Exemplaria Classica最新文献

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Travels in Deleuzean Time: Virtual Pilgrimage, Temporal Paradox, and the Newberry and Bicester Stacions of Rome 德勒兹时间之旅:虚拟朝圣,时间悖论,罗马的纽伯里站和比斯特站
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Exemplaria Classica Pub Date : 2022-04-03 DOI: 10.1080/10412573.2022.2070366
Logan Quigley
{"title":"Travels in Deleuzean Time: Virtual Pilgrimage, Temporal Paradox, and the Newberry and Bicester Stacions of Rome","authors":"Logan Quigley","doi":"10.1080/10412573.2022.2070366","DOIUrl":"https://doi.org/10.1080/10412573.2022.2070366","url":null,"abstract":"ABSTRACT Extant in nine manuscripts, the fourteenth-century poem The Stacions of Rome is often relegated to the dustbin of pilgrimage propaganda. Turning to its presence in two understudied manuscripts, Newberry Case MS 32 and National Archives PRO SC 6/956/5 (known as the “Bicester” roll), this article proceeds from C. David Benson’s recent argument that the Stacions should be reconsidered within the larger tradition of medieval imaginative travel in order to explore the relationship between the manuscripts’ texts and material surfaces. Through the production of temporal paradox, created between the Stacions’ spatiotemporal details and the physical rolling action of manipulating the manuscripts, the Newberry and Bicester rolls offer their readers an experience of reality that moves the reader outside the step of typical human temporal understanding. This process is most legible when considered through the lens of Gilles Deleuze’s theory of bipartite time, as laid out in The Logic of Sense ([1969] 1990), and reveals valuable lessons for understanding the genre with respect to the relationship between imagined time and space. When read as tools for vicarious travel, in other words, the Newberry and Bicester Stacions demonstrate how the collision of dueling temporal orders can help to produce the effect of virtual pilgrimage.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"30 1","pages":"148 - 167"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78239285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Guilt Historicism: Walter Benjamin’s “Capitalism as Religion,” Aura, and the Case of Chaucer’s Pardoner 罪责历史主义:瓦尔特·本雅明的“作为宗教的资本主义”、光环和乔叟的赦免案
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Exemplaria Classica Pub Date : 2022-04-03 DOI: 10.1080/10412573.2022.2070357
G. Edmondson
{"title":"Guilt Historicism: Walter Benjamin’s “Capitalism as Religion,” Aura, and the Case of Chaucer’s Pardoner","authors":"G. Edmondson","doi":"10.1080/10412573.2022.2070357","DOIUrl":"https://doi.org/10.1080/10412573.2022.2070357","url":null,"abstract":"ABSTRACT This article takes up Walter Benjamin’s allusive 1921 sketch “Capitalism as Religion” in order to think about the place of debt and guilt in our relation, as members (or perhaps apostates) of what Benjamin describes as the “purely cultic religion” of capitalism, to the Middle Ages. My focus here is on two aspects of Benjamin’s sketch. One is its evocation, diametrically opposed to that found in Benjamin’s celebrated essay on the work of art in the age of mechanical reproduction, of aura as a force of liberating distractedness, rather than politically suspect absorption. The other is the rejoinder “Capitalism as Religion” provides to Benjamin’s sweeping claim, made in another fragmentary sketch, that guilt is “the highest category of world history.” Taking up the disciplinary implications of that claim, the essay reads Chaucer’s Pardoner as a test case for a possible practice of guilt historicism.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"49 1","pages":"103 - 129"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82192011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gorboduc on Fire: The Pyropoetics of Tyranny in Early Modern England 燃烧的戈布杜克:近代早期英国暴政的火焰诗学
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Exemplaria Classica Pub Date : 2022-04-03 DOI: 10.1080/10412573.2022.2070369
H. Archer
{"title":"Gorboduc on Fire: The Pyropoetics of Tyranny in Early Modern England","authors":"H. Archer","doi":"10.1080/10412573.2022.2070369","DOIUrl":"https://doi.org/10.1080/10412573.2022.2070369","url":null,"abstract":"ABSTRACT This article rereads Norton and Sackville’s Inns of Court tragedy Gorboduc (1562) in the light of its neglected preoccupation with fire. It posits the 1561 lightning strike on St Paul’s as a critical context for the play’s emphasis on fire as a motor of providential justice, through the repeated evocation of the myth of Phaethon, and locates its use of fire in performance at the intersection between political intervention and carnival festivity. Noting the play’s coevolution with the fire pamphlet genre, the article suggests that these ephemeral works’ commentary on the relationship between fire and tyranny, in line with sixteenth-century resistance theory and de casibus tragedy, illuminates how Gorboduc’s interests manifest in popular discourse, and allows an interpretation of the play’s imagining of rebellion which foregrounds the irony of its rhetoric of stability and obedience. In dialogue with recent work on the Pyrocene and European pyrophobia, and its implications in relation to Giorgio Agamben’s understanding of civil conflict and the state of exception, the article broadens the existing picture of Gorboduc’s resonance, to read it not just as pivotal in the development of English drama and political theology, but as contiguous with wider patterns of thought in premodern disaster response and narratives of collective action.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"79 1","pages":"168 - 195"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80356489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Human Vulnerability and Natural Slavery in The Faerie Queene 《仙后》中的人性脆弱与自然奴役
