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IF 0.3

Plaridel Pub Date : 2022-10-25 DOI: 10.52518/2022-13tgno

Axle Christien Tugano

{"title":"Ang popularidad ng phallic jokes: Isang kritikal na pagsusuri sa mga phallokratikong pahayag ni Rodrigo Duterte sa midya","authors":"Axle Christien Tugano","doi":"10.52518/2022-13tgno","DOIUrl":"https://doi.org/10.52518/2022-13tgno","url":null,"abstract":"Abstract In Philippine society, jokes are an integral element, whether polemical or verbal. But at no instance should any sexist, patriarchal, machismo, or misogynistic remark that reinforces a culture of impunity such as touching, rape, pain, and abuse be considered a “good joke.” Duterte jokes, especially his phallic jokes, became popular in media and was viewed as a “ridiculous” statement that, in fact, ran over some Filipino customs and culture. The purpose of this study is to take a critical analysis at Duterte’s remarks that are directly related to his being a phallocrat, a type of leader who is a sexist patriarch. From its two statements regarding his virile organ with length that reaches his navel (2019) and his own interpretation of utog (2017 and 2019), it examined how this type of jokes prevailed, accepted, and laughed at by the audience. This part of the study focuses on the context of the popularity of Duterte’s obscene jokes. It is a myth that his phallocratic jokes have descended on the understanding of the masses and reflect the image of the Filipino people, because when examined, he actually desecrated the culture and consciousness of the Filipinos. Through this, the phenomenon of how and why post-colonial phallocrats like Duterte managed to win over the hearts of the people, via jokes is demonstrated.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"08 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86196527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Netspeak virtual ethnography as culture in the Kaskus virtual community Netspeak虚拟人种学作为Kaskus虚拟社区的文化

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-05banash

Gema Nusantara Bakry, Rulli Nasrullah, Amin Shabana

{"title":"Netspeak virtual ethnography as culture in the Kaskus virtual community","authors":"Gema Nusantara Bakry, Rulli Nasrullah, Amin Shabana","doi":"10.52518/2022.19.1-05banash","DOIUrl":"https://doi.org/10.52518/2022.19.1-05banash","url":null,"abstract":"The Internet’s rapid development has created a new space, namely digital space, in people’s life. This digital space, which is created by the advancement in information and communication technology, provides an alternative for the community to get an advantage. The community can engage in a variety of activities. One of them is to communicate. Due to the presence of digital space, a new communication culture by using Internet has emerged. The purpose of this research is to discover how Internet speech (Netspeak) is used in conversation in the Kaskus online community. Virtual ethnography was used as a research method. This study attempted to find out how culture, interactions, and structures shape the cybersocial reality in the Kaskus forum. This study describes various Internet languages that users use to express and communicate what they have in mind. The slang language is used by the Kaskusers to: (1) familiarize themselves with others, (2) express themselves, (3) inform about something, (4) give their regret, (5) insinuate, and (6) to buy and sell. In comparison, emoticons are used as: (1) the sign of friendship, (2) the sign of expressing emotions, (3) the sign of satire, and (4) the sign of telling something.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"36 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85123804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Gender in Philippine advertisements: Portrayal patterns and platform differences immediately before the COVID-19 pandemic 菲律宾广告中的性别:COVID-19大流行前的描绘模式和平台差异

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-04prmha

F. Paragas, Czekaina Esrah Rapanot, Marrhon Mangalus, Catherine Faith Hoggang,, Mariam Jayne Agonos

{"title":"Gender in Philippine advertisements: Portrayal patterns and platform differences immediately before the COVID-19 pandemic","authors":"F. Paragas, Czekaina Esrah Rapanot, Marrhon Mangalus, Catherine Faith Hoggang,, Mariam Jayne Agonos","doi":"10.52518/2022.19.1-04prmha","DOIUrl":"https://doi.org/10.52518/2022.19.1-04prmha","url":null,"abstract":"Informed by the pioneering work of Erving Goffman, subsequent studies by Mee-Eun Kang, recent innovations in the Geena Davis Institute, and local approaches by Philippine scholars, this study sought to determine the portrayal of gender in Philippine advertising across various media. Specifically, it located gender across products, storylines, characters, pitch, and setting. It provided the baseline data for the depiction of gender immediately before the pandemic, and served as the benchmark against how gender may be portrayed differently in ads in the next normal. The population of TV, print, and radio advertisements was based on a database maintained by Aries Insights and Media Solutions (AIMS), access to which was facilitated by Kantar Media. The study covered two TV stations, three broadsheets, two tabloids, two FM stations, and two AM stations. The researchers constructed two weeks from January – December 2018 for TV and print, while one week was constructed from October to December 2018 for radio. Across platforms, the most advertised products were food and non-alcoholic beverages, pharmaceutical/health/herbal products, and restaurants, retail outlets, and malls. Ads focused on product/brand prestige, appealed to any of the five human senses, or concentrated on health. Certain ad pitches showed noticeable gendered differences. Women rather than men were associated with beauty, youth, and value for money. Print and radio ads featured more men than women, while TV featured more women than men. The study found that while overt objectification was no longer prevalent in advertisements, stereotypically gendered portrayals remain in subtle forms across platforms.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"68 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82854684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Gendered space”: A study of newspaper opinion journalism as emergent and oppositional to the dominant culture in journalism “性别空间”:作为新闻主流文化的新兴和对立的报纸舆论新闻研究

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-01tbada

M. T. A. Tabada

引用次数: 1

From “welcome to my channel” to “please like, share, & subscribe”: A conversational analysis of the opening and closing strategies of Filipino Youtube vlogs 从“欢迎来到我的频道”到“请点赞、分享、订阅”:菲律宾Youtube视频博客开启与关闭策略的对话分析

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-07jlgat

Joseph Ryann J. Jalagat

引用次数: 0

Not your ordinary catfishing story: The role of cancel culture behind the hashtag #SamMoralesisOver 这不是你平常的钓鱼故事:#SamMoralesisOver标签背后的取消文化的作用

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-02ccpel

Bonne Cañal, Ira Capuyan, Hannah Jelsy T. Del Pilar, Myril Eloise Enolpe, Susan Loseo

{"title":"Not your ordinary catfishing story: The role of cancel culture behind the hashtag #SamMoralesisOver","authors":"Bonne Cañal, Ira Capuyan, Hannah Jelsy T. Del Pilar, Myril Eloise Enolpe, Susan Loseo","doi":"10.52518/2022.19.1-02ccpel","DOIUrl":"https://doi.org/10.52518/2022.19.1-02ccpel","url":null,"abstract":"This study examined the role of cancel culture behind the hashtag #SamMoralesIsOver to determine how it affected the LGBTQ+ catfishing victims’ courage to speak out. The hashtag refers to the online “cancellation” of multimedia artist Sam Morales after trans woman Jzan Vern Tero disclosed how Sam catfished her into an 8-month relationship. A focus group discussion was conducted among eight LGBTQ+ members who were either catfishing victims or shared or retweeted tweets with the said hashtag. Responses were analyzed using the theories of Convergence Culture, Spiral of Silence, and Empowerment. Findings showed that LGBTQ+ members define cancel culture as an online phenomenon involving a group of persons condemning offensive and displeasing acts, beliefs, or certain stigmas in an attempt to demand accountability from the perceived offender. Participants find Twitter the most convenient platform for cancel culture. The catfishing victims’ decision to speak out are influenced by these factors: relatability, raising awareness, and the perpetrator’s reason for catfishing. Cancel culture has a significant role in promoting awareness about the ongoing struggles of minority groups like the LGBTQ+ community.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"4 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74288634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Duterte as misogynist fascist: A discourse analysis of Duterte’s misogynist criticisms against women 杜特尔特是厌恶女性的法西斯主义者:对杜特尔特对女性的厌恶女性批评的话语分析

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-03glnza

G. Lanuza

引用次数: 0

Happily ever after: Representations of gender politics in This Guy’s in Love with U Mare! 从此幸福地生活在一起:《这家伙爱上了你》中性别政治的表现!

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-08cybyb

Angeline Cayabyab

引用次数: 0

Patriotic heroes on screen; Strategy of demonstrating power: Reading police’s images in the winning films of the Police Movie Festival 2019 荧幕上的爱国英雄;展示力量的策略:解读2019年警察电影节获奖影片中的警察形象

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2022.19.1-06soknu

Muria Endah Sokowati, Frizki Yulianti Nurnisya

{"title":"Patriotic heroes on screen; Strategy of demonstrating power: Reading police’s images in the winning films of the Police Movie Festival 2019","authors":"Muria Endah Sokowati, Frizki Yulianti Nurnisya","doi":"10.52518/2022.19.1-06soknu","DOIUrl":"https://doi.org/10.52518/2022.19.1-06soknu","url":null,"abstract":"This article analyzes the winning films at Indonesia’s 2019 Police Movie Festival “Together We Are Strong.” This film festival was organized by the Public Relations of the Indonesian National Police, which is allegedly one of the police’s efforts to control the media. We argue that the festival became the vehicle for police to build positive images since the media published some violent cases perpetrated by the police against civilians; or negative sentiment toward the police because several police officers held strategic positions in government. In order to find out the positive image raised by the police, we analyze the police figures in these film festival winners. The analyses include the basic ideas, characters, setting, iconography, and narrative events of the police figures. The results show that the film festival winners portrayed police as patriotic heroes who defend the country from crimes that threaten the nation’s integrity through genre analysis. According to the discursive practice in film, police’s images as patriotic heroes become an attempt by the police to perform their power in socio-political life, especially in Indonesia.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"25 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72528966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Symbolic Distancing: Indonesian Muslim Youth Engaging With Korean Television Dramas 象征性的距离:印尼穆斯林青年与韩国电视剧的互动

IF 0.3

Plaridel Pub Date : 2022-06-29 DOI: 10.52518/2020-04rosisi

Imron Rosidi

引用次数: 0