Berlin Furniture Drawings by Carl Wilhelm Marckwort (1798-1875)

IF 0.2 4区 艺术学 0 ART
Achim Stiegel
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引用次数: 0

Abstract

The Rijksmuseum recently acquired eight furniture designs, drawn by the cabinet-maker from Braunschweig, Carl Wilhelm Marckwort (1798-1875), while working as a journeyman in Berlin, in the years 1820-23. Apart from another group by Marckwort, no similar drawings made in Berlin during the first half of the nineteenth century survive, although they must once have been common. They were not regarded as works of art, and those that may have been retained in Berlin were lost during the Second World War. Marckwort took his drawings with him when he returned to Braunschweig in 1824, where they have until recently been kept by a succession of local cabinet-makers. Marckwort’s drawings present much information on current Berlin furniture types, and they document the high level of draughtsmanship attained by a talented craftsman working there. In Berlin, as in Vienna and indeed also in Braunschweig, much attention was given from the late eighteenth century onwards to providing drawing lessons for apprentices and journeymen. This was seen as an important step in an effort to improve the quality of manufactured goods. Marckwort’s manner of drawing, linear rather than free, exemplifies the workings of the new educational system. Sadly, no documentation concerning his training has been found.
卡尔·威廉·马克沃特(1798-1875)的柏林家具素描
国立博物馆最近获得了八件家具设计,这些家具是由布伦瑞克的橱柜制造商卡尔·威廉·马尔克沃特(1798-1875)于1820-23年在柏林当学徒时绘制的。除了Marckwort的另一组作品外,19世纪上半叶在柏林创作的类似画作没有留存下来,尽管它们一定曾经很常见。它们不被视为艺术品,那些可能保留在柏林的作品在第二次世界大战期间丢失了。1824年,Marckwort回到布伦瑞克时随身携带了他的画作,直到最近,这些画作一直由当地的一系列橱柜制造商保管。Marckwort的图纸提供了许多关于当前柏林家具类型的信息,并记录了一位在那里工作的天才工匠所达到的高水平的绘图技术。在柏林,就像在维也纳,甚至在布伦瑞克一样,从18世纪末开始,人们就非常重视为学徒和熟练工人提供绘画课程。这被视为努力提高制成品质量的重要一步。Marckwort的绘画方式,线性而非自由,体现了新教育体系的运作方式。遗憾的是,目前还没有找到任何关于他训练的文件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
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20
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