Trecento Panel Painting Between the Courts of Naples and Hungary. A Hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES

Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2019-12-17 DOI:10.1484/j.convi.4.2019040

Sarah K. Kozlowski

引用次数: 2

Abstract

Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...

查看原文本刊更多论文

那不勒斯和匈牙利宫廷之间的Trecento面板绘画。西蒙尼的《圣拉迪斯劳斯》和《十字架上的基督》的一个假设

以Simone Martini自14世纪以来在Altomonte保存的匈牙利圣拉迪斯劳斯的面板画(约1330年代或1340年代早期)为出发点，以及Chr…

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterreanean.