Ars & Humanitas最新文献_第3页

Medieval Biography Between the Individual and the Collective 中世纪个人与集体传记

IF 0.1

Ars & Humanitas Pub Date : 2021-07-20 DOI: 10.4312/ars.15.1.171-181

Janez Mlinar

{"title":"Medieval Biography Between the Individual and the Collective","authors":"Janez Mlinar","doi":"10.4312/ars.15.1.171-181","DOIUrl":"https://doi.org/10.4312/ars.15.1.171-181","url":null,"abstract":"The treatise focuses on a diachronic demonstration of the development of biographical texts in the Middle Ages, pointing to individuals’ role within these texts. This allows for a definition of content-related value of medieval biographies and their interpretative range. \u0000Medieval biographical texts built upon ancient materials only in part. In the early Middle Ages hagiographies and, to some extent, gestae gained prominence; however, they focused on the collective, not the individual. Collective values and goals were thus projected on to a literary character. The so-called twelfth-century Renaissance presents itself as a key moment in the shift of paradigm. Broader social changes also brought about a new perception of the individual. Having previously been reduced to types, individuals began to acquire particular traits. A shift in the perception of an individual gave new impetus to biographical texts in the late Middle Ages. The quantity of such texts increased considerably, the circle of their authors expanded and was no longer restricted to the clergy, and their target audience was differentiated as well. Gradually, vernacular languages took root and the forms of texts became more diverse. \u0000Nevertheless, the internal structure of a medieval individual remains concealed due to the quantity and structure of sources and, consequently, methodological issues. On the other hand, it is for these reasons that medieval biographies provide an insight into history’s dominant complexity.","PeriodicalId":40773,"journal":{"name":"Ars & Humanitas","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47316642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pandemija COVID-19 in njene družbene posledice 新冠肺炎大流行及其社会后果

IF 0.1

Ars & Humanitas Pub Date : 2021-07-20 DOI: 10.4312/ars.15.1.5-12

Ksenija Vidmar Horvat, Maruša Pušnik

引用次数: 0

Kevin Smets, Koen Leurs, Myria Georgiou, Saskia Witteborn in Radhika Gajjala (ur.): The SAGE Handbook of Media and Migration Kevin Smets, Koen Leurs, Myria Georgiou, Saskia Witteborn在Radhika Gajjala (ur.): SAGE媒体与移民手册

IF 0.1

Ars & Humanitas Pub Date : 2021-07-20 DOI: 10.4312/ars.15.1.231-236

Rok Smrdelj

引用次数: 0

Koronakriza, njene etične razsežnosti in dileme

IF 0.1

Ars & Humanitas Pub Date : 2021-07-20 DOI: 10.4312/ars.15.1.17-28

Borut Ošlaj

引用次数: 1

Možne perspektive za pozitivno interpretacijo pandemije COVID-19 对新冠肺炎大流行作出积极解释的可能前景

IF 0.1

Ars & Humanitas Pub Date : 2021-07-20 DOI: 10.4312/ars.15.1.29-42

Rok Svetlič

引用次数: 0

Porast rasizmov med pandemijo COVID-19 in ontologija rase 新冠肺炎大流行期间种族主义的兴起与种族本体论

IF 0.1

Ars & Humanitas Pub Date : 2021-01-01 DOI: 10.4312/ars.15.1.43-55

Jana S. Rošker

引用次数: 0

Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era 乌克兰戏剧绘画和素描的先锋派时代

IF 0.1

Ars & Humanitas Pub Date : 2021-01-01 DOI: 10.4312/ars.15.1.197-211

Yuliya Maystrenko-Vakulenko

{"title":"Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era","authors":"Yuliya Maystrenko-Vakulenko","doi":"10.4312/ars.15.1.197-211","DOIUrl":"https://doi.org/10.4312/ars.15.1.197-211","url":null,"abstract":"The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches and movements. A scenographic sketch, that is, a two-dimensional realisation of idea of a future four-dimensional work, is a unique phenomenon to study the evolution of the avant-garde’s concept of the space-time continuum. Through the example of works of both distinguished and less known Ukrainian theatre artists we have studied features of the realisation of time and space categories according to the key stylistic directions of the Ukrainian avant-garde: cubism, futurism, cubo-futurism, constructivism, suprematism. A theoretical basis for the study has been provided by works of Western thinkers of the late nineteenth and early twentieth centuries: Edmund Husserl, Henri Bergson, Oswald Spengler, Ludwig Wittgenstein, Maurice Merleau-Ponty, and Meyer Schapiro, along with the Ukrainian art theorists Kasimir Malevich, Aleksandr Bogomasov, and Les Kurbas, as well as works of modern researchers such as Linda Henderson and Igor Duchan. We have drawn a parallel between the development of art concepts in the Ukrainian avant-garde and scientific achievements, and the sense of time and space categories in the philosophical thought of that epoch.","PeriodicalId":40773,"journal":{"name":"Ars & Humanitas","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70550768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Zbirateljske kulture 收集文化

