AM Journal of Art and Media Studies最新文献_第7页

A Reflection on One’s Own Work – Ana Pintarić, Luisa Pascu, Katarina Kocijan 对自己作品的反思——安娜·平塔里奇，路易莎·帕斯库，卡塔琳娜·科奇扬

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.543

M. Šuvaković

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The Perspective of Hybrid Radio in the Process of Media Convergence 媒介融合过程中的混合无线电透视

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.538

Nataša Raketić

{"title":"The Perspective of Hybrid Radio in the Process of Media Convergence","authors":"Nataša Raketić","doi":"10.25038/am.v0i29.538","DOIUrl":"https://doi.org/10.25038/am.v0i29.538","url":null,"abstract":"Digitization and the Internet have enabled traditional radio to gain new formats, new listeners, enrich content and make it available globally. Hybrid radio is the result of digitization and media convergence, enabling the availability of programs and accompanying multimedia content to a larger number of listeners thanks to a combination of FM or DAB+ signals and the Internet. Today, listeners expect a radio station to enable listening to the program non-linearly (on-demand, podcast), they expect to have access to information about weather, traffic conditions, news, and information about a song broadcast in various formats (audio, video, or text) and information about the artist. Also, listeners expect to be able to listen to their favorite radio on the same device, via the same application, even when they are not within the coverage area of the program. From an economic point of view, this is a sustainable, cost-effective system, because most stations, in addition to broadcasting on the FM or DAB+ network, already have a program available online. Also, audience growth increases advertiser interest. Although four and a half billion people have access to the Internet, in this paper I will claim that, thanks to the hybrid model, the future of radio is not exclusively in the online sphere, and that in the coming decades the Internet will be an additional tool for increasing the number of listeners and expanding the commercial market. \u0000Article received: May 12, 2022: Article accepted: July 15, 2022; Published online: October 15, 2022; Original scholarly paper","PeriodicalId":40461,"journal":{"name":"AM Journal of Art and Media Studies","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79960682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Transdisciplinary Practices on Migration Topic: The Case of “Migrations in Art – the Art of Migrations” 移民主题的跨学科实践:以“艺术中的移民——移民的艺术”为例

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.540

N. Jovanovic

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The Documentaries and Short Films of Ratko Đurović and Velimir Stojanović Ratko的纪录片和短片Đurović和Velimir stojanovic

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.542

Radoslav T. Stanišić

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Book Review: José Duarte, Filipa Rosário (ed.), ReFOCUS: The Films of João Pedro Rodrigues and João Rui Guerra da Mata, Edinburgh: Edinburgh University Press, 2022, 232 pp., ISBN: 978-1-4744-6080-4

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.541

H. Sol

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Neuroarthistory: Several Notes on Historical Sources 神经艺术史:对历史资料的几个注释

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.539

A. Milosavljević

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The Intersection of Digital and Spatial Immersion: Architecture of Pavilions at Expo Dubai 2020 数字和空间沉浸的交集:2020年迪拜世博会展馆的建筑

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AM Journal of Art and Media Studies Pub Date : 2022-10-15 DOI: 10.25038/am.v0i29.535

Sanja Gogić, Duška Prodanović

{"title":"The Intersection of Digital and Spatial Immersion: Architecture of Pavilions at Expo Dubai 2020","authors":"Sanja Gogić, Duška Prodanović","doi":"10.25038/am.v0i29.535","DOIUrl":"https://doi.org/10.25038/am.v0i29.535","url":null,"abstract":"Expo Dubai 2020 is clear evidence of a 21st-century radical switch regarding the reception of art exhibitions. As Virtual Reality, Augmented Reality, and Artificial Intelligence technologies have already developed enough to show significant influences on art, the following topic considers the merging of architecture and digital art, which are building immersive experiences together. The aim of this paper is to establish the level of inseparability and the type of connection between spatial and digital aspects that cooperatively stimulate and define the movement of visitors. As the creative capacity of architecture and digital art is unlimited in production, three country pavilions, Brazilian, South Korean, and Italian at Expo Dubai 2020, with distinct concepts are analyzed. Selected pavilions were showing diverse approaches to the application of digital technologies within the space, which makes new possible categories to be explored. A strongly emphasized multisensory aspect of spatial experience can be discovered through simple architectural technology in the Brazilian pavilion combined with the symbolic element of water, sounds, and vapors together with digital projections. Symbiosis of digital and architectural components of space is reached in the Italian pavilion by the double shifting of both digital and physical parts of the rope façade. The apparent combination of digital and analog surfaces on the kinetic facade in the Korean pavilion completes the basis for discussion about methods of hybridization of architecture and digital art. Although architecture is, according to Peter Sloterdijk, the original form of immersion, the selected pavilions demonstrate that participants of the state-of-the-art symbiosis of architecture and digital art can experience new types of immersive reception, simultaneously showcasing the application of the concept of mimesis.\u0000Article received: May 12, 2022; Article accepted: July 15, 2022; Published online: October 15, 2022; Original scholarly paper","PeriodicalId":40461,"journal":{"name":"AM Journal of Art and Media Studies","volume":"23 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77806653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Qajar Period Literature and Critical Point of View on the Problem of Opioid Addiction; (Case Study: Sang-o-Sabo Talk Book) 卡扎尔时期文献与阿片类药物成瘾问题的批判观点(个案研究:Sang-o-Sabo Talk Book)

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AM Journal of Art and Media Studies Pub Date : 2022-09-22 DOI: 10.52547/ami.2022.1201.1107

Narges Oskouie

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A Study of the Visual Features of the Signs of Quranic Illumination of the Timurid Era Preserved in the Holy Threshold Museum of Qom 库姆圣门博物馆保存的帖木儿时代古兰经照明标志的视觉特征研究

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AM Journal of Art and Media Studies Pub Date : 2022-09-22 DOI: 10.52547/ami.2022.1298.1121

Fatemeh Ghafoorifar, Farnoosh Shamili, M. Mohammadzadeh

{"title":"A Study of the Visual Features of the Signs of Quranic Illumination of the Timurid Era Preserved in the Holy Threshold Museum of Qom","authors":"Fatemeh Ghafoorifar, Farnoosh Shamili, M. Mohammadzadeh","doi":"10.52547/ami.2022.1298.1121","DOIUrl":"https://doi.org/10.52547/ami.2022.1298.1121","url":null,"abstract":"The symbols of the verses were used for the chapter of the poems from the very beginning of the revelation of the Qur’an. These signs were arranged in the form of every five or ten revealed verses, known as the signs of Khums and Ashar, which were organized in separate visual forms in each period. The purpose of the present study is to describe the visual features of the verses of the Qur’an of the Timurid religion of the Holy Threshold Museum of Qom and also to classify the verses. The present article has been done in a descriptive-analytical manner, and the materials have been collect ed concerning documents and library materials. Therefore, this research is organized around two main questions: What are the visual components of the religious verses of the mentioned Qur’ans? How is the dominant visual form and structure in the sign of the chapter of the verses arranged? The achievements of this research show that the symptoms of Khums-Ashar mean five and ten poems, which in addition to indicating the gradual revelation of poetry, also makes it easier for readers to read. The signs of the verses are single verses, decorative, khums, and tithes. These symbols are engraved in the form of sun and bergamot, and decorations such as Islamic and Khatai motifs are used. Verses are marked in the form of “visual-decorative” signs and “letters and phrases.”","PeriodicalId":40461,"journal":{"name":"AM Journal of Art and Media Studies","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74044164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Investigating the Concept of Style in Photography with Emphasis on the Pictorialism Movement 从绘画主义运动看摄影的风格概念

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AM Journal of Art and Media Studies Pub Date : 2022-09-22 DOI: 10.52547/ami.2022.1289.1120

Morteza Sedighifard, Mehdi Moghimnejad‌

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