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Exemplaria Classica Pub Date : 2022-01-02 DOI: 10.1080/10412573.2021.2021002
Jeffrey B. Griswold
{"title":"Human Vulnerability and Natural Slavery in The Faerie Queene","authors":"Jeffrey B. Griswold","doi":"10.1080/10412573.2021.2021002","DOIUrl":"https://doi.org/10.1080/10412573.2021.2021002","url":null,"abstract":"ABSTRACT This article traces Aristotelian ideas about natural slavery through Book VI of Edmund Spenser’s The Faerie Queene. By putting the Salvage Man episode in conversation with Louis Le Roy’s commentary on the Politics, I demonstrate that the poem naturalizes the enslavement of extra-European peoples. This reading reconsiders analysis of the Salvage Man as a figure of savage assimilation. Rather than become civil himself, the Salvage Man is shown to be congenitally predisposed to serving others who are physiologically more vulnerable and in need of his labor. I argue that Spenser’s depictions of these physically weak characters racialize the need to be served by others. Vulnerability is here a racial category used to naturalize the enslavement of bodies imagined to be stronger, harder, and less than human in their resilience. The article ends by rereading the Salvage Nation episode in light of the Salvage Man’s representation of natural slavery, showing that these two encounters align human vulnerability and racial whiteness. Taken together, these episodes suggest that to be human is to be feeble, White, and in need of enslaved bodies.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"32 1","pages":"66 - 86"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85808449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Marvelous Monstrosity and Disability’s Delights: New Directions in Premodern Critical Disability Studies 奇异的怪物与残疾的乐趣:前现代批判残疾研究的新方向
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Exemplaria Classica Pub Date : 2022-01-02 DOI: 10.1080/10412573.2021.2021003
J. Row
{"title":"Marvelous Monstrosity and Disability’s Delights: New Directions in Premodern Critical Disability Studies","authors":"J. Row","doi":"10.1080/10412573.2021.2021003","DOIUrl":"https://doi.org/10.1080/10412573.2021.2021003","url":null,"abstract":"Disability is often reduced to the status of a problem: building compliance issues, a pedagogical accommodation, a medical defect, a parking space. Until recently, scholarship in disability studies has emphasized that disability is an object — the object of inquiry, of social, medical, or legal studies of deformity or aberrance. These approaches endeavor to probe the origins of, correct, cure or even eradicate disability. Although well-intentioned, these approaches can unknowingly perpetuate and reinforce the hierarchies of ableism — the belief that able bodyminds are superior to disabled ones. When these objectifying socio-political treatments and received medical knowledges circulate around disability, it not only generates a category — into which disabilities must be placed, identified and tamed — but it can also ultimately perpetuate ableist marginalization. How then might one critically target the hierarchizing practices and structures that serve to winnow out certain bodyminds and elevate others? How to dismantle the prejudices and longentrenched beliefs that designate certain bodyminds as disposable and others as valorized? This is a quandary that prompts Merri Lisa Johnson and Robert McRuer (2014) to write:","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"30 1","pages":"87 - 101"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81890003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animal Umwelt and Sound Milieus in the Middle English Physiologus 中古英语生理学中的动物环境和声音环境
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Exemplaria Classica Pub Date : 2022-01-02 DOI: 10.1080/10412573.2021.2020991
Liam Lewis
{"title":"Animal Umwelt and Sound Milieus in the Middle English Physiologus","authors":"Liam Lewis","doi":"10.1080/10412573.2021.2020991","DOIUrl":"https://doi.org/10.1080/10412573.2021.2020991","url":null,"abstract":"ABSTRACT The Middle English Physiologus features three different nonhuman animals — the lion, the mermaid, and the elephant — whose vocalized sounds resonate on literal and figurative levels. The networks of relationality that ascribe agency to these beings through the representation of sonic phenomena are complex in ways that exceed the conceptual boundaries of a textual “soundscape.” Drawing on recent studies of the terminology used to describe sound in critical theory and ethnomusicology, this article examines how thinking about these creatures in terms of their sound milieus affords greater precision in the identification of how sounds communicate nonhuman perception and perspective. I suggest that sound milieus in this text help us to better understand the nonhuman umwelt, or “world around,” to express an individual species’ distinct perspective and way of being in the world. The chapters on the lion, the mermaid, and the elephant, I argue, present singular and contrasting forms of sound milieus, which reference the human but simultaneously exceed the boundaries of human perception by drawing attention to how nonhuman species inhabit the world.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"1 1","pages":"24 - 39"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87802504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Swimming Through the Fires: The Lucretian Beast Fable in The Duchess of Malfi 游过火海:《马尔菲公爵夫人》中的卢克雷安野兽寓言
