{"title":"El primer PSOE ante el sufragio universal (1879-1891): el movimiento obrero como agente democratizador en el sistema de la Restauración","authors":"Adrián Sánchez Castillo","doi":"10.15366/RHA2021.18.005","DOIUrl":"https://doi.org/10.15366/RHA2021.18.005","url":null,"abstract":"The beginnings of the labour movement in contemporary history that addresses the nineteenth century, both internationally and in its national histories, are usually linked, in practical terms, to the economic struggle in the class society shaped by the Industrial Revolution and, in theoretical terms, to the ideological evolution of its different organized currents. It is already in the studies dedicated to the twentieth century where we find the greatest incidence of the role played by the labour movement in the democratisation of contemporary societies. Taking into account the key influence that socialism would have 1 Mi agradecimiento al profesor Juan Ignacio Marcuello Benedicto, catedrático de Historia Contemporánea de la UAM, que inspiró y corrigió una primera versión de este trabajo, a las evaluaciones externas, imprescindibles en sus apuntes, y a Juan Manuel Municio, por sus siempre certeros comentarios y sugerencias. Recibido: 21 de abril de 2020; aceptado: 25 de noviembre de 2020; publicado: 31 de marzo de 2021. Revista Historia Autónoma, 18 (2021), pp. 91-108 e-ISSN: 2254-8726; https://doi.org/10.15366/rha2021.18.005 92 Revista Historia Autónoma, 18 (2021), e-ISSN: 2254-8726 on this process in Spain, this paper analyses the most remote origins of its democratizing political practice around the question of universal suffrage in the systemic context of the Restoration with the aim of understanding the foundations of a subject that would bring thousands of people into the political society of the period for the first time.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"91-108"},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42654398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Considering unemployment in Ecuador during the Great Depression","authors":"Cristian Paúl Naranjo Navas","doi":"10.15366/RHA2021.18.006","DOIUrl":"https://doi.org/10.15366/RHA2021.18.006","url":null,"abstract":"The Great Depression struck Latin America through the commerce: the reduction in revenues from the external commerce spread to the rest of the economy, resulting in the continue decreasing of the monetary supply. The Ecuadorian monetary policy until 1932, based on the gold standard, faced the phenomenon of deflation, which caused real salaries to grow. Since 1932, the monetary supply increased due to the abandonment of the gold standard, which caused real wages to decreased. In the same period, from 1928 to 1935, the primary data of the central offices of eight institutions shows that public employment decreased abruptly from 1928 to 1930, from 109.4 to 83.1 points (1927=100). After 1930, there was a quick recovery until 1932, and, from this point in time, it remained relatively stable until 1935. This article constructs, for the first time in the Ecuadorian historiography, an employment index which serves to see employment as the adjustment variable of the Great Depression.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"109-127"},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49244874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De metáforas travestis y cuerpos transexuales: problemas de interpretación en torno a Una mala noche la tiene cualquiera de Eduardo Mendicutti","authors":"Pablo Romero Velasco","doi":"10.15366/RHA2021.18.008","DOIUrl":"https://doi.org/10.15366/RHA2021.18.008","url":null,"abstract":"In this paper, we offer a reflection, based on the novel Una mala noche la tiene cualquiera, published in 1982 by Eduardo Mendicutti, on the view of transsexuality in the Spanish culture and counterculture during the Transición. Specifically, we focus on how the erection of the transsexual as a symbol of democratic freedom and the challenge to Francoist ideology led to the omission of the poor social situation of transexual people during that period. Mendicutti’s book, which narrates the night of the attempted coup 1 Este artículo es un resultado de la investigación doctoral del autor, enmarcada en el proyecto de investigación «La construcción discursiva del conflicto: territorialidad, imagen de la enfermedad e identidades de género en la literatura y la comunicación social» (Referencia FFI2017-85227-R), financiado por el Ministerio de Ciencia, y ha sido posible gracias a una ayuda para la contratación predoctoral FPU (referencia FPU15/00993), otorgada por el Ministerio de Educación. Recibido: 2 de febrero de 2020; aceptado: 25 de enero de 2021; publicado: 31 de marzo de 2021. Revista Historia Autónoma, 18 (2021), pp. 149-164 e-ISSN: 2254-8726; https://doi.org/10.15366/rha2021.18.008 150 Revista Historia Autónoma, 18 (2021), e-ISSN: 2254-8726 d’etat of 23F through the voice of La Madelón, a transsexual woman, has been read by critics as a reading, either critical or celebratory, of the political conquests and contradictions of the transitional period, ignoring the portrait that the writer from Cádiz makes of his protagonist’s own social and material experience.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"149-164"},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42067491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bailando en el Museo Reina Sofía. El Judson Dance Theater, más allá de la danza minimalista","authors":"Blanca Molina Olmos","doi":"10.15366/rha2021.18.010","DOIUrl":"https://doi.org/10.15366/rha2021.18.010","url":null,"abstract":"Una vez conocida la manera en que se ha introducido la danza en diversos museos del panorama internacional, así como los textos, propuestas expositivas y otras iniciativas que reflexionan sobre el papel que adquiere esta en relación con el cubo blanco; se torna apremiante explorar el contexto español, marcado por una dilatada ausencia y escasez de fuentes. Así, este artículo plantea una primera aproximación a los procesos de musealización de la danza en España.