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Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean最新文献

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Front Matter (“Contents”, “Xenia Muratova - unvergesslich”) Front Matter（“目录”，“Xenia Muratova-unurgesslich”）
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2020-01-01 DOI: 10.1484/j.convi.5.121170
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引用次数: 0
Oreficerie veneziane a smalto traslucido (secoli xiv-xv). Immissioni, importazioni e produzioni locali, novità, continuità e abbandoni 半透明威尼斯金匠(几个世纪)。投入、进口和本地生产、新颖性、连续性和退出
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2020-01-01 DOI: 10.1484/j.convi.5.121175
Andrea Missagia
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引用次数: 0
A Nativity Cycle for the Choir Screen of San Marco, Venice 威尼斯圣马可唱诗班屏风的耶稣诞生循环
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2020-01-01 DOI: 10.1484/j.convi.5.121173
L. Geymonat, L. Lazzarini
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引用次数: 1
Aeizōon to amaranton. Intercultural Collaboration in a Late Byzantine Nature Study Aeizōon给amaranton。晚期拜占庭自然研究中的跨文化合作
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019036
Andrew Griebeler
{"title":"Aeizōon to amaranton. Intercultural Collaboration in a Late Byzantine Nature Study","authors":"Andrew Griebeler","doi":"10.1484/j.convi.4.2019036","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019036","url":null,"abstract":"A Late Byzantine nature study in a fifteenth-century manuscript now in the library of London's Natural History Museum is here identified as Sedum rupestre L. or Sedum sediforme (Jacq.) Pau. But the...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45379412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trecento Panel Painting Between the Courts of Naples and Hungary. A Hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross 那不勒斯和匈牙利宫廷之间的Trecento面板绘画。西蒙尼的《圣拉迪斯劳斯》和《十字架上的基督》的一个假设
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019040
Sarah K. Kozlowski
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引用次数: 2
"… dove l'epidemia fotografica si è diffusa". Architectural Photographs in Nineteenth-Century Sicily “…摄影流行病传播的地方。”19世纪西西里岛的建筑摄影
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019037
Ute Dercks
{"title":"\"… dove l'epidemia fotografica si è diffusa\". Architectural Photographs in Nineteenth-Century Sicily","authors":"Ute Dercks","doi":"10.1484/j.convi.4.2019037","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019037","url":null,"abstract":"The various practices and uses of photographs and their effects in the nineteenth century are more clearly reflected in Sicily than in other parts of Italy and the rest of Europe. Photographs and t...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42103822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Art of Medieval Hungary, edited by Xavier Barral i Altet, Pál Lövei, Vinni Lucherini and Imre Takács, Rome: Viella 2018 《中世纪匈牙利的艺术》，Xavier Barral i Altet、Pál lövei、Vinni Lucherini和Imre Takács编辑，罗马：Viella 2018
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019045
Adrian S. Hoch
{"title":"The Art of Medieval Hungary, edited by Xavier Barral i Altet, Pál Lövei, Vinni Lucherini and Imre Takács, Rome: Viella 2018","authors":"Adrian S. Hoch","doi":"10.1484/j.convi.4.2019045","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019045","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42482844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Transfiguration and the Eikon of Christ. From Eusebius' Letter to Constantina to the Iconoclast Era 基督的变形和圣像。从优西比乌斯给君士坦丁的信到打破圣像时代
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019039
C. Bordino
{"title":"The Transfiguration and the Eikon of Christ. From Eusebius' Letter to Constantina to the Iconoclast Era","authors":"C. Bordino","doi":"10.1484/j.convi.4.2019039","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019039","url":null,"abstract":"In the so-called Letter of Eusebius of Cesarea to Constantina, the section devoted to the Transfiguration of Christ lends itself particularly to comparison with other Early Christian texts that use...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43807374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
M. Wegener-Rieckesmann, Bischof Gaudiosus, die heilige Restituta und die ecclesia Neapolitana. Zu den Zeugnissen vandalenzeitlicher Exilanten und dem kulturellen nordafrikanischen Einfluss in Neapel sowie zur Entwicklungsgeschichte der örtlichen Bischofskirche zwischen dem 4. und 9. Jahrhundert, Obe 韦约翰•赖克斯曼、g罕米尔主教、神圣的恢复原状自己在那不勒斯的表现和9 .世纪Obe
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019044
Chiara Croci
{"title":"M. Wegener-Rieckesmann, Bischof Gaudiosus, die heilige Restituta und die ecclesia Neapolitana. Zu den Zeugnissen vandalenzeitlicher Exilanten und dem kulturellen nordafrikanischen Einfluss in Neapel sowie zur Entwicklungsgeschichte der örtlichen Bischofskirche zwischen dem 4. und 9. Jahrhundert, Obe","authors":"Chiara Croci","doi":"10.1484/j.convi.4.2019044","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019044","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44450850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Rediscovery of a Byzantine Capital, Reused as a Baptismal Font, in the Nativity Church, Bethlehem 伯利恒耶稣诞生教堂拜占庭首都的重新发现，被重新用作洗礼字体
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI: 10.1484/j.convi.4.2019042
M. Bacci
{"title":"The Rediscovery of a Byzantine Capital, Reused as a Baptismal Font, in the Nativity Church, Bethlehem","authors":"M. Bacci","doi":"10.1484/j.convi.4.2019042","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019042","url":null,"abstract":"The present text provides a preliminary report on a recent, exceptional discovery in the Nativity church, Bethlehem, Palestine. In June 2019, when the restorers of Piacenti group removed the fillin...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48810826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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