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Exemplaria Classica Pub Date : 2022-01-02 DOI: 10.1080/10412573.2021.2020990
K. Bonnici
{"title":"Swimming Through the Fires: The Lucretian Beast Fable in The Duchess of Malfi","authors":"K. Bonnici","doi":"10.1080/10412573.2021.2020990","DOIUrl":"https://doi.org/10.1080/10412573.2021.2020990","url":null,"abstract":"ABSTRACT In this article, I investigate the operative force of the insufficiently studied beast fable in John Webster’s The Duchess of Malfi in light of the physics-poetics of the Lucretian clinamen and by bringing together theoretical perspectives from Michel Serres, Jacques Derrida, and Louis Marin. The Duchess’s fable is a radical intervention capable of arresting the drama’s tragic structures. The genre of fable marks a declining toward void, toward the loss of husband and children, that speaks what is looming — death, the wolf at the door — even as it forestalls loss through such telling.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"51 1","pages":"1 - 23"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84733318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pure Pleasure: Cleanness and Fourteenth-Century Sexual Liberation 纯粹的快乐:清洁与十四世纪性解放
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Exemplaria Classica Pub Date : 2022-01-02 DOI: 10.1080/10412573.2021.2020992
James Staples
{"title":"Pure Pleasure: Cleanness and Fourteenth-Century Sexual Liberation","authors":"James Staples","doi":"10.1080/10412573.2021.2020992","DOIUrl":"https://doi.org/10.1080/10412573.2021.2020992","url":null,"abstract":"ABSTRACT Although the critical tradition reads the Middle English poem Cleanness as a homophobic endorsement of heteronormativity, this article insists that the fourteenth-century poem contributes to a much more interesting moment in the history of sexuality. Cleanness includes one of the most shocking celebrations of sexual pleasure from the Middle Ages: without any reference to procreation, God exhorts Abraham to participate in the “play of paramours,” whereby a lover and his beloved discover through their passionate love the visio Dei, bringing about paradise on earth. Reading the poet’s celebration of pleasure alongside Audre Lorde’s conception of the erotic, this article discovers in Cleanness a discourse of liberation that sought to realize a more equitable, less violent, world through a sexual pleasure that feels like ecstatic union with God. The poem contributes to a counter-discourse from the end of the Middle Ages that sought in contemplative practices a recuperation of primal “cleanness” and a licensing of pleasure. Such claims to cleanness, however, often resulted in justifications for rapacious violence. The poet maintains the real possibility of recovering this lost pleasure, but he insists on the risk inherent in claims to cleanness. By walking this line between pleasure and hedonism, the poet acknowledges a much more nuanced medieval moralization of sexual pleasure.","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"7 1","pages":"40 - 65"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82752855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Nicholas Horsfall, Fifty Years at the Sibyl's Heels: Selected Papers on Virgil and Rome. Oxford; New York: Oxford University Press, 2020, xvi+528 pp., $110.00, ISBN 978-0-19-88638-6. 尼古拉斯·霍斯福尔,《追随女巫五十年:维吉尔与罗马论文选集》。牛津大学;纽约:牛津大学出版社,2020,16 +528页,$110.00,ISBN 978-0-19-88638-6。
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Exemplaria Classica Pub Date : 2021-12-20 DOI: 10.33776/ec.v25i0.5561
Chantal Van Egdom
{"title":"Nicholas Horsfall, Fifty Years at the Sibyl's Heels: Selected Papers on Virgil and Rome. Oxford; New York: Oxford University Press, 2020, xvi+528 pp., $110.00, ISBN 978-0-19-88638-6.","authors":"Chantal Van Egdom","doi":"10.33776/ec.v25i0.5561","DOIUrl":"https://doi.org/10.33776/ec.v25i0.5561","url":null,"abstract":"","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"283 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72723476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
STEFANO ROCCHI, P. Annio Floro, Virgilio: oratore o poeta? Introduzione, testo critico, traduzione e commento. Texte und Kommentare, 65, Berlin: De Gruyter, 2020, xi+183 pp., €109.95, ISBN 978-3-11-068976-1. STEFANO ROCCHI, P. Annio foli, Virgilio:演说家还是诗人?引言、关键文本、翻译和评论。德格鲁耶特,2020,xi+183页,ISBN 978-3-11-068976-1。
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Exemplaria Classica Pub Date : 2021-12-20 DOI: 10.33776/ec.v25i0.5576
Michiel Verweij
{"title":"STEFANO ROCCHI, P. Annio Floro, Virgilio: oratore o poeta? Introduzione, testo critico, traduzione e commento. Texte und Kommentare, 65, Berlin: De Gruyter, 2020, xi+183 pp., €109.95, ISBN 978-3-11-068976-1.","authors":"Michiel Verweij","doi":"10.33776/ec.v25i0.5576","DOIUrl":"https://doi.org/10.33776/ec.v25i0.5576","url":null,"abstract":"","PeriodicalId":40762,"journal":{"name":"Exemplaria Classica","volume":"56 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77895582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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