发布求助
文献互助 智能选刊 最新文献

Rijksmuseum Bulletin最新文献

筛选
英文 中文
Acquisitions: European Drawings for Domestic Furniture 1625-1810 收购：1625-1810年欧洲家用家具图纸
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-06-15 DOI: 10.52476/trb.9686
Reinier Baarsen
{"title":"Acquisitions: European Drawings for Domestic Furniture 1625-1810","authors":"Reinier Baarsen","doi":"10.52476/trb.9686","DOIUrl":"https://doi.org/10.52476/trb.9686","url":null,"abstract":"By the end of 2022, the Rijksmuseum’s Decorative Art Fund, established by private benefactors with the aim of forming a collection of drawings for the decorative arts, will celebrate its tenth anniversary. This will be marked by an exhibition, Process: Design Drawings from the Rijksmuseum 1500-1900, to be held at the Design Museum in Den Bosch and afterwards at the Fondation Custodia in Paris. The show is accompanied by a catalogue presenting about 250 drawings: the collection is indeed coming of age! And it continues to grow, as evidenced in the selection brought together here, almost entirely acquired after the choice of drawings for the exhibition had been finalized. Research on these drawings is ongoing, and only some preliminary findings are presented at this point. \u0000The expansion of the collection is only possible because of the unflinching support of the Fund’s founders and of many other benefactors. Some of their names appear in the notes on individual acquisitions, but there are many more, and we are deeply grateful to them all.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49302239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Berlin Furniture Drawings by Carl Wilhelm Marckwort (1798-1875) 卡尔·威廉·马克沃特(1798-1875)的柏林家具素描
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-06-15 DOI: 10.52476/trb.9683
Achim Stiegel
{"title":"Berlin Furniture Drawings by Carl Wilhelm Marckwort (1798-1875)","authors":"Achim Stiegel","doi":"10.52476/trb.9683","DOIUrl":"https://doi.org/10.52476/trb.9683","url":null,"abstract":"The Rijksmuseum recently acquired eight furniture designs, drawn by the cabinet-maker from Braunschweig, Carl Wilhelm Marckwort (1798-1875), while working as a journeyman in Berlin, in the years 1820-23. Apart from another group by Marckwort, no similar drawings made in Berlin during the first half of the nineteenth century survive, although they must once have been common. They were not regarded as works of art, and those that may have been retained in Berlin were lost during the Second World War. Marckwort took his drawings with him when he returned to Braunschweig in 1824, where they have until recently been kept by a succession of local cabinet-makers.\u0000Marckwort’s drawings present much information on current Berlin furniture types, and they document the high level of draughtsmanship attained by a talented craftsman working there. In Berlin, as in Vienna and indeed also in Braunschweig, much attention was given from the late eighteenth century onwards to providing drawing lessons for apprentices and journeymen. This was seen as an important step in an effort to improve the quality of manufactured goods. Marckwort’s manner of drawing, linear rather than free, exemplifies the workings of the new educational system. Sadly, no documentation concerning his training has been found.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43659108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Framing the Frame: Frans Post’s View of Olinda, Brazil (1662) 框架:弗朗斯·波斯特对巴西奥林达的看法(1662年)
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-06-15 DOI: 10.52476/trb.9682
K. Schmidt-Loske, Kurt Wettengl
{"title":"Framing the Frame: Frans Post’s View of Olinda, Brazil (1662)","authors":"K. Schmidt-Loske, Kurt Wettengl","doi":"10.52476/trb.9682","DOIUrl":"https://doi.org/10.52476/trb.9682","url":null,"abstract":"The article discusses the frame of Frans Post’s View of Olinda, Brazil (1662) and its structure, identifying the flora and fauna carved into it. The Rijksmuseum conservators used our identification of the plants and animals as a basis for their rendered images of various possible original colour schemes for the frames that are presented here. The painting by Post must be understood in its historical context, as is the case for the frame and its motifs taken from nature. An analysis of the frame’s style makes it possible to establish that it must have been created around the same time as the painting was made and that Post was closely involved in its creation.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43699624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gerrit Lundens, His Copy after The Night Watch and the Derivatives in His Oeuvre Gerrit Lundens、《守夜人》之后的复制品及其作品中的衍生品
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-06-15 DOI: 10.52476/trb.9684
H. Meester
{"title":"Gerrit Lundens, His Copy after The Night Watch and the Derivatives in His Oeuvre","authors":"H. Meester","doi":"10.52476/trb.9684","DOIUrl":"https://doi.org/10.52476/trb.9684","url":null,"abstract":"","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41377170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Young Woman with a Fan to Isabella: A Rediscovered Identity 从拿扇子的年轻女子到伊莎贝拉:重新发现的身份
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-06-15 DOI: 10.52476/trb.9685
Lisa Lambrechts