\u0000Para ello, explora cómo se ha introducido la disciplina en el Museo Nacional Centro de Arte Reina Sofía, profundiza en su gestión en el área de colecciones y toma como objeto de estudio la Sala 104.04, Performance e Interacción. Judson Dance Theater, perteneciente a la Colección 3: De la revuelta a la posmodernidad (1962-1982).","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47120057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El imaginario artístico de “lo vasco”. Prácticas y políticas culturales a finales del siglo XX","authors":"Ane Lekuona Mariscal","doi":"10.15366/RHA2021.18.009","DOIUrl":"https://doi.org/10.15366/RHA2021.18.009","url":null,"abstract":"El artículo analiza el cruce iniciado a partir de los años de la transición entre el discurso cultural del Gobierno Vasco y la difusión reiterada del lenguaje plástico de los escultores que habían participado en los años sesenta en el grupo guipuzcoano Gaur. Se estudian las razones que motivaron esta unión entre las directrices políticas y el imaginario artístico, así como los cambios que se han ido produciendo hasta la actualidad y sus efectos. Por otra parte, se analiza la relación entre dicho fenómeno y la configuración de la historia del arte del País Vasco de la segunda mitad del siglo xx.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"165-182"},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44313788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Baile, ruido y algarabía: un acercamiento a la interpretación de las “folías portuguesas”","authors":"Cristina Roldán Fidalgo","doi":"10.15366/RHA2021.18.002","DOIUrl":"https://doi.org/10.15366/RHA2021.18.002","url":null,"abstract":"Throughout history, the term “folia” has been used to designate different literary and musical manifestations, which has contributed to the confusion that prevails today about its meaning. At the end of the 15th century and during the 16th century, the name “Portuguese folias” was used to refer to a performance in which dance, racket and noise seem to have been the protagonists, and whose distinctive characteristics are still little known. The present paper aims to shed light on these “folias” through contemporary sources.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"43-57"},"PeriodicalIF":0.1,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47834296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Mas, David Cejudo Loro, Mª Isabel Angulo Bujanda, H. García
{"title":"Venta de Borondo (Daimiel, Ciudad Real). Actuaciones arqueológicas para la recuperación de un bien singular","authors":"M. Mas, David Cejudo Loro, Mª Isabel Angulo Bujanda, H. García","doi":"10.15366/RHA2020.17.003","DOIUrl":"https://doi.org/10.15366/RHA2020.17.003","url":null,"abstract":"Venta de Borondo (Daimiel, Ciudad Real, Spain) is one of the last exponents of a late medieval and early modern architectural typology, as were the plains inns. In this historic site, in which the western tower stands out, it is possible to identify the particularities of these kind of constructions, which could have inspired Miguel de Cervantes to recreate one of them in its worldwide known work Don Quixote of La Mancha.\u0000Despite its transcendence, the lack of maintenance works has caused a progressive deterioration of its structures, with a serious risk of collapse in certain areas. For these reasons, since 2017, several actions have been undertaken with the aim of studying, preserving and communicating this emblematic heritage site. Through this article, we try to raise awareness of the singularities of this building, as well as to describe the works that are being carried out to preserve this exceptional legacy.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"51-73"},"PeriodicalIF":0.1,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66985030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tracios en Hispania","authors":"José Ortiz de Córdoba","doi":"10.15366/RHA2020.17.002","DOIUrl":"https://doi.org/10.15366/RHA2020.17.002","url":null,"abstract":"The main objective of this article is to compile and study the epigraphic documentation related to the presence of Thracian immigrants origin in the Iberian Peninsula. We aim to offer an updated epigraphic catalogue and a synthesis of this emigration. Among other elements, the causes that motivated the displacements, the onomastics of the detected immigrants and the activity that they developed in Hispania will be studied.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"31-50"},"PeriodicalIF":0.1,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47740848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Luchas políticas y legitimación religiosa en Esparta tras la guerra del Peloponeso (404-371 a. C.)","authors":"Javier Jara Herrero","doi":"10.15366/RHA2020.17.001","DOIUrl":"https://doi.org/10.15366/RHA2020.17.001","url":null,"abstract":"espanolEl final de la guerra del Peloponeso confirio a los espartanos la hegemonia politica sobre la Helade y la posibilidad de interferir mas alla de las fronteras griegas. Sin embargo, el siglo IV a. C. fue tambien testigo de la agudizacion de las tensiones en el seno de la clase dirigente de Esparta y de la union de diversos estados en contra del dominio lacedemonio. Mediante el analisis de las fuentes antiguas y con el apoyo de las investigaciones de la historiografia moderna, este articulo trata de examinar la influencia ejercida por la religion en Esparta hasta la batalla de Leuctra, tanto en su politica exterior como en las diversas luchas politicas internas. EnglishThe end of the Peloponnesian War conferred on the Spartans the political hegemony over Hellas and the option of interfering beyond Greek border areas. However, the 4th century BC also was a witness of the tensions’ aggravation within the ruling elite of Sparta and the union of various states against the Spartan domain. This paper tries to analyse, through the study of ancient sources and with the support of investigations from modern historiography, the influence exerted by religion in Sparta up to the Battle of Leuctra, both in its foreign policy and in the various internal political struggles.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"11-29"},"PeriodicalIF":0.1,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44742123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El Greco en la historia del arte occidental en Japón","authors":"Keiko Ozaki","doi":"10.15366/RHA2020.17.004","DOIUrl":"https://doi.org/10.15366/RHA2020.17.004","url":null,"abstract":"The Ohara Museum of Art in Japan preserves The Annunciation by El Greco, which was purchased on 1922 in Paris. During the Meiji era (1868-1912), the Japanese painters with western style focused their attention on France as a pictorical reference. At the same time, the re-evaluation of El Greco began in France and gradually was spread throughout Europa. This paper attempts to show the historical itinerary in which those Japanese painters discovered El Greco through their contemporary French painters and, finally, came to interpret El Greco’s works by their own context.","PeriodicalId":40739,"journal":{"name":"Revista Historia Autonoma","volume":"1 1","pages":"75-91"},"PeriodicalIF":0.1,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44373490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}