IF 0.1

Ars & Humanitas Pub Date : 2020-12-29 DOI: 10.4312/ars.14.2.5-12

Maja Veselič

引用次数: 0

Od Deželnega muzeja za Kranjsko do Narodnega muzeja Slovenije

IF 0.1

Ars & Humanitas Pub Date : 2020-12-29 DOI: 10.4312/ars.14.2.15-27

Matej Kos

{"title":"Od Deželnega muzeja za Kranjsko do Narodnega muzeja Slovenije","authors":"Matej Kos","doi":"10.4312/ars.14.2.15-27","DOIUrl":"https://doi.org/10.4312/ars.14.2.15-27","url":null,"abstract":"Evropski nacionalni muzeji, ustanovljeni po letu 1750, so imeli poleg kulturne tudi narodotvorno in celo državotvorno vlogo. Po ustanovitvi je opremljanje muzejev z zbirkami povsod postalo znak prestiža. Z zbirkami so jih opremili bolj, pa tudi manj premožni, ki so razumeli, da mora tak muzej v svojih zbirkah imeti najdragocenejše umetnine in artefakte. Vloga muzejev in njihovih zbirk ni bila samo v prikazovanju najboljšega s področja umetnosti, znanja in narave, ampak je bila tesno povezana z idejo naroda in narodovo zgodovino. Večina avstrijskih muzejev (z izjemo cesarskih zbirk) je bila ustanovljena kot regionalnih, vendar se v nekaterih ustanovitvenih aktih pojavlja tudi termin nacionalni oziroma narodni. \u0000Tak primer je Deželni muzej za Kranjsko, sedanji Narodni muzej Slovenije, ki bo leta 2021 praznoval 200-letnico. To se kaže tudi v pismu Jožefa Kamila Schmidburga, guvernerja in predsednika deželnih stanov, v katerem navaja načrt zbiranja gradiva za muzej: »Naš domovinski muzej naj bi zajel prvenstveno vse s področja nacionalnega slovstva (National-Literatur) in narodne ustvarjalnosti (National-Produktion). Prav tako naj združi vse, kar je v domovini ustvarila narava ali človeška pridnost. Shrani naj vse spomine na usodo dežele in na zasluge njenih prebivalcev.« Zbiralna politika muzeja je takrat odražala status muzeja. Precej se je spremenila po razpadu Avstro-Ogrske, ko muzej ni bil več edini muzej na ozemlju sedanje Slovenije, še bolj pa v sodobnosti, ko so slovenski nacionalni muzeji izgubili narodotvorno in državotvorno vlogo.","PeriodicalId":40773,"journal":{"name":"Ars & Humanitas","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43543358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Podobe tajvanskih staroselcev v zbirki razglednic Alme M. Karlin

IF 0.1

Ars & Humanitas Pub Date : 2020-12-29 DOI: 10.4312/ars.14.2.137-152

Maja Veselič

{"title":"Podobe tajvanskih staroselcev v zbirki razglednic Alme M. Karlin","authors":"Maja Veselič","doi":"10.4312/ars.14.2.137-152","DOIUrl":"https://doi.org/10.4312/ars.14.2.137-152","url":null,"abstract":"Svetovna popotnica in pisateljica Alma Maksimiliana Karlin (1889–1950) je bila vneta zbiralka razglednic. Prispevek analizira 12 razglednic, ki jih je prinesla s Tajvana, ki ga je obiskala med decembrom 1923 in januarjem 1924. Čeprav predstavljajo le drobec njene bogate zbirke razglednic s celega sveta, izstopajo po enovitosti svoje tematike. Prav vse namreč prikazujejo pripadnike tajvanskih staroselskih ljudstev. \u0000Pričujoči prispevek skuša iz kontekstov nastanka in rabe omenjenih razglednic ugotoviti, kako so se oblikovale podobe tajvanskih staroselcev v očeh njihove zbirateljice. S podrobnejšo analizo motivov in napisov na razglednicah podobe najprej identificira kot del etnografskega fotografskega gradiva, ki so ga zbrali japonski raziskovalci na Tajvanu, nato pa razglednice umesti v družbeno-politične okoliščine japonske kolonizacije, zlasti v pogosto soodvisna, občasno pa tudi konfliktna razmerja med antropološko oz. etnološko vedo ter kolonialnim upravnim aparatom. Članek nato obravnava poglede Alme Karlin na tajvanske staroselce tako, da razglednice postavi ob bok njenemu potopisnemu pisanju, iz katerega je mogoče razbrati pomemben vpliv japonske kolonialne imaginacije. Kljub lastnim pripombam o velikih družbenih in kulturnih spremembah v tajvanskih staroselskih družbah, ji kot osrednja prizma, skozi katero jih opazuje in opisuje, služijo eksotične in domnevno brezčasne prakse, kot sta lov na glave in tetoviranje. Zanimanja in okusi Alme Karlin, kot jih lahko razberemo z njenih tajvanskih razglednic, v ničemer ne odstopajo od njenih sodobnikov in so tesno povezane s širšimi političnimi in družbenimi razmerami ter estetskimi slogi časa, v katerem je potovala.","PeriodicalId":40773,"journal":{"name":"Ars & Humanitas","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42777640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2