{"title":"From Young Woman with a Fan to Isabella: A Rediscovered Identity","authors":"Lisa Lambrechts","doi":"10.52476/trb.9685","DOIUrl":"https://doi.org/10.52476/trb.9685","url":null,"abstract":"","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46643441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-03-15 DOI: 10.52476/trb.9687
Rijksmuseum Bulletin Editors
{"title":"Editorial","authors":"Rijksmuseum Bulletin Editors","doi":"10.52476/trb.9687","DOIUrl":"https://doi.org/10.52476/trb.9687","url":null,"abstract":"","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42543126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Tale of Images and Words: The Panpoëticon Batavûm and the Failed Attempt to Publish a History of Dutch Literature 影像与文字的故事:Panpoëticon batav<s:1>与荷兰文学史出版的失败尝试
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-03-15 DOI: 10.52476/trb.9690
Lieke Van Deinsen
{"title":"A Tale of Images and Words: The Panpoëticon Batavûm and the Failed Attempt to Publish a History of Dutch Literature","authors":"Lieke Van Deinsen","doi":"10.52476/trb.9690","DOIUrl":"https://doi.org/10.52476/trb.9690","url":null,"abstract":"","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47826410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Acquisitions: Fine and Applied Arts, and History 收藏:美术与应用艺术，历史
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-03-15 DOI: 10.52476/trb.9678
Marion Anker, Reinier Baarsen, Dirk Jan Biemond, Sander Bink, Jeroen ter Brugge, Ludo van Halem, J. Reynaerts, Pieter Roelofs, F. Scholten, Amir Sidharta, Eveline Sint Nicolaas
{"title":"Acquisitions: Fine and Applied Arts, and History","authors":"Marion Anker, Reinier Baarsen, Dirk Jan Biemond, Sander Bink, Jeroen ter Brugge, Ludo van Halem, J. Reynaerts, Pieter Roelofs, F. Scholten, Amir Sidharta, Eveline Sint Nicolaas","doi":"10.52476/trb.9678","DOIUrl":"https://doi.org/10.52476/trb.9678","url":null,"abstract":"","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42730635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Recognizing Artist and Subject: Bramine Hubrecht and her Sicilian Procession 认识艺术家和主题:Bramine Hubrecht和她的西西里游行
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2020-03-15 DOI: 10.52476/trb.9689
Anna C. Koldeweij
{"title":"Recognizing Artist and Subject: Bramine Hubrecht and her Sicilian Procession","authors":"Anna C. Koldeweij","doi":"10.52476/trb.9689","DOIUrl":"https://doi.org/10.52476/trb.9689","url":null,"abstract":"In this contribution the author goes deeper into the life, the oeuvre and the network of the all but forgotten artist Bramine Hubrecht (1855-1913). At the centre is one of her paintings – four veiled young girls entirely dressed in white in a church interior. This work is now in Museum Catharijneconvent. The painting was previously attributed to Isaac Israels (1865-1934) on the basis of two false signatures. New information has meant that it can now be identified as a work by the painter Bramine Hubrecht. One of her sketchbooks in the Rijksmuseum and a watercolour in the Pulchri Cabinet, a unique artists’ initiative in The Hague, helped in unravelling the story. These two works, which show exactly the same girls, can beattributed to Hubrecht with absolute certainty. New biographical information has reinforced this new attribution and also sheds light on the meaning of the subject. These ‘brides’ prove to be part of the Processione dei Misteri del Venerdì Santo,which is still held every year on the evening of Good Friday in Taormina, the little village in Sicily where Hubrecht lived at the beginning of the twentieth century. The new attribution has also prompted research into Hubrecht’s life and works – research which has not been carried out until now.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47167418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esaias Boursse’s ‘Tijkenboeck’ Esaias Bourse的“Tijkenboeck”
IF 0.1 4区 艺术学
Rijksmuseum Bulletin Pub Date : 2019-12-15 DOI: 10.52476/trb.9736
L. Wagenaar, Mieke Beumer
{"title":"Esaias Boursse’s ‘Tijkenboeck’","authors":"L. Wagenaar, Mieke Beumer","doi":"10.52476/trb.9736","DOIUrl":"https://doi.org/10.52476/trb.9736","url":null,"abstract":"We do not know who trained Esaias Boursse (1631-1672) to be a painter, but we do know that he became a member of the Amsterdam Guild of St Luke around 1651. He certainly did not have a successful career because he joined the Dutch East India Company (VOC) in 1661. He travelled to Colombo, the capital of the island of Ceylon (Sri Lanka since 1972), captured six years earlier by the Portuguese, by way of Batavia (now Jakarta). In 1663 he was back in Amsterdam – remarkable, as the standard contract with the VOC was for five years. In financial straits again, he re-joined the VOC in 1671 and left for Asia. Shortly after leaving he died at sea. In 1996 an album containing 116 drawings came to light, most of them made by Boursse during his time in Ceylon; he made only a small number during his outward or return journeys to the Cape of Good Hope. The drawings are completely different from his earlier known oeuvre of genre paintings and prints with religious themes. The pages in his ‘Tijkenboeck’ provide a unique picture of what Boursse saw in and around Colombo. They are important evidence of the early days of the VOC in its conquered colony of Ceylon.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49316737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信