College Art Journal最新文献

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Art and the Artist in Communist China 共产主义中国的艺术与艺术家
College Art Journal Pub Date : 1959-09-01 DOI: 10.2307/774078
Arnold L. Herstand
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引用次数: 1
Hugo Munsterberg: The Folk Arts of Japan 雨果·明斯特伯格:日本民间艺术
College Art Journal Pub Date : 1959-09-01 DOI: 10.1080/15436322.1959.11465729
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引用次数: 0
SAH Tour of Dublin 都柏林之旅
College Art Journal Pub Date : 1959-09-01 DOI: 10.2307/774100
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引用次数: 0
MCAC
College Art Journal Pub Date : 1959-09-01 DOI: 10.1002/9783527678679.dg07226
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引用次数: 0
Niels von Holst: Italien: Von Siena bis Sizilien 从Siena到西西里
College Art Journal Pub Date : 1959-09-01 DOI: 10.1080/15436322.1959.11465735
J. P. Hodin
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引用次数: 0
Arthur Davison Ficke: Chats on Japanese Prints, Preface by Gladys B. Ficke 阿瑟·戴维森·菲克:日本版画之谈,格拉迪斯·b·菲克序
College Art Journal Pub Date : 1959-09-01 DOI: 10.1080/15436322.1959.11465731
M. Gentles
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引用次数: 0
Problems in Sculpture 雕塑中的问题
College Art Journal Pub Date : 1959-09-01 DOI: 10.2307/774084
Howard J. Whitlatch
{"title":"Problems in Sculpture","authors":"Howard J. Whitlatch","doi":"10.2307/774084","DOIUrl":"https://doi.org/10.2307/774084","url":null,"abstract":"As a vital expressive force in contemporary culture, sculpture today has apparently fallen short of its promise. The intimation of its revival as a major art early in the nineteen hundreds, after centuries of decorative virtuosity, seems to have aroused a premature hope.The lead was provided by such men as Lipchitz, Zadkine, Lachaise, Zorach, Archipenko, Brancusi, to mention just a few. These are the men whose search and rediscovery of the power and strength of unencumbered sculptural form changed the whole direction of sculptural ideas in the present century. It seems a pity that they spoke only to fellow artists, while leaving the public and its leaders unimpressed. And today, viewing the sculpture seen in exhibitions, I have some doubt in my mind as to how well the younger sculptors have grasped the message of these pioneers in the early 20th century. Nevertheless, sculpture has made very little impact on the public mind.","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134324287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Walter Friedlaender: Mannerism and Anti-Mannerism in Italian Painting 沃尔特·弗里德兰德:意大利绘画中的矫饰主义和反矫饰主义
College Art Journal Pub Date : 1959-09-01 DOI: 10.1080/15436322.1959.11465720
Minerva Pinnell
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引用次数: 0
Pietro Zampetti; Jacopo Bassano 皮埃特罗·Zampetti;Jacopo Bassano
College Art Journal Pub Date : 1959-09-01 DOI: 10.1080/15436322.1959.11465725
Creighton E. Gilbert
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引用次数: 0
Cezanne's Use of Perspective 塞尚透视法的运用
College Art Journal Pub Date : 1959-09-01 DOI: 10.2307/774082
C. Gray
{"title":"Cezanne's Use of Perspective","authors":"C. Gray","doi":"10.2307/774082","DOIUrl":"https://doi.org/10.2307/774082","url":null,"abstract":"Students of Cezanne's use of space in his paintings have very often seen in his powerful and original handling, a break with the traditional means of organization, and have suggested that an important element in Cezanne's conception of pictorial space was to be found in his rejection of the conventional rules of perspective.1 Yet if a number of Cezanne's statements about his objectives in art were to be taken at face value, it would appear that he regarded himself, not as a radical innovator casting away traditional forms, but rather as an artist who felt that his contemporaries were losing certain important qualities to be found in the works of the great masters of the past. Though Impressionism had greately enriched Cezanne's perception of nature, he felt that it lacked the solidity of traditional art. He desired, as he put it, “to make something that would endure out of Impressionism, like the art of the museums;”2 and “to do Poussin over after nature.”3","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"55 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123255840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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