MELODIOUS : JOURNAL OF MUSIC最新文献

PENERAPAN PEMBELAJARAN TEKNIK VOKAL MELALUI LAGU ENGGUNG KEPADA PESERTA DIDIK PADUAN SUARA DI SMP NEGERI 8 DENPASAR 通过拉古翁贡向登巴萨第八中学合唱团学生传授声乐技巧

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3106

Vivi Anita Siregar, Ketut Sumerjana, W. Wiyati

引用次数: 0

VOCAL LEARNING TO ACHIEVE TONE ACCURACY IN READING CHORAL SCORES AT VOCAL EXTRACURRICULAR AT SMPN 8 DENPASAR 在登巴萨第八中学的声乐课外活动中学习声乐，在朗读合唱谱子时达到音调的准确性

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3157

Yorico Christy Ririmasse, I. K. Darmayuda, Desak Made Suarti Laksmi

{"title":"VOCAL LEARNING TO ACHIEVE TONE ACCURACY IN READING CHORAL SCORES AT VOCAL EXTRACURRICULAR AT SMPN 8 DENPASAR","authors":"Yorico Christy Ririmasse, I. K. Darmayuda, Desak Made Suarti Laksmi","doi":"10.59997/melodious.v3i1.3157","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3157","url":null,"abstract":"This research, entitled \"Vocal Learning to Achieve Tone Accuracy in Reading Choral Scores at Vocal Extracurricular at SMPN 8 Denpasar\", is motivated by students' lack of understanding in singing each note properly and correctly. In a choir, the accuracy of a singer's tone is absolutely essential so that the song sung sounds good. The aim of this research is to increase sensitivity to tone through various vocal techniques provided by the author. There is one vocal technique that according to the author needs to be studied in order to achieve pitch accuracy, namely the intonation technique. Apart from that, it is not enough to just learn vocal techniques, but it is also necessary to learn basic music theory in reading choral scores. The music theory in question is reading the number notation or solmization properly and correctly, knowing the value of the number notes and also understanding the chart of the song being sung. The learning methods used in this research are the lecture method, discussion method, question and answer method, and demonstration method. Data collection was obtained through interviews, document studies, and direct observation of the learning process that occurred. The extracurricular vocal class students at SMPN 8 Denpasar became the research objects. The expected achievement target is to achieve the learning objectives that have been set.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"73 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140740829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Trauma 创伤

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3090

Santa Darell Fido Sinaga, I. K. Darmayuda, Desak Made Suarti Laksmi

{"title":"Trauma","authors":"Santa Darell Fido Sinaga, I. K. Darmayuda, Desak Made Suarti Laksmi","doi":"10.59997/melodious.v3i1.3090","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3090","url":null,"abstract":"TRAUMA is a musical composition work based on the anxiety of the person closest to the composer but has an impact on the composer himself. This music composition work is made with a band format and supported by vocals and strings. The composer wants to use microphones into vocal effects, namely delay and reverb, to create an echoing sound produced from the composer's own voice that interprets the dark atmosphere experienced. TRAUMA is a musical work based on the empirical experience of the person closest to the composer. The composition of Trauma has three parts, namely: The first part that realizes the beginning of the trauma, the second part that realizes how the trauma becomes stronger until he loses his identity, and the third part that interprets how the closest person begins to slowly try to eliminate the trauma, and slowly try to find his identity again. Each section is characterized by a change of tempo. To create the composition Trauma, the composer refers to a method of creation written by SP. Gustami, namely: First, the exploration stage which includes observation, and searching for literature sources. Second, the design stage, which involves making several sketches and technical drawings. The third stage is realization, which is the forming process, followed by assessment and evaluation of the finished work.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"7 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140739835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MIXING AND AUDIO EQUALIZATION TECHNIQUES FOR ACOUSTIC MUSICAL INSTRUMENTS WITH DIRECTED MICROPHONE AT THE YELL SHOWING IN THE PAKIS BALI QUIZ SHOW ON BALI TV 在巴厘岛电视台的巴厘岛 pakis 问答节目中使用指向性麦克风对原声乐器进行混音和音频均衡的技术

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3034

Brill Obed Sabath, I. K. Darmayuda

{"title":"MIXING AND AUDIO EQUALIZATION TECHNIQUES FOR ACOUSTIC MUSICAL INSTRUMENTS WITH DIRECTED MICROPHONE AT THE YELL SHOWING IN THE PAKIS BALI QUIZ SHOW ON BALI TV","authors":"Brill Obed Sabath, I. K. Darmayuda","doi":"10.59997/melodious.v3i1.3034","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3034","url":null,"abstract":"This research aims to find out how the quality of the mixing results is good and correct from the audio equalization of acoustic musical instruments with a directed mic at the Pakis Bali Quiz event. This research uses a qualitative method. The approach taken in this qualitative method is to conduct focused interviews. The data collected was obtained through observation, interviews and documentation. Then, data validation was carried out using the triangulation method and peer discussion, with the aim of ensuring that the data to be entered into the database could be explained as to the source and correctness of the data. The author analysis the data using the three activity lines proposed by Miles and Huberman, namely data reduction, data presentation, drawing conclusions/verification. From the research results, the author concluded that the audio mixing and equalization technique for acoustic musical instruments with a directed mic which was carried out during the chant performance in the Pakis Bali Quiz event on Bali TV was in line with and met the standard principles of the theories put forward by several experts regarding the technique mixing and equalizing audio for acoustic musical instruments with a directed mic. Based on the conclusions, the author provides main suggestions for upgrading equipment in terms of electrical installations.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"172 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140740377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

EFEKTIVITAS PENERAPAN SILABUS YANG BERORIENTASI PADA PESERTA DIDIK DALAM PEMBELAJARAN GITAR DI SANGGAR MUSIK AMABILE 在 Amabile 音乐工作室吉他学习中实施以学习者为中心的教学大纲的有效性

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3108

Made Tri Novenayani, Ketut Sumerjana, W. Wiyati

{"title":"EFEKTIVITAS PENERAPAN SILABUS YANG BERORIENTASI PADA PESERTA DIDIK DALAM PEMBELAJARAN GITAR DI SANGGAR MUSIK AMABILE","authors":"Made Tri Novenayani, Ketut Sumerjana, W. Wiyati","doi":"10.59997/melodious.v3i1.3108","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3108","url":null,"abstract":"Sanggar Musik Amabile is one example of a course in Bali that conducts guitar instrument learning with a learning plan in the form of a syllabus. The syllabus is prepared based on the ABRSM curriculum which is adjusted to the abilities, needs and interests of students to achieve effective learning with maximum results. To find out the effectiveness of the application of the syllabus, a qualitative research was conducted by collecting data through teaching assistance in the form of observation activities and complemented by interview activities. From this research, it was concluded that despite experiencing several obstacles such as: (1) Lack of discipline of students in independent practice, (2) The desire of students to learn songs that are not in accordance with the grade, (3) Lack of concentration of students during learning, (4) The existence of students' willingness that cannot be forced, the application of a learner-oriented syllabus in guitar learning at Amabile Music Studio has been effective because there is conformity between learning planning and its application in the classroom and most of the learning objectives have been achieved.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"33 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140738464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

SUZUKI METHOD OF LEARNING THE VIOLIN IN THE AMABILE MUSIC STAGE 在 Amabile 音乐阶段学习小提琴的铃木方法

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3102

Bunga Flamboyan Kirana, N. Ardini, Wahyu Sri Wiyati

{"title":"SUZUKI METHOD OF LEARNING THE VIOLIN IN THE AMABILE MUSIC STAGE","authors":"Bunga Flamboyan Kirana, N. Ardini, Wahyu Sri Wiyati","doi":"10.59997/melodious.v3i1.3102","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3102","url":null,"abstract":"This observation aims to find out how important it is to apply the Suzuki method in violin classes at the amabile music studio, what advantages and obstacles I experienced during the learning process and what benefits students get from using the Suzuki method in the violin learning process. Apart from that, the author wants music teachers, especially violin, to know what and how the Suzuki method is used in the violin learning process. The Suzuki Method is an instrument teaching method created by Shinichi Suzuki. The Suzuki method prioritizes auditory training rather than reading a repertoire of songs. From the start of learning, students will not be taught to read first. From the observations it can be concluded that the Suzuki method is very important to use in the violin learning process at the Amabile Music Studio because this method has proven to be quite effective in helping students play the songs well and use the correct technique. Some of the benefits that students get when using the Suzuki method are good hearing training so that students can analysis notes better, good and correct body posture when playing the violin, and strong memory due to constant repetition. Some of the advantages of the Suzuki method itself are the training or learning which is quite detailed, the fingering patterns and the distribution of the bow are all regulated in the Suzuki method, the songs in the Suzuki book also sound familiar and enjoyable. There are three obstacles in using the Suzuki method, namely delays in the ability to read sheet music, minimal parental participation in the student's learning process at institutions and some students only memorize fingering patterns without knowing what notes are being played.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"19 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140740360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ANALISIS PENERAPAN METODE SISOLMI DALAM PEMBELAJARAN INSTRUMEN BIOLA BERBASIS CARA BELAJAR SISWA AKTIF DI BAVISCH MUSIC SCHOOL 基于巴维什音乐学校学生主动学习的西索米教学法在小提琴乐器学习中的应用分析

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3105

Buchenita Naomi Wardoyo, R. Irawan, I. K. Darmayuda

引用次数: 0

ANALYSIS PRODUCTION PROCESS LIVE BROADCAST TALKSHOW OF THE BALI TV SAMATRA BALI ARTIST AS A PLACE FOR PUBLICATION OF LOCAL MUSICIANS WORKS 分析巴厘岛电视台 "巴厘岛艺术家"（SAMATRA）现场直播脱口秀的制作过程，将其作为发表当地音乐家作品的场所

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2024-04-05 DOI: 10.59997/melodious.v3i1.3107

Gracia Gandi Manggala Putri, Ricky Irawan, Ketut Sumerjana

{"title":"ANALYSIS PRODUCTION PROCESS LIVE BROADCAST TALKSHOW OF THE BALI TV SAMATRA BALI ARTIST AS A PLACE FOR PUBLICATION OF LOCAL MUSICIANS WORKS","authors":"Gracia Gandi Manggala Putri, Ricky Irawan, Ketut Sumerjana","doi":"10.59997/melodious.v3i1.3107","DOIUrl":"https://doi.org/10.59997/melodious.v3i1.3107","url":null,"abstract":"The Samatra Artis Bali Talkshow live broadcast program has succeeded in becoming a forum for local musicians to publish their work. Because as a local Balinese television media, Bali TV is a source of information media that is able to instill noble cultural values, as well as supporting local Balinese artists. In accordance with the Merdeka Belajar Kampus Merdeka (MBKM) curriculum, the author had the opportunity to carry out an Internship/Work Practicum program which was carried out on Bali TV. The aim of this research is to explain the production process carried out. This research uses descriptive qualitative research methods with observation techniques on Bali TV. Data collection in preparing this thesis was obtained through interviews, documentation and observation. The author had the opportunity to directly see the pre-production, production and post-production processes. In the research carried out, at the pre-production process stage, the production team held an internal meeting to prepare the rundown. At the production stage, a 1 hour Live On-Air was carried out. And in the post-production stage, the team evaluates whether or not there are any obstacles that occurred during the program. A television program will not run smoothly if the behind-the-scenes activities are not managed effectively. With this thesis, the author hopes that readers, especially the Balinese people, including artists/art lovers, can better appreciate and preserve cultural works of art in Bali. The Bali Artist Samatra Program makes writers understand more about the importance of publishing their work/introducing their work via television media.","PeriodicalId":407626,"journal":{"name":"MELODIOUS : JOURNAL OF MUSIC","volume":"40 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140737461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PROSES PRODUKSI PROGRAM KERJA KONTEN MCAST SEBAGAI MEDIA KREATIVITAS MUSIK PADA PREGINA ART & SHOWBIZ MCAST内容创作程序的制作过程，作为PREGINA ART和SHOWBIZ的音乐创意媒介

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2023-04-10 DOI: 10.59997/melodious.v1i2.2210

Mexta Septian Nugroho, I. K. Darmayuda, R. Irawan

引用次数: 0

PERAN TIM BROADCASTING PADA SIARAN LANGSUNG BALI TV DI ACARA GENDING RARE & BRTV 广播团队在RARE和BRTV的现场直播中所扮演的角色

MELODIOUS : JOURNAL OF MUSIC Pub Date : 2023-04-10 DOI: 10.59997/melodious.v1i2.2215

Renaldy Christian Santoso, Desak Made Suarti Laksmi, W. Wiyati

引用次数: 0