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A Brief Summary of the History and Development of Photography 摄影的历史与发展简论
Philosophy of Photography Pub Date : 2022-01-28 DOI: 10.1108/978-1-80071-535-620221002
S. Hogan
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引用次数: 0
Photographic Practice for Health and Wellbeing 健康和幸福的摄影实践
Philosophy of Photography Pub Date : 2022-01-28 DOI: 10.1108/978-1-80071-535-620221004
S. Hogan
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引用次数: 0
An Introduction to Re-enactment Phototherapy Re-enactment光疗介绍
Philosophy of Photography Pub Date : 2022-01-28 DOI: 10.1108/978-1-80071-535-620221006
S. Hogan
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引用次数: 0
How are Photographs Distinctive? 照片如何与众不同?
Philosophy of Photography Pub Date : 2022-01-28 DOI: 10.1108/978-1-80071-535-620221003
S. Hogan
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引用次数: 0
One face, millions of faces: Computer vision as hyperobject 一张脸，数百万张脸:作为超物体的计算机视觉
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00048_1
Sheung Yiu
{"title":"One face, millions of faces: Computer vision as hyperobject","authors":"Sheung Yiu","doi":"10.1386/pop_00048_1","DOIUrl":"https://doi.org/10.1386/pop_00048_1","url":null,"abstract":"Borrowing Timothy Morton’s notion of hyperobject, this article explores questions of network and scale in generative adversarial networks (GAN) images. In this context, the term network refers to the omnipresence of algorithmic images today and their significant impact on our lives. Such images are massively distributed in time and space beyond any sensible human-scale. Scale, in this context, denotes the relations between different operational layers of algorithmic images, such as the pictorial layer in contrast to the data layer. An algorithmic image is simultaneously a visual image, a symbol, a data point and part of a mass visual milieu. Its meaning is thus polymorphic and can, arguably, never be exhausted. The article explores these terms through analysis of the website www.thispersondoesnotexist.com.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48801992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photography after Capitalism, Ben Burbridge (2020) 《资本主义之后的摄影》，本·伯布里奇（2020）
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00054_5
Dan Commons
{"title":"Photography after Capitalism, Ben Burbridge (2020)","authors":"Dan Commons","doi":"10.1386/pop_00054_5","DOIUrl":"https://doi.org/10.1386/pop_00054_5","url":null,"abstract":"Review of: Photography after Capitalism, Ben Burbridge (2020)\u0000 London: Goldsmiths Press, 240 pp.,\u0000 ISBN 978-1-91268-599-8, h/bk, £34.00","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44369743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The promise of photography: Scale, measure and proportion in a conflicted visual milieu 摄影的前景:在一个冲突的视觉环境中，尺度、尺度和比例
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00047_1
Andrew Fisher, A. Hennig, B. Behr, Danny Rubinstein, Martin Charvát, Peter Szendy, Tomáš Dvořák
{"title":"The promise of photography: Scale, measure and proportion in a conflicted visual milieu","authors":"Andrew Fisher, A. Hennig, B. Behr, Danny Rubinstein, Martin Charvát, Peter Szendy, Tomáš Dvořák","doi":"10.1386/pop_00047_1","DOIUrl":"https://doi.org/10.1386/pop_00047_1","url":null,"abstract":"This roundtable discussion is based on an online symposium – The Promise of Photography: Scale, Measure and Proportion in a Conflicted Visual Milieu – which took place on 17 September 2021. Since its inception, photography has promised to set things to scale, to grant them measure and proportion, a series of promises that have also entailed moments of irrationality or conflict that persist in and continue to shape the era of global networked digital imaging technologies. The symposium started out from the diagnosis that, whilst photography continues to promise an ordered, proportionate and measured world in which things can be set to their proper scale, it also acts in many ways as an agent of dismeasure, disproportion and the unscalable. In light of this, the roundtable discussion presented here examines a range of different meanings that scale, measure and proportion have accrued in the photographic context and sets out to explore conceptual frameworks and research methodologies through which the current situation might be understood.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45886426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Topologies of Air and the Airspace Tribunal: Shona Illingworth and Anthony Downey 空气拓扑和空域法庭：肖娜·伊林沃斯和安东尼·唐尼
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00046_7
S. Illingworth, A. Downey
{"title":"Topologies of Air and the Airspace Tribunal: Shona Illingworth and Anthony Downey","authors":"S. Illingworth, A. Downey","doi":"10.1386/pop_00046_7","DOIUrl":"https://doi.org/10.1386/pop_00046_7","url":null,"abstract":"Can we deploy creative practices to critically address the fatal interlocking of global surveillance technologies, neo-colonial expansionism, environmental degradation and the lethal threat of drone warfare? Throughout the following conversation, Shona Illingworth and Anthony Downey examine these and other questions in relation to the recent publication of Topologies of Air (Sternberg Press and The Power Plant, 2022). Edited by Downey, the book includes discussion and documentation of two major bodies of work by Illingworth, including Topologies of Air (2021) and Lesions in the Landscape (2015), alongside an extended series of essays that analyse the psychological and environmental impact of military, industrial and corporate transformations of airspace and outer space. Employing interdisciplinary research and collaborative processes, Illingworth’s practice, as detailed in the discussion below, uses creative methodologies to visualize and interrogate this proliferating exploitation of airspace. The conversation between Illingworth and Downey also outlines the work of the Airspace Tribunal, an ongoing series of public hearings that brings together diverse disciplines, methodologies, knowledge and lived experiences to propose a new human right that will counter the colonization of the sky and, in time, protect individuals, communities and ecologies from ever-increasing threats from above.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41578942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Excerpts from Everything Is a Projection (2020–present): Digital photography and 3D photogrammetry 《一切都是投影(2020年至今):数字摄影和3D摄影测量》节选
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00055_7
Sheung Yiu
{"title":"Excerpts from Everything Is a Projection (2020–present): Digital photography and 3D photogrammetry","authors":"Sheung Yiu","doi":"10.1386/pop_00055_7","DOIUrl":"https://doi.org/10.1386/pop_00055_7","url":null,"abstract":"In three-dimensional (3D) computer graphics, photography is treated not as the final product but as data to be extracted, information to be mapped onto and raw material to augment 3D models. Texture maps, normal maps and bump maps, created from photographic data, describe the reflectance properties of an object in a virtual scene. They give instructions to the render engine to calculate the correct pixel value, generating a near imperceptibly natural scene for the human eye. Computer graphics utilizes a network of images taken from different perspectives and at different scales to achieve photorealism. The project investigates one of many algorithmic visual systems that act as a backbone of virtual reality and gaming.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49090185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021) 《调查美学:真理政治中的冲突与公域》，马修·富勒、埃雅尔·魏茨曼(2021)著
Philosophy of Photography Pub Date : 2021-10-01 DOI: 10.1386/pop_00052_5
Thomas Watson
{"title":"Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021)","authors":"Thomas Watson","doi":"10.1386/pop_00052_5","DOIUrl":"https://doi.org/10.1386/pop_00052_5","url":null,"abstract":"Review of: Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021)\u0000 London: Verso, 272 pp.,\u0000 ISBN 978-1-78873-908-5, p/bk, £14.99","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41744724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
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