covers the key themes and images that were popular among the environment of the Baikal-Amur prison camp. The newspaper aimed at elaborating on Stakhanovites theme, putting attention on the objects of Amur railway construction, glorifying the “second rails” and the exemplary labor. The newspaper focused on the key idea of the entire Gulag literature: the “remolding” of the prisoners and the national idea of Soviet Republics’ brotherhood. The article presents previously unstudied artistic and publicistic sources.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"2007 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82566777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Uncreated Firmament”: Vyach. Ivanov and S. Bulgakov (about a Poem) “未创造的苍穹”:Vyach。伊万诺夫和S.布尔加科夫(关于一首诗)

IF 0.1

Studia Litterarum Pub Date : 2022-01-01 DOI: 10.22455/2500-4247-2022-7-1-338-355

Liia L. Ermakova

{"title":"“Uncreated Firmament”: Vyach. Ivanov and S. Bulgakov (about a Poem)","authors":"Liia L. Ermakova","doi":"10.22455/2500-4247-2022-7-1-338-355","DOIUrl":"https://doi.org/10.22455/2500-4247-2022-7-1-338-355","url":null,"abstract":"Russian symbolist Vyacheslav Ivanov and religious philosopher Sergius Bulgakov were connected by formal relations and friendship in 1905–1918. In 1914 Ivanov published the poem “Mother” (“Te glyby chto nezhno zasypali grob...”), with a dedication to Bulgakov. The article discusses this poem and its draft version, which allows to trace the movement of the poet’s creative thought. The biographical context is the death of Bulgakov’s mother — he described his intimate experience in the “Unfading Light” (“Svet Nevecherniy”). Special attention is paid to the symbols and motifs typical to Ivanov’s poetics: the firmament, the sun-heart and the motive of transparency. An idea, common both for Ivanov and Bulgakov, is that of some preworld feminine principle that appears in their texts under different names: as Sophia, the Soul of the World, Great Mother, Mother Earth. They are also united by the special attitude towards death which is understood in a Christian way — as a birth into a new life and just a step on the path of resurrection. The intertextual connections of the poem with the philosophical and theological works by Bulgakov may be considered as a result of mutual influence and their reliance on common sources.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87895725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0