Arti Musices最新文献

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Pavao Markovac (1903-1941) – međuratni glazbeni prosvjetitelj (uz 80. godišnjicu smrti) 帕沃·马尔科瓦茨(1903-1941)-梅吉拉尼·格拉兹贝尼prosvjetitelj(uz 80。死亡年份)
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/moxpjhwrom
Nataša Leverić Špoljarić
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引用次数: 0
Kantual fra Pavla Vučkovića mlađeg iz 1768. godine: repertoarno-povijesni prikaz rukopisa 1768年,帕维尔·武契科维奇的办公室。年份:笔迹的重复历史
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/mnlqgc5qly
Daniela Perković
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引用次数: 0
»La strada della virtù«: o funkcijama glazbe u djelu Sretan grad (1553.) Frane Petrića “La strada della virtú”(1553年)Frane Petrića
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/y54jofko7m
Monika Jurić
{"title":"»La strada della virtù«: o funkcijama glazbe u djelu Sretan grad (1553.) Frane Petrića","authors":"Monika Jurić","doi":"10.21857/y54jofko7m","DOIUrl":"https://doi.org/10.21857/y54jofko7m","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68487521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Koncertna dvorana Vatroslava Lisinskog u Zagrebu – od ideje do svečanog otvorenja 萨格勒布里斯本音乐厅-从创意到开幕式
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/YL4OKFLOQ9
Ana Unkić
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引用次数: 0
Music Labour of Local Musicians in the Social Life of Križevci, Croatia 克罗地亚Križevci社会生活中当地音乐家的音乐劳动
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/yrvgqte5d9
Jelka Vukobratovic
{"title":"Music Labour of Local Musicians in the Social Life of Križevci, Croatia","authors":"Jelka Vukobratovic","doi":"10.21857/yrvgqte5d9","DOIUrl":"https://doi.org/10.21857/yrvgqte5d9","url":null,"abstract":"This dissertation represents the results of a music ethnography of the town of Križevci and its surrounding villages in central Croatia. The aim of the research was to show the role of local musicians as workers within the context of local social life. The selected musicians were those who earned money through their full-time or part-time music labour, who were mostly only locally visible, and who worked within the local social infrastructure, including concerts, dance venues, festivals, etc. In that way, the selected musicians acted as agents of local social life and were subsequently involved in the creation of local cultural identity. Through focusing on music labour within this local context, the ethnographic research aimed to examine the economic reality of the researched musicians, to bring forward the aspects of their lives as workers, and within that reality to consider the value and importance of music for the society and communities in which the musicians work. The diverse stories of local musicians and the changing situation in local infrastructure have been observed in diachronic perspective, over the past 70 or more years, refl ecting politico-historical changes of pre-socialist, socialist and post-socialist times. The results of ethnographic research in the town and surrounding villages show that the infrastructure previously induced the appearance of a large number of self-taught musicians. The interviews and conversations with retired musicians and organizers show that the local social events were largely supported by local musicians, and vice versa. The local musicians also generated changes of trends and fashion. For example, in the town in the second half of the 20th century, the bands changed from being jazz and dance bands in the 1940s and 1950s, to early rock bands of the 1960s and 1970s, when the regular town dances disappeared, then the tamburica bands returned to fashion in the 1980s and 1990s, whereas after the 1990s a greater diversity of styles occurred along with the rise in the number of performances of various non-local musicians. In the villages, the changes in music included a gradual substitution of traditional instruments (such as tambura and dude bagpipe) for electric ones, with the result that a large number of self-taught musicians emerged when these instruments became economically more available. However, in time, the players also changed from","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68494157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Serafino Razzi’s Storia di Raugia, or, How Renaissance Dubrovnik (Might Not Have?) Heard Polyphony in February 1588: Towards a Liturgical Reconstruction of the Feast of Saint Blaise 塞拉菲诺·拉齐的《劳吉亚的故事》,或者《文艺复兴时期的杜布罗夫尼克(可能没有?)》听过1588年2月的复调:对圣布莱斯节日的礼仪重建
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/Y7V64T01JY
Tin Cugelj
{"title":"Serafino Razzi’s Storia di Raugia, or, How Renaissance Dubrovnik (Might Not Have?) Heard Polyphony in February 1588: Towards a Liturgical Reconstruction of the Feast of Saint Blaise","authors":"Tin Cugelj","doi":"10.21857/Y7V64T01JY","DOIUrl":"https://doi.org/10.21857/Y7V64T01JY","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"51 1","pages":"221-265"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68489032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tragom jedne zaboravljene glazbene prošlosti: crtice o ulozi Hrvatica u glazbenom životu Sarajeva (1878-1918) 追寻被遗忘的音乐史:克罗地亚人在萨拉热窝音乐生活中的作用(1878-1918)
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/MJRL3U7LE9
Lana Šehović Paćuka
{"title":"Tragom jedne zaboravljene glazbene prošlosti: crtice o ulozi Hrvatica u glazbenom životu Sarajeva (1878-1918)","authors":"Lana Šehović Paćuka","doi":"10.21857/MJRL3U7LE9","DOIUrl":"https://doi.org/10.21857/MJRL3U7LE9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"51 1","pages":"319-337"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68483950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
»Rasuta bašćina«: slučaj Hrvatskog pjevačkog društva »Kolo« 拉苏塔花园:克罗地亚歌手协会案例“Kolo”
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/ygjwrcd1jy
Ivana Klajzner
{"title":"»Rasuta bašćina«: slučaj Hrvatskog pjevačkog društva »Kolo«","authors":"Ivana Klajzner","doi":"10.21857/ygjwrcd1jy","DOIUrl":"https://doi.org/10.21857/ygjwrcd1jy","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"51 1","pages":"83-94"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68490074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Svršetak Porina 波林完成
3区 艺术学
Arti Musices Pub Date : 2020-01-01 DOI: 10.21857/yvjrdcle3y
Dalibor Davidović
{"title":"Svršetak Porina","authors":"Dalibor Davidović","doi":"10.21857/yvjrdcle3y","DOIUrl":"https://doi.org/10.21857/yvjrdcle3y","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68495027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Krešimir Kovačević kao leksikograf s posebnim osvrtom na njegov urednički i autorski prinos u Leksikonu jugoslavenske muzike (Zagreb 1984)
3区 艺术学
Arti Musices Pub Date : 2019-12-06 DOI: 10.21857/yl4okfl409
M. Pintar
{"title":"Krešimir Kovačević kao leksikograf s posebnim osvrtom na njegov urednički i autorski prinos u Leksikonu jugoslavenske muzike (Zagreb 1984)","authors":"M. Pintar","doi":"10.21857/yl4okfl409","DOIUrl":"https://doi.org/10.21857/yl4okfl409","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44367932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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