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Arti Musices最新文献

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Baletni kostimi iz donacije Jelka Yureshe zagrebačkomu Muzeju za umjetnost i obrt Jelka Yureshe向希腊艺术与轮换博物馆捐赠的波罗的海服装
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/y7v64t0xny
M. Pavković
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引用次数: 0
Prioriteti vezani uz zaštitu povijesnih i spomeničkih orgulja u Hrvatskoj 与保护克罗地亚历史和纪念性器官有关的优先事项
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/yrvgqtk0p9
Emin Armano
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引用次数: 0
U daljnjoj potrazi: novopronađene skladbe Ivana Zajca starijeg
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/m16wjc6869
Tatjana Mihalić
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引用次数: 0
Augustin Kažotić, biskup zagrebački, sakralna glazba i liturgijsko pjevanje Augustin Kažotić、biskup zagrebački、sakrana glazba i liturgijsko pjevanje
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/ygjwrcj07y
Stanislav Tuksar
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引用次数: 0
Iz ostavštine dubrovačke crkve „Domino“ s poglavitim obzirom na franjevački antifonarij iz 15. stoljeća i kasnije glazbene izvore 在没有多明尼奥·杜布罗夫斯卡尔教堂的情况下，主要考虑从15岁开始的法国反教会。几个世纪及以后的音乐来源
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/mnlqgc0oly
Hana Breko Kustura, Rozana Vojvoda
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引用次数: 1
Fra Petar Knežević i orguljska misa: o izvedbenom aspektu cantus fractus misnih ordinarija iz Kneževićevih kantuala 从彼得·克涅维奇和奥古利亚老鼠看克涅维奇诗歌中神秘平凡的分形表现
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/y54jofp37m
Hrvoje Beban
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引用次数: 1
Hrvatski glazbeni časopisi 1903-1945. kao glazbenohistoriografski izvori
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/yk3jwhx139
Sanja Majer-Bobetko
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引用次数: 0
Musikverein u Zagrebu i njegova škola u prijelomnoj godini 1860. 音乐信徒在萨格勒布和他的学校于1860年交叉。
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/ydkx2cr0w9
Sara Ries
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引用次数: 0
Oscar Hammerstein II and the Performativity of Race and Intersectional Oppression in American Musicals from Show Boat (1927) to Carousel (1945) 奥斯卡·汉默斯坦二世与美国音乐剧中种族和交叉压迫的表现——从1927年的《秀船》到1945年的《旋转木马》
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/mwo1vcjk1y
W. Everett
{"title":"Oscar Hammerstein II and the Performativity of Race and Intersectional Oppression in American Musicals from Show Boat (1927) to Carousel (1945)","authors":"W. Everett","doi":"10.21857/mwo1vcjk1y","DOIUrl":"https://doi.org/10.21857/mwo1vcjk1y","url":null,"abstract":"Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersectional oppression (here defi ned as multiple features that can contribute to oppression either socially or individually, and can include factors such as race, age, gender, and social class) in many of his works. This essay investigates such representations in Show Boat (1927, music by Jerome Kern), The New Moon (1928, music by Sigmund Romberg), Sunny River (1941, music by Romberg), Oklahoma! (1943, music by Richard Rodgers), and Carousel (1945, music by Rodgers) as well as selected twenty-fi rst century revivals of Oklahoma! and Carousel. In each show, white hegemony is the norm, and characters of color, if they appear, represent some sort of diff erence that is made subservient to the white norm. In selected modern revivals, multicultural casting bri ngs such issues, including negative stereotypes, to the fore and allows for new insights into issues of race and intersectional oppression.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43903892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ususret osnivanju zagrebačke nacionalne opere (1870): izvedbe Suppéovih opereta i njihova recepcija 萨格勒布国家行动的建立集中（1870年）：支援行动的执行及其接待
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/m8vqrtzkg9
Vjera Katalinić
{"title":"Ususret osnivanju zagrebačke nacionalne opere (1870): izvedbe Suppéovih opereta i njihova recepcija","authors":"Vjera Katalinić","doi":"10.21857/m8vqrtzkg9","DOIUrl":"https://doi.org/10.21857/m8vqrtzkg9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45720156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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