{"title":"Art and Civilization","authors":"Chu-tsing Li, B. Myers","doi":"10.2307/774196","DOIUrl":"https://doi.org/10.2307/774196","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1968-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133095567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"John Francis McDermott, George Caleb Bingham: River Portraitist","authors":"E. Bloch","doi":"10.1080/15436322.1960.11466282","DOIUrl":"https://doi.org/10.1080/15436322.1960.11466282","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125849561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eakins as Functionalist","authors":"Lawrence E. Scanlon","doi":"10.2307/773850","DOIUrl":"https://doi.org/10.2307/773850","url":null,"abstract":"In nineteenth-century America the concept of function was appealed to as a significant criterion in many areas of cultural activity. The story of American proficiency in designing tools and machinery has become legendary: in all the major trade fairs European visitors acknowledged the functional excellence of native products. For Louis Sullivan, as is almost too familiar to bear restating, function became the next thing to an ultimate value: “It is the pervading law of all things organic, and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.”1","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"346 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122560973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"To Make Love to Life","authors":"R. Lippold","doi":"10.2307/773845","DOIUrl":"https://doi.org/10.2307/773845","url":null,"abstract":"In this troubled world we need huge doses of both the socially objective and the personally subjective, since each exists only by virtue of the other.The errors we may make I am sure lie in our inabilities to embrace those aspects of life which seem contradictory to us, not only by a separation of the subjective and the objective—an oversight which is surely responsible for the isolation of the artist in a materialistic society—but also by a schism between body and spirit. (Perhaps this is the same thing.) This curious compulsion to resolve life into an either-or finality is deadlier than death because it makes enemies of us and puts daggers in our prejudiced hands. In the world of art, the separation of the “sensuous” from the “sublime,” the “expressive” from the “contemplative,” are just as deadly to the work of art, because it can lead only to what is a matter of fashion and not of form.","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130558712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ann Arbor Group","authors":"R. Gerard","doi":"10.2307/773857","DOIUrl":"https://doi.org/10.2307/773857","url":null,"abstract":"Under the above title a number of artists, all associated with the University of Michigan as students, teachers or both, recently (November, 1959) exhibited their paintings at the Riverside Museum, New York. The preface to the exhibition catalogue, which we reprint below was written by the eminent biologist, Ralph W. Gerard of the University of Michigan. The exhibiting artists were: Annelli Arms, Edith Dines, J. E. L. Eldridge, John Goodyear, Douglas Huebler, Gerome Kamrowski, Irving Kaufman, Thomas Larkin, William Lewis, Albert Mullen, William Owsley, Albert Weber, Leonard Zamiska.","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121852658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Erarnos-Jahrbuch 1958, Band XXVII: Mensch und Frieden: Olga Fröbe-Kapteyn, editor","authors":"J. P. Hodin","doi":"10.1080/15436322.1960.11466286","DOIUrl":"https://doi.org/10.1080/15436322.1960.11466286","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"182 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126025005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"John Canaday, Mainstreams of Modern Art","authors":"A. Weller, Theodore E. Klitzke","doi":"10.1080/15436322.1960.11466278","DOIUrl":"https://doi.org/10.1080/15436322.1960.11466278","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121935522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harold McCracken, George Catlin and the Old Frontier","authors":"","doi":"10.1080/15436322.1960.11466280","DOIUrl":"https://doi.org/10.1080/15436322.1960.11466280","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"245 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127535602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Thomas Paulsson, Scandinavian Architecture: Building and Society in Denmark, Finland, Norway, and Sweden from the Iron Age until Today","authors":"Walter L. Creese","doi":"10.1080/15436322.1960.11466283","DOIUrl":"https://doi.org/10.1080/15436322.1960.11466283","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1960-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133